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Paperback, 8.25 x 12.5 in. / 256 pgs / 252 bw. PUBLISHING STATUS
Pub Date 7/2/2002
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2002 PRODUCT DETAILS
ISBN 9783935567022 TRADE
List Price: $30.00 CAD $35.00 AVAILABILITY
Not available | TERRITORY
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| | | Pass The Bitch Chicken: Christopher Wool & Harmony KorineArtwork by Harmony Korine. Photographs by Christopher Wool.
The result of a collaboration between filmmaker Harmony Korine and painter Christopher Wool, this series of experimental images tests the limits of the pictorial and the abstract, pushing the boundaries of visual and textual narrative to extremes. Korine's photographs form the basis of an intense process of layering, drawing, overprinting, and photocopying. Passed back and forth between the artists, these images are eventually reduced to ghostly shadows beneath a barrage of scumbled dot screens, random patterning, and symbolic blurs and drips. Gradually, the fragmented, distorted images serially mutate, attacked by a combination of mechanical and human processes. Yet despite the violence exerted upon it, a vestige of narrative always survives.
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FORMAT: Paperback, 8.25 x 12.5 in. / 256 pgs / 252 b&w.
LIST PRICE: U.S. $30.00
LIST PRICE: CANADA $35
ISBN: 9783935567022
PUBLISHER: Holzwarth Publications
AVAILABLE: 7/2/2002
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA ASIA AU/NZ ME | D.A.P. CATALOG: SPRING 2002 | PRESS INQUIRIES
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| Pass The Bitch Chicken: Christopher Wool & Harmony Korine Published by Holzwarth Publications.
Artwork by Harmony Korine. Photographs by Christopher Wool. The result of a collaboration between filmmaker Harmony Korine and painter Christopher Wool, this series of experimental images tests the limits of the pictorial and the abstract, pushing the boundaries of visual and textual narrative to extremes. Korine's photographs form the basis of an intense process of layering, drawing, overprinting, and photocopying. Passed back and forth between the artists, these images are eventually reduced to ghostly shadows beneath a barrage of scumbled dot screens, random patterning, and symbolic blurs and drips. Gradually, the fragmented, distorted images serially mutate, attacked by a combination of mechanical and human processes. Yet despite the violence exerted upon it, a vestige of narrative always survives.
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