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Hardcover, 8.5 x 10 in. / 96 pgs / 58 color. PUBLISHING STATUS
Pub Date 6/1/2007
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2007 p. 96 PRODUCT DETAILS
ISBN 9780970165657 TRADE
List Price: $25.00 CAD $34.50 GBP £22.00 AVAILABILITY
Not available | TERRITORY
WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Gus Powell: The Company of StrangersEdited by Leanne Shapton, Jason Fulford.
Inspired by Frank O’Hara’s 1964 book Lunch Poems, photographer Gus Powell, who worked for four years as picture editor at the New Yorker, would spend his own lunch hours wandering midtown Manhattan making poetry. The resulting book of street photography, featuring photographs from his series Lunch Pictures, feels both romantic/nostalgic, and strikingly contemporary. Powell’s attention to the choreography of pedestrians is remarkable, as is his rendering of midtown light, refracted by office buildings and glass.
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|  | STATUS: Out of stock indefinitely. | |
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FORMAT: Hardcover, 8.5 x 10 in. / 96 pgs / 58 color.
LIST PRICE: U.S. $25.00
LIST PRICE: CANADA $34.5
GBP £22.00
ISBN: 9780970165657
PUBLISHER: J&L Books
AVAILABLE: 6/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: WORLD | D.A.P. CATALOG: FALL 2007 Page 96 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
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| Gus Powell: The Company of Strangers Published by J&L Books.
Edited by Leanne Shapton, Jason Fulford. Inspired by Frank O’Hara’s 1964 book Lunch Poems, photographer Gus Powell, who worked for four years as picture editor at the New Yorker, would spend his own lunch hours wandering midtown Manhattan making poetry. The resulting book of street photography, featuring photographs from his series Lunch Pictures, feels both romantic/nostalgic, and strikingly contemporary. Powell’s attention to the choreography of pedestrians is remarkable, as is his rendering of midtown light, refracted by office buildings and glass.
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