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| | BOOK FORMAT
Clth, 10 x 11.5 in. / 48 pgs / 21 color. PUBLISHING STATUS
Pub Date 7/1/2006
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ISBN 9781905464012 TRADE
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| | | Bridget Riley: New Paintings and GouachesText by Paul Moorhouse.
Focusing on Bridget Riley's newest body of works, this volume reflects the artist's exploration of curves to create paintings of great energy and movement. Accompanying an exhibition of new 'curvilinear’ works at Timothy Taylor Gallery, London (June–July 2006), these paintings incorporate complex layers of flowing forms that interlock and move with one another.
Using a patch of colour that is similar to a brushmark, Riley’s forms interrupt and threaten to break out from the picture plane, overhanging the frame to jostle and animate the visual field. Refining and developing this form in recent paintings, the artist's work offers an incredible melding of form and colour. Alongside over 20 full-colour illustrations, an in-depth essay by Paul Moorhouse examines the changes within Riley’s work throughout her multi-decade career.
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FORMAT: Clth, 10 x 11.5 in. / 48 pgs / 21 color.
LIST PRICE: U.S. $59.95
LIST PRICE: CANADA $75
ISBN: 9781905464012
PUBLISHER: Ridinghouse
AVAILABLE: 7/1/2006
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: In stock
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| Bridget Riley: New Paintings and Gouaches Published by Ridinghouse.
Text by Paul Moorhouse. Focusing on Bridget Riley's newest body of works, this volume reflects the artist's exploration of curves to create paintings of great energy and movement. Accompanying an exhibition of new 'curvilinear’ works at Timothy Taylor Gallery, London (June–July 2006), these paintings incorporate complex layers of flowing forms that interlock and move with one another.
Using a patch of colour that is similar to a brushmark, Riley’s forms interrupt and threaten to break out from the picture plane, overhanging the frame to jostle and animate the visual field. Refining and developing this form in recent paintings, the artist's work offers an incredible melding of form and colour. Alongside over 20 full-colour illustrations, an in-depth essay by Paul Moorhouse examines the changes within Riley’s work throughout her multi-decade career.
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