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| | PUBLISHER Domaine de KerguehennecBOOK FORMAT Hardcover, 7 x 9.25 in. / 136 pgs / 51 color / 34 bw. PUBLISHING STATUS Pub Date 9/2/2003 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2003 PRODUCT DETAILS ISBN 9782906574021 TRADE List Price: $27.50 CAD $32.50 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | DOMAINE DE KERGUEHENNECDavid ShrigleyEssay by Frederic Paul. Interview by Neil Mulhoalland.
To paraphrase the essayist of this tidy volume, Glasgow is neither here nor there, but then neither is Paris or Milan or New York. If each strives to be the center of the world, they do it primarily by establishing their brand-name products as better than someone else's. The vernacular is universal and the particular is general. What has value in Glasgow therefore has value elsewhere. And thus David Shrigley creates drawings, sculptures, installations and photographs that are no less but no more than a heroic act because they inspire the memory of sensations that are incongruous, repressed and sometimes just simply unpleasant. Featuring a thorough sampling of recent work, a conversation with the artist and the aforementioned essay.
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| | | | | | DESTE Foundation for Contemporary ArtISBN: 9786185039332 USD $29.95 | CAD $45Pub Date: 5/21/2019 Active | Out of stock
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| | Hayward Gallery PublishingISBN: 9781853322976 USD $40.00 | CAD $54Pub Date: 3/31/2012 Active | In stock
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FORMAT: Hardcover, 7 x 9.25 in. / 136 pgs / 51 color / 34 b&w. LIST PRICE: U.S. $27.50 LIST PRICE: CANADA $32.5 ISBN: 9782906574021 PUBLISHER: Domaine de Kerguehennec AVAILABLE: 9/2/2003 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
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| David Shrigley Published by Domaine de Kerguehennec. Essay by Frederic Paul. Interview by Neil Mulhoalland. To paraphrase the essayist of this tidy volume, Glasgow is neither here nor there, but then neither is Paris or Milan or New York. If each strives to be the center of the world, they do it primarily by establishing their brand-name products as better than someone else's. The vernacular is universal and the particular is general. What has value in Glasgow therefore has value elsewhere. And thus David Shrigley creates drawings, sculptures, installations and photographs that are no less but no more than a heroic act because they inspire the memory of sensations that are incongruous, repressed and sometimes just simply unpleasant. Featuring a thorough sampling of recent work, a conversation with the artist and the aforementioned essay.
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