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| | BOOK FORMAT Clth, 9.5 x 11.38 in. / 160 pgs / illustrated throughout. PUBLISHING STATUS Pub Date 4/1/2017 Active DISTRIBUTION D.A.P. Exclusive Catalog: Publisher Backlist PRODUCT DETAILS ISBN 9781909932340 TRADE List Price: $50.00 CAD $67.50 AVAILABILITY Out of stock | TERRITORY NA ONLY | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Bill LynchText by Verne Dawson, Matthew Higgs, Caoimhin Mac Giolla Leith.
This is the first comprehensive monograph on the late American artist, Bill Lynch (1960–2013) .
Painting primarily onto salvaged plywood sheets, leaving areas raw and exposed, Lynch depicted landscapes and wildlife, cultural artefacts and mythical symbols with instinctive and direct brushstrokes and a psychological connection to his subject matter.
The artist’s vested interest in Chinese painting is apparent in his confident gestures, combining a dry lambent brush and thick pasty paint.
Making use of irregularities such as the knots and grain in the wooden support, Lynch merged the material of the surfaces with images creating an ambiguity between the physicality of the ground and his luscious pictorial visions. Bill Lynch was born in Albuquerque, New Mexico. He studied art at Cooper Union, New York where he lived and worked before moving to Mill Valley, California and then Raleigh, North Carolina.
In 2014 a retrospective of Lynch’s work, curated by Verne Dawson, took place at White Columns, New York. Reviewing that exhibition in the New York Times, Roberta Smith wrote, ‘Genius lands where genius will, and I’m pretty sure some alighted on Bill Lynch.’
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| | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
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FORMAT: Clth, 9.5 x 11.38 in. / 160 pgs / illustrated throughout. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $67.5 ISBN: 9781909932340 PUBLISHER: Ridinghouse AVAILABLE: 4/1/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA ONLY | D.A.P. CATALOG: lisher Backlist 0000 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Bill Lynch Published by Ridinghouse. Text by Verne Dawson, Matthew Higgs, Caoimhin Mac Giolla Leith. This is the first comprehensive monograph on the late American artist, Bill Lynch (1960–2013) .
Painting primarily onto salvaged plywood sheets, leaving areas raw and exposed, Lynch depicted landscapes and wildlife, cultural artefacts and mythical symbols with instinctive and direct brushstrokes and a psychological connection to his subject matter.
The artist’s vested interest in Chinese painting is apparent in his confident gestures, combining a dry lambent brush and thick pasty paint.
Making use of irregularities such as the knots and grain in the wooden support, Lynch merged the material of the surfaces with images creating an ambiguity between the physicality of the ground and his luscious pictorial visions. Bill Lynch was born in Albuquerque, New Mexico. He studied art at Cooper Union, New York where he lived and worked before moving to Mill Valley, California and then Raleigh, North Carolina.
In 2014 a retrospective of Lynch’s work, curated by Verne Dawson, took place at White Columns, New York. Reviewing that exhibition in the New York Times, Roberta Smith wrote, ‘Genius lands where genius will, and I’m pretty sure some alighted on Bill Lynch.’
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