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| | BOOK FORMAT Hardcover, 6.75 x 9 in. / 172 pgs / 86 color PUBLISHING STATUS Pub Date 1/2/2003 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2002 PRODUCT DETAILS ISBN 9781891024498 TRADE List Price: $35.00 CDN $40.00 AVAILABILITY Not available | TERRITORY *not available | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Debating American ModernismStieglitz, Duchamp, and the New York Avant-GardeBy Debra Bricker Balken with an essay by Jay Bochner.
When Duchamp moved from Paris to New York in 1915, he was disappointed by the predominantly nature-based abstraction he observed, publicly proclaiming that American artists were too dependent on outmoded European traditions and had overlooked their greatest subjects--the skyscraper and the machine. Meanwhile, the artists associated with Alfred Stieglitz and his "291" gallery remained loyal to their belief in nature as a source of ongoing renewal for visual culture, and emphasized the crucial role that intuition and spirituality played in their creation of art. The crossfire between Duchamp and Stieglitz and their respective circles defined a critical moment in early twentieth-century American art. Debating Modernism includes reproductions of work by artists from both camps, from Charles Demuth, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley. An essay by curator Debra Bricker Balken traces the threads of the debate through the 1910s and 20s, and also addresses the appearance of sexualized imagery in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed camps. Jay Bochner's essay focuses on the artists' respective violations of American expectations about art.
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FORMAT: Hardcover, 6.75 x 9 in. / 172 pgs / 86 color LIST PRICE: U.S. $35.00 LIST PRICE: CANADA $40 ISBN: 9781891024498 PUBLISHER: D.A.P./American Federation of Arts AVAILABLE: 1/2/2003 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: *not available | D.A.P. CATALOG: FALL 2002 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Debating American Modernism Stieglitz, Duchamp, and the New York Avant-Garde Published by D.A.P./American Federation of Arts. By Debra Bricker Balken with an essay by Jay Bochner. When Duchamp moved from Paris to New York in 1915, he was disappointed by the predominantly nature-based abstraction he observed, publicly proclaiming that American artists were too dependent on outmoded European traditions and had overlooked their greatest subjects--the skyscraper and the machine. Meanwhile, the artists associated with Alfred Stieglitz and his "291" gallery remained loyal to their belief in nature as a source of ongoing renewal for visual culture, and emphasized the crucial role that intuition and spirituality played in their creation of art. The crossfire between Duchamp and Stieglitz and their respective circles defined a critical moment in early twentieth-century American art. Debating Modernism includes reproductions of work by artists from both camps, from Charles Demuth, Georgia O'Keeffe, and Paul Strand to Man Ray, Francis Picabia, and Marsden Hartley. An essay by curator Debra Bricker Balken traces the threads of the debate through the 1910s and 20s, and also addresses the appearance of sexualized imagery in nearly all of these artists' works, a phenomenon that ironically unifies the two seemingly opposed camps. Jay Bochner's essay focuses on the artists' respective violations of American expectations about art.
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