Foreword by Wolf Eiermann, Lisa Felicitas Mattheis. Text by Lisa Felicitas Mattheis, Kristina Jaspers, Marek Zydowicz.
How expressionism crossed genres in pursuit of the total artwork, from Nolde to Murnau
As a revolutionary cultural movement, Expressionism endeavored to join art and life and diminish the separation between the arts. The Gesamtkunstwerk—the total artwork—became the ideal for artists. Expressionism in Art and Film traces this crossing of genre boundaries, outlining mutual influences between painting, graphics and film. Exaggerated figures, strong contrast and distorted perspective pervaded all three mediums, reflecting the tremendous angst of the early 20th century’s social upheavals. Social critique also figured centrally in the movement, in caricatured depictions of modern men and women. This volume highlights these elements of Expressionism, drawing parallels between art and film. Artists Erich Heckel, Emil Nolde, Paula Mondersohn-Becker, Alexander Kanoldt, Ernst Ludwig Kirchner and Otto Mueller figure here, as well as directors Robert Wiene, F.W. Murnau and Ernst Lubitsch.
in stock $50.00
Free Shipping
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
FORMAT: Hbk, 9.5 x 11 in. / 240 pgs / 130 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $69 ISBN: 9788836650361 PUBLISHER: Silvana Editoriale AVAILABLE: 11/15/2022 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Published by Silvana Editoriale. Foreword by Wolf Eiermann, Lisa Felicitas Mattheis. Text by Lisa Felicitas Mattheis, Kristina Jaspers, Marek Zydowicz.
How expressionism crossed genres in pursuit of the total artwork, from Nolde to Murnau
As a revolutionary cultural movement, Expressionism endeavored to join art and life and diminish the separation between the arts. The Gesamtkunstwerk—the total artwork—became the ideal for artists. Expressionism in Art and Film traces this crossing of genre boundaries, outlining mutual influences between painting, graphics and film. Exaggerated figures, strong contrast and distorted perspective pervaded all three mediums, reflecting the tremendous angst of the early 20th century’s social upheavals. Social critique also figured centrally in the movement, in caricatured depictions of modern men and women. This volume highlights these elements of Expressionism, drawing parallels between art and film. Artists Erich Heckel, Emil Nolde, Paula Mondersohn-Becker, Alexander Kanoldt, Ernst Ludwig Kirchner and Otto Mueller figure here, as well as directors Robert Wiene, F.W. Murnau and Ernst Lubitsch.
