ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2023 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 11/1/2024 Celebrate Native American Heritage Month!DATE 10/27/2024 Denim deep diveDATE 10/26/2024 Join Artbook | D.A.P. at Shoppe Object High Point, 2024DATE 10/24/2024 Photorealism lives!DATE 10/21/2024 The must-have monograph on Yoshitomo NaraDATE 10/20/2024 'Mickalene Thomas: All About Love' opens at Philadelphia Museum of ArtDATE 10/17/2024 ‘Indigenous Histories’ is Back in Stock!DATE 10/16/2024 192 Books presents Glenn Ligon and James Hoff on 'Distinguishing Piss from Rain'DATE 10/15/2024 ‘Cyberpunk’ opens at the Academy Museum of Motion PicturesDATE 10/14/2024 Celebrate Indigenous artists across the spectrumDATE 10/10/2024 Textile as language in 'Sheila Hicks: Radical Vertical Inquiries'DATE 10/8/2024 Queer history, science-fiction and the occult in visionary, pulp-age Los AngelesDATE 10/6/2024 The Academy Museum comes on strong with 'Color in Motion: Chromatic Explorations of Cinema' | EVENTSJAMES LUCAS | DATE 12/14/2010James Hamilton and Peter Schjeldahl in Conversation at The NYPL, December 14, 2010Photographer James Hamilton and art critic Peter Schjeldahl appeared at The New York Public Library on the evening of December 14 to discuss Hamilton's new book, You Should Have Heard Just What I Seen, published by Thurston Moore and Eva Prinz's Ecstatic Peace Library. Topics ranged from bad behavior at the Chelsea Hotel to the importance of working in the darkroom. Schjeldahl also recalled Hamilton's unique ability to capture the photographic imagery of his own words when they worked on assignment together at the Village Voice. Well before the era of the digital camera, Hamilton spent his evenings trolling the night clubs, parties and late-night hangouts of New York's demimonde only to rush home to his apartment/darkroom studio in the wee hours, so that he could develop his footage for the next day's paper. |