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Minneapolis Institute of Art
2400 Third Avenue South
Minneapolis, MN, 55404
Phone: 888-642-2787
Email: museumshop@artsmia.org
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| | |  | | | FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 2/15/2022 In honor of our friends and colleagues at museum stores around the country, we've initiated a new feature! Every month, we're planning to celebrate a museum store that goes above and beyond—and for our inaugural post, we're delighted to feature Mia! This is a museum and a museum store that cares A LOT about community, empathy, inclusiveness and "inspiring wonder through the power of art." And… if we're being honest… we also love that they clearly care so much about books. FROM THE ARTBOOK BLOG CORY REYNOLDS | DATE 2/15/2022In honor of our friends and colleagues at museum stores around the country, we've initiated a new feature! Every month, we're planning to celebrate a museum store that goes above and beyond—and for our inaugural post, we're delighted to feature Mia! This is a museum and a museum store that cares A LOT about community, empathy, inclusiveness and "inspiring wonder through the power of art." And… if we're being honest… we also love that they clearly care so much about books. | | ARTBOOK @ Mia Featured TitleDELMONICO BOOKS/MUSEU DE ARTE DE SăO PAULO  Hbk, 8.25 x 10.75 in. / 400 pgs / 400 color. Named one of the best books of 2021 by Artforum
Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories—their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures.
The plural and polyphonic quality of “histórias” is also of note; unlike the English “histories,” the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives.
The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism.
Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loďs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye. |
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