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PHOTOGRAPHER MONOGRAPHS

PUBLISHER
Aperture

BOOK FORMAT
Paperback, 7.5 x 10 in. / 128 pgs / illustrated throughout.

PUBLISHING STATUS
Pub Date
No longer our product

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PRODUCT DETAILS
ISBN 9781597112970 TRADE
List Price: $29.95 CDN $35.00

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THE FALL 2024 ARTBOOK | D.A.P. CATALOG

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Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
  

APERTURE

Todd Hido on Landscapes, Interiors, and The Nude

The Photography Workshop Series

Introduction by Gregory Halpern. Text by Todd Hido.

Todd Hido on Landscapes, Interiors, and The NudeIn The Photography Workshop Series, Aperture Foundation works with the world's top photographers to distill their creative approaches, teachings and insights on photography, offering the workshop experience in a book. Its goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Each book features the creative process and core thinking of a photographer told in their own words and through pictures of their choosing, and is introduced by a well-known student of the featured photographer. In this book, Todd Hido explores the genres of landscape, interior and nude photography, with emphasis on creating images from a personal perspective and with a sense of intimacy. Through words and photographs, he also offers insight into his own practice and discusses a wide range of creative issues, including mining one's own memory and experience as inspiration; using light, texture and detail for greater impact; exploring the narrative potential activated when sequencing images; and creating powerful stories with emotional weight and beauty.
Todd Hido (born 1968) is a San Francisco Bay Area-based artist. He is well known for his photography of urban and suburban housing across the United States, and for his use of detail and luminous color. His previous books include House Hunting (2001), Outskirts (2002), Roaming (2004) and Between the Two (2007). He is a recipient of a Eureka Fellowship and a Wallace Alexander Gerbode Foundation Visual Arts Award, and is represented by Stephen Wirtz Gallery in San Francisco. He is an adjunct professor at California College of the Arts.
Gregory Halpern received a BA in history and literature from Harvard University and an MFA from California College of the Arts. His third book of photographs, entitled A, is a photographic ramble through the streets of the American Rust Belt. His other books include Omaha Sketchbook and Harvard Works Because We Do. He currently teaches at the Rochester Institute of Technology and is the coeditor of The Photographer's Playbook (Aperture 2013).

"#2690" (2000) is reproduced from Todd Hido on Landscapes, Interiors, and The Nude.

Todd Hido on Landscapes, Interiors, and The Nude

FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 10/29/2014

Todd Hido on Landscapes, Interiors, and The Nude

Todd Hido on Landscapes, Interiors, and The Nude

"Anyone who's ever renovated a house knows that interiors are all about surfaces. The kind of flooring, the kind of wallpaper, the color of the paint—these all add up to create the environment of a house. I think the surfaces that we grew up with are imprinted in our memory in a really deep way. People respond immediately to 1970s wood paneling, for example. They recognize that it's not a typical part of our surroundings anymore. So this one detail can carry you back to the past and elicit memories. I think there's something profound about how that happens. A picture is not contained by its frame.
The space we exist in within the home is incredibly important. Each room in the house has a different meaning. A picture taken from the perspective of someone watching TV in the basement has a different meaning than one of a bedroom because so many different activities happen in that room. Certain things happen in a bed, and a photograph of a single bed tells a different story than one of a double bed. All of these details matter to the mood and meaning of a picture. A picture of a bed is not necessarily a picture of a bed—it could be a picture about a relationship, it could be a picture about sexuality. It could be a picture about loss or love, or it could be a loveless picture." Featured image, "#1843," and text excerpt are reproduced from Todd Hido on Landscapes, Interiors, and The Nude, the newest book in Aperture's acclaimed Photography Workshop Series. continue to blog


FROM THE ARTBOOK BLOG

CORY REYNOLDS | DATE 1/15/2015

Todd Hido on Landscapes, Interiors, and the Nude

Todd Hido on Landscapes, Interiors, and the Nude

In Aperture's newest release in the acclaimed Photography Workshop Series, Todd Hido writes, " I like when the whole story is not entirely evident in the picture. I'm intrigued more when I don't understand exactly what’s happening. Often times, what’s not shown is of more interest. It activates the imagination and the senses. There’s a kind of pleasure in not knowing, in having to pay attention. The picture, then, is not contained by what’s in the frame. Raising this kind of ambiguity is the work that art can do." Hido will sign copies of the book at the Park Life Pop-Up Store at the FOG Art/Design Fair 2015 Saturday, January 17 at 12PM. Featured image, "#8869," is reproduced from Todd Hido on Landscapes, Interiors, and the Nude. continue to blog


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