Text by Abigail Solomon-Godeau, Tom Holert, Martin Gasser, Thomas Seelig, Florian Ebner.
This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a chronicler of the contemporary art of his time, especially as the main photographer for Swiss curator Harald Szeemann, his conceptual redefinition of photography together with other artists and finally his emancipation as a photo artist.
Featured image is reproduced from 'Balthasar Burkhard.'
PRAISE AND REVIEWS
AnOther
Belle Hutton
With a series of texts by Abigail Solomon-Godeau, Tom Holert, Martin Gasser, Thomas Seelig, and Florian Ebner, we see how Burkhard’s practice evolved over the second half of the 20th century, from documenting the art world to portraits of nature and animals.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Pbk, 8.25 x 11.5 in. / 256 pgs / illustrated throughout. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $69.95 ISBN: 9783958293427 PUBLISHER: Steidl/Museum Folkwang, Essen, Fotomuseum Winterthur/Fotostiftung Schweiz, Winte AVAILABLE: 4/21/2020 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA ONLY
Published by Steidl/Museum Folkwang, Essen, Fotomuseum Winterthur/Fotostiftung Schweiz, Winte. Text by Abigail Solomon-Godeau, Tom Holert, Martin Gasser, Thomas Seelig, Florian Ebner.
This book presents the many facets of Swiss photographer Balthasar Burkhard (1944–2010). Burkhard’s work combines a sensitive understanding of the body as sculpture and the photographic image as a canvas, making him one of the pioneers in translating photography as a monumental “tableau” into contemporary art. This comprehensive book coalesces Burkhard’s early role as a chronicler of the contemporary art of his time, especially as the main photographer for Swiss curator Harald Szeemann, his conceptual redefinition of photography together with other artists and finally his emancipation as a photo artist.