ARTBOOK BLOGEventsStore NewsMuseum Stores of the MonthNew Title ReleasesStaff PicksImage GalleryBooks in the MediaExcerpts & EssaysArtbook InterviewsEx LibrisAt First SightThe Artbook 2023 Gift GuidesArtbook Featured Image ArchiveArtbook D.A.P. Events ArchiveDATE 6/25/2024 LIVE from NYPL presents Michael Stipe launching 'Even the birds gave pause'DATE 6/13/2024 ICP presents Eugene Richards on 'Remembrance Garden'DATE 6/8/2024 "Next-level otherness" in Pride Month staff pick 'Nick Cave: Forothermore'DATE 6/6/2024 Celebratory and transgressive, 'John Waters: Pope of Trash' is a Pride Month Staff PickDATE 6/3/2024 In Nan Goldin's 'The Other Side,' you are who you pretend to beDATE 6/2/2024 Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'DATE 6/1/2024 There's no such thing as being extra in June! Pride Month Staff Picks 2024DATE 5/28/2024 'Mickalene Thomas: All About Love,' on view at The BroadDATE 5/24/2024 Celebrate Memorial Day weekend with Garry Winogrand's intimate, flashing mirror of AmericaDATE 5/24/2024 Beautifully illustrated essays on Arab ModernistsDATE 5/19/2024 Of bodies and knowing, in 'Christina Quarles: Collapsed Time'DATE 5/17/2024 192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' seriesDATE 5/17/2024 Lee Quiñones signing at Perrotin Store New York | EXCERPTS & ESSAYSMING LIN | DATE 8/12/2011Documenta Notebooks: Erkki KurenniemiIn the first track of Erkki Kurenniemi's 1968 debut album Information Explosion, a single resounding beep escalates unceremoniously into a cacophony of sound. There are bursts of classical music and splashes of synthesizer. Occasionally it bears resemblance to the popular German synthpop band Kraftwerk, but unlike the former, Kurenniemi provides no safe narrative in which the listener can take refuge--there are only sporadic episodes of recognizable sound from an eclectic array of samples. This cut-and-paste approach might be likened to the work of Christian Marclay, whose "sound collages" were composed of clips woven together from records on a turntable. Kurenniemi's works, however, are determined by a more concrete rationale. A trained nuclear physicist and mathematician turned musician, it is evident that his compositions are fueled by an underlying logic. |