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| | BOOK FORMAT Clth, 9.5 x 12.5 in. / 88 pgs / 35 color. PUBLISHING STATUS Pub Date 2/28/2011 Active DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2011 p. 165 PRODUCT DETAILS ISBN 9782915173680 TRADE List Price: $55.00 CAD $72.50 AVAILABILITY In stock | TERRITORY NA LA ASIA AU/NZ AFR ME | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Raphaël Dallaporta: AntipersonnelIntroduction by Sam Stourdzé. Foreword by Martin Parr. Text by Philippe Houliat. Afterword by Jody Williams.
Staged and photographed as though they were perfume bottles or jewelry, Raphaël Dallaporta's images of antipersonnel mines transport these malignant entities far from their customary context and function, refusing easy sensationalism in favor of a more disturbing, insinuating depiction.
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| | | | | DamianiISBN: 9788862085496 USD $40.00 | CAD $54Pub Date: 11/21/2017 Active | Out of stock
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| | Editions Xavier Barral/Musée de l'Elysée LausanneISBN: 9782915173680 USD $55.00 | CAD $72.5Pub Date: 2/28/2011 Active | In stock
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FORMAT: Clth, 9.5 x 12.5 in. / 88 pgs / 35 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $72.5 ISBN: 9782915173680 PUBLISHER: Editions Xavier Barral/Musée de l'Elysée Lausanne AVAILABLE: 2/28/2011 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME | D.A.P. CATALOG: SPRING 2011 Page 165 | PRESS INQUIRIES
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D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Raphaël Dallaporta: Antipersonnel Published by Editions Xavier Barral/Musée de l'Elysée Lausanne. Introduction by Sam Stourdzé. Foreword by Martin Parr. Text by Philippe Houliat. Afterword by Jody Williams. Staged and photographed as though they were perfume bottles or jewelry, Raphaël Dallaporta's images of antipersonnel mines transport these malignant entities far from their customary context and function, refusing easy sensationalism in favor of a more disturbing, insinuating depiction.
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