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| | BOOK FORMAT
Paperback, 6 x 9 in. / 256 pgs / 45 color. PUBLISHING STATUS
Pub Date 7/1/2007
Out of stock indefinitely DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2007 p. 85 PRODUCT DETAILS
ISBN 9783775719339 TRADE
List Price: $40.00 CDN $54.00 AVAILABILITY
Not available | TERRITORY
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| | | Contemporary Art and the Museum: A Global PerspectiveEdited by Andrea Buddensieg, Peter Weibel. Text by Claude Ardouin, Hans Belting.
All over the world, contemporary art is moving into traditional museums, its institutionalization an ongoing proposition with swiftly evolving practices. And more than ever before, the art of the moment is being made and collected internationally. Global art production is affecting museums everywhere, even those in traditional centers of cultural influence. For international artists, the question is how to get themselves and their work to cultural centers; for their home states and museums, the question is how to assimilate globalized contemporary art and its local stars. While institutions outside the West are often also outside a crucial loop of money and influence, the increasing range of biennials--from Sao Paulo to Senegal's Dak'Art--is redrawing the map. This essay collection explores the impact of contemporary non-western art and the world's local museums. Writers include Peter Weibel of ZKM Karlsruhe and Claude Ardouin of the British Museum.
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|  | STATUS: Out of stock indefinitely. | |
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FORMAT: Paperback, 6 x 9 in. / 256 pgs / 45 color.
LIST PRICE: U.S. $40.00
LIST PRICE: CANADA $54
ISBN: 9783775719339
PUBLISHER: Hatje Cantz
AVAILABLE: 7/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of stock indefinitely
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2007 Page 85 | PRESS INQUIRIES
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| Contemporary Art and the Museum: A Global Perspective Published by Hatje Cantz.
Edited by Andrea Buddensieg, Peter Weibel. Text by Claude Ardouin, Hans Belting. All over the world, contemporary art is moving into traditional museums, its institutionalization an ongoing proposition with swiftly evolving practices. And more than ever before, the art of the moment is being made and collected internationally. Global art production is affecting museums everywhere, even those in traditional centers of cultural influence. For international artists, the question is how to get themselves and their work to cultural centers; for their home states and museums, the question is how to assimilate globalized contemporary art and its local stars. While institutions outside the West are often also outside a crucial loop of money and influence, the increasing range of biennials--from Sao Paulo to Senegal's Dak'Art--is redrawing the map. This essay collection explores the impact of contemporary non-western art and the world's local museums. Writers include Peter Weibel of ZKM Karlsruhe and Claude Ardouin of the British Museum.
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