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| | BOOK FORMAT Paperback, 8.25 x 10.5 in. / 168 pgs / 90 color. PUBLISHING STATUS Pub Date 3/1/2007 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2007 p. 164 PRODUCT DETAILS ISBN 9783865601155 TRADE List Price: $40.00 CAD $50.00 AVAILABILITY Not available | TERRITORY NA LA ASIA AU/NZ AFR | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Bethan HuwsForeword by Alexander van Grevenstein. Contributions by Julian Heynen. Text by Bethan Huws, Konrad Bitterli, Maja Naef.
Installations full of wordplay ("spot the dog") and films full of sky: Welsh-Parisian Bethan Huws's work in a wide range of media plays well together on the page, in part because the kinetic scribbles of her colored-pencil storyboards share both the vivacity of her texts and the pastoral colors of her film.
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| | | | | | Walther König, KölnISBN: 9783863356477 USD $90.00 | CAD $120Pub Date: 6/23/2015 Active | In stock
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FORMAT: Paperback, 8.25 x 10.5 in. / 168 pgs / 90 color. LIST PRICE: U.S. $40.00 LIST PRICE: CANADA $50 ISBN: 9783865601155 PUBLISHER: Walther König, Köln AVAILABLE: 3/1/2007 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR | D.A.P. CATALOG: SPRING 2007 Page 164 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Bethan Huws Published by Walther König, Köln. Foreword by Alexander van Grevenstein. Contributions by Julian Heynen. Text by Bethan Huws, Konrad Bitterli, Maja Naef. Installations full of wordplay ("spot the dog") and films full of sky: Welsh-Parisian Bethan Huws's work in a wide range of media plays well together on the page, in part because the kinetic scribbles of her colored-pencil storyboards share both the vivacity of her texts and the pastoral colors of her film.
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