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| | PUBLISHER ChartaBOOK FORMAT Paperback, 8.25 x 10.75 in. / 180 pgs / illustrated throughout. PUBLISHING STATUS Pub Date 8/2/2002 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2002 PRODUCT DETAILS ISBN 9788881583782 TRADE List Price: $35.00 CAD $40.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTAKern NoirPhotographs by Richard KernEssays by Geoff Nicholson and Sabina Spada.
One of the most transgressive of American photographers, Richard Kern makes brazen portraits of enticing nude women. But if his photographs easily cross over into the world of pornography, they are distinguished from prosaic porn by their beauty and, more importantly, their treatment of voyeurism as a theme. As Kern once said, "the best part of anything is watching," and through his photographs, he not only seduces the viewer into looking but forces a subsequent recognition of his or her own voyeurism. This publication presents a new series of black and white photographs.
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FORMAT: Paperback, 8.25 x 10.75 in. / 180 pgs / illustrated throughout. LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $40 ISBN: 9788881583782 PUBLISHER: Charta AVAILABLE: 8/2/2002 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Kern Noir Photographs by Richard Kern Published by Charta. Essays by Geoff Nicholson and Sabina Spada. One of the most transgressive of American photographers, Richard Kern makes brazen portraits of enticing nude women. But if his photographs easily cross over into the world of pornography, they are distinguished from prosaic porn by their beauty and, more importantly, their treatment of voyeurism as a theme. As Kern once said, "the best part of anything is watching," and through his photographs, he not only seduces the viewer into looking but forces a subsequent recognition of his or her own voyeurism. This publication presents a new series of black and white photographs.
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