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| | BOOK FORMAT
Hardcover, 9.5 x 11.75 in. / 72 pgs / 25 color. PUBLISHING STATUS
Pub Date 10/2/2004
Active DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2004 PRODUCT DETAILS
ISBN 9783936646511 TRADE
List Price: $40.00 CAD $54.00 AVAILABILITY
Out of stock | TERRITORY
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| | | Sonja Braas: ForcesEssays by Susanne Pfleger and Thomas Seelig.
Nature as represented in Sonja Braas's photographs is not a sweet and gentle force but a violent and destructive one. Roaring waterfalls, crashing ice and eroding rocks are pictured large-scale and at frighteningly close range, almost as if the camera tripod was set up in the middle of the action. Braas succeeds in capturing the unrestrained drama of nature, in all its visual and aural strength--but is the spectacle she frames entirely authentic? Subtle hints and surreal light effects suggest that parts of her photographs are simulated, for an artistically inflated version of nature.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
| | | |  | Hatje CantzISBN: 9783775736466
USD $60.00 | CAD $79Pub Date: 9/30/2013
Active | Out of stock
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|  | KerberISBN: 9783936646511
USD $40.00 | CAD $54Pub Date: 10/2/2004
Active | Out of stock
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FORMAT: Hardcover, 9.5 x 11.75 in. / 72 pgs / 25 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
ISBN: 9783936646511
PUBLISHER: Kerber
AVAILABLE: 10/2/2004
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
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| Sonja Braas: Forces Published by Kerber.
Essays by Susanne Pfleger and Thomas Seelig. Nature as represented in Sonja Braas's photographs is not a sweet and gentle force but a violent and destructive one. Roaring waterfalls, crashing ice and eroding rocks are pictured large-scale and at frighteningly close range, almost as if the camera tripod was set up in the middle of the action. Braas succeeds in capturing the unrestrained drama of nature, in all its visual and aural strength--but is the spectacle she frames entirely authentic? Subtle hints and surreal light effects suggest that parts of her photographs are simulated, for an artistically inflated version of nature.
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