Eugene Richards

In March 2020, after suffering from a severe bout of Covid, Eugene Richards sought out a safe place to walk and recuperate, and became entranced with Brooklyn’s much-loved Green-Wood Cemetery. Founded in 1837 and proclaimed a National Historic Landmark in 2006, the 487-acre burial ground and arboretum is the final resting place of more than 550,000 people. Over the subsequent years, Richards made nearly 100 visits to Green-Wood, photographing both poetical details and grand vistas in rich color, across the seasons and in all weather, creating lyrical images of snowbound headstones, grand mausoleums, intimate epitaphs, the encroachments of moss on stone and the wear of time on all things. The photographs in Remembrance Garden were taken between April 2020 and September 2023. Richards intersperses his images with names and dates inscribed on grave markers and deeply personal memories, creating a grand and moving portrait of the legendary cemetery.
Photographer, writer and filmmaker Eugene Richards was born in Dorchester, Massachusetts, in 1944. Following college and studies with photographer Minor White, Richards joined Volunteers in Service to America (VISTA) and was sent to Arkansas, where he helped found a social service organization and a community newspaper, Many Voices. After publishing his first books—Few Comforts or Surprises: The Arkansas Delta and Dorchester Days—Richards began a 40-year career as a freelance editorial photographer and artist, producing a wide range of stories about the human condition in America and abroad. He has authored 17 photographic and textual books, including Exploding into Life, The Knife and Gun Club, War Is Personal, The Blue Room and, most recently, In This Brief Life. He directed and shot seven short films, including The Rain Will Follow and Thy Kingdom Come. Richards has been the recipient of a Guggenheim Fellowship, the Robert F. Kennedy Lifetime Achievement Journalism Award and the Kraszna-Krausz Book Award for Photographic Innovation.

Fifty years ago, New York–based photographer Eugene Richards (born 1944) worked as a VISTA Volunteer and then as a reporter in the Arkansas Delta. Even after the newspaper he helped found closed its doors, Richards kept revisiting the region. In early 2019 he returned to the small town of Earle, Arkansas, where, on a September night in 1970, peaceful protesters were attacked by a crowd of white men and women brandishing sticks and firing guns. Crossing the tracks from what had been the Black side of the town into the white side of the town, Richards happened upon an old appliance store. On the shadowy and cracked walls of the building were painted the faces of Jesus, Malcolm X, H. Rap Brown, Angela Davis, Dr. Martin Luther King and John Brown—the faces of revolution, reconciliation, change. In the months that followed, the old store became for Richards a kind of portal, a doorway into the region’s volatile history and into the lives of those who lived, struggled, raised families, grew old and died there.
The Day I Was Born interweaves full-bleed images of Earle with deeply personal narratives in the words of people who live there.

In this deeply personal book, Eugene Richards (born 1944) excavated a collection of more than 50 years of mostly unseen photographs—from his earliest pictures of sharecropper life in the Arkansas Delta to the present. In the midst of a fraught political climate—pandemic, rise in gun violence, polarized politics and the devastation in Beirut—Richards found himself meditating on what it means to make socially conscious documentary photography today. Upon his son’s suggestion, he began to post his photographs on social media, sifting through dusty binders of contact sheets—photographs taken for a community newspaper, on assignment for magazines, as a volunteer for human rights organizations, when wandering alone and at home with his family—and scanning the negatives.
In This Brief Life compiles these works, along with personal commentary and extensive captions by the photographer.