Edited by Lynda Morris. Foreword by Paul Luckraft, Phillip Van den Bossche, Stefan Kalmár. Text by Lynda Morris, Massimo Minini, Barry Barker, André Cadere.
Documenting Cadere, 1972–1978 offers a chronology of André Cadere’s exhibitions, appearances, walks and lectures during the last six years of his life. This major piece of research shifts the focus away from the round bars of wood as objects, and instead focuses on the meanings generated by the printed documents (gallery invitations, notices of lectures and mailings) that record Cadere’s actions and social relationships. These documents come predominantly from two sources, the archive of Lynda Morris and the Herbert Collection in Ghent. The publication contains new translations of lectures given by Cadere; an interview with the artist conducted by Morris in 1976; plus new essays by Morris, and two other figures who worked closely with Cadere, British curator Barry Barker and Italian gallerist Massimo Minini.
Featured image, the front of a postcard sent from Cadere in 1978 (photograph by Harry Shunk), is reproduced from Documenting Cadere, 1972-1978.
FORMAT: Pbk, 8 x 11.5 in. / 172 pgs / 255 b&w. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $72.5 ISBN: 9783863352905 PUBLISHER: Walther König, Köln AVAILABLE: 9/30/2013 DISTRIBUTION: D.A.P. RETAILER DISC: FLAT40 PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: NA LA ASIA AU/NZ AFR
Published by Walther König, Köln. Edited by Lynda Morris. Foreword by Paul Luckraft, Phillip Van den Bossche, Stefan Kalmár. Text by Lynda Morris, Massimo Minini, Barry Barker, André Cadere.
Documenting Cadere, 1972–1978 offers a chronology of André Cadere’s exhibitions, appearances, walks and lectures during the last six years of his life. This major piece of research shifts the focus away from the round bars of wood as objects, and instead focuses on the meanings generated by the printed documents (gallery invitations, notices of lectures and mailings) that record Cadere’s actions and social relationships. These documents come predominantly from two sources, the archive of Lynda Morris and the Herbert Collection in Ghent. The publication contains new translations of lectures given by Cadere; an interview with the artist conducted by Morris in 1976; plus new essays by Morris, and two other figures who worked closely with Cadere, British curator Barry Barker and Italian gallerist Massimo Minini.
