The unexpected encounter of a rubber glove, a green ball and the head from the classical statue of the Apollo Belvedere gives rise to one of the most compelling paintings in the history of modernist art: Giorgio de Chiricos The Song of Love (1914). De Chirico made his career in Paris in the years before World War I, combining his nostalgia for ancient Mediterranean culture with his fascination for the curios found in Parisian shop windows. Beloved by the Surrealists, this uncanny image exemplifies de Chiricos radical metaphysical painting, which creates a disturbing sense of unreality, outside logical space and time, through the novel depiction of ordinary things. Emily Brauns essay explores the sources behind the works enigmatic motifs, its influence on avant-garde painters and poets, and its continuing ability to captivate viewers as de Chirico intended, even a century after it was made.
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FORMAT: Pbk, 7.25 x 9 in. / 48 pgs / 35 color. LIST PRICE: U.S. $14.95 LIST PRICE: CANADA $21 ISBN: 9780870708725 PUBLISHER: The Museum of Modern Art, New York AVAILABLE: 3/31/2014 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
De Chirico: The Song of Love MoMA One on One Series
Published by The Museum of Modern Art, New York. Text by Emily Braun.
The unexpected encounter of a rubber glove, a green ball and the head from the classical statue of the Apollo Belvedere gives rise to one of the most compelling paintings in the history of modernist art: Giorgio de Chiricos The Song of Love (1914). De Chirico made his career in Paris in the years before World War I, combining his nostalgia for ancient Mediterranean culture with his fascination for the curios found in Parisian shop windows. Beloved by the Surrealists, this uncanny image exemplifies de Chiricos radical metaphysical painting, which creates a disturbing sense of unreality, outside logical space and time, through the novel depiction of ordinary things. Emily Brauns essay explores the sources behind the works enigmatic motifs, its influence on avant-garde painters and poets, and its continuing ability to captivate viewers as de Chirico intended, even a century after it was made.
