Collaged photo-portraits of creative communities in New York and London
A comprehensive monograph on New York–based photographer Mary Manning (born 1972), Grace Is Like New Music includes hundreds of images that span the last decade of their production and are arranged into multiphotographic compositions. Designed in collaboration with long-time friend Joe Gilmore, the book portrays Manning’s creative community in New York, London and elsewhere, and depicts subjects and sensibilities inspired by their interests in dance, film, fashion and poetry. Using a basic point-and-shoot camera, Manning captures people, nature, the street and everything in between. Their practice is an exercise in recording and collecting, an effort in “paying attention as a practice of being alive.” The book includes an essay by writer Olivia Laing and a contribution by S*an D. Henry-Smith.
A spread from 'Mary Manning: Grace Is Like New Music.'
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Durga Chew-Bose
Mary's work takes place at the threshold of joy and recall. The instant is stretched; the instant is what we wait for.
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Join Artbook at Hauser & Wirth Los Angeles Bookstore on Saturday, February 18 at 3PM PST for the book launch and signing for Grace Is Like New Music published by Canada | NY. Photographer Mary Manning will be in conversation with writer and filmmaker Miranda July with a book signing to follow. Register for the event and order a signed copy of Grace Is Like New Musichere. continue to blog
FORMAT: Pbk, 9.25 x 12.75 in. / 296 pgs / 288 color / 8 b&w. LIST PRICE: U.S. $70.00 LIST PRICE: CANADA $98 GBP £60.00 ISBN: 9780998523286 PUBLISHER: Canada AVAILABLE: 2/7/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: WORLD
Published by Canada. Text by Olivia Laing, S*an D. Henry-Smith.
Collaged photo-portraits of creative communities in New York and London
A comprehensive monograph on New York–based photographer Mary Manning (born 1972), Grace Is Like New Music includes hundreds of images that span the last decade of their production and are arranged into multiphotographic compositions. Designed in collaboration with long-time friend Joe Gilmore, the book portrays Manning’s creative community in New York, London and elsewhere, and depicts subjects and sensibilities inspired by their interests in dance, film, fashion and poetry. Using a basic point-and-shoot camera, Manning captures people, nature, the street and everything in between. Their practice is an exercise in recording and collecting, an effort in “paying attention as a practice of being alive.” The book includes an essay by writer Olivia Laing and a contribution by S*an D. Henry-Smith.
