ARTBOOK BLOG

RECENT POSTS

DATE 6/25/2024

LIVE from NYPL presents Michael Stipe launching 'Even the birds gave pause'

DATE 6/22/2024

Artbook at Hauser & Wirth Los Angeles Bookstore presents Penny Slinger launching and signing 'An Exorcism'

DATE 6/20/2024

picturehouse + thesmalldarkroom present Yelena Yemchuk on 'Malanka'

DATE 6/13/2024

ICP presents Eugene Richards on 'Remembrance Garden'

DATE 6/13/2024

LaToya Ruby Frazier, removing the contradiction between ideals and practice

DATE 6/8/2024

"Next-level otherness" in Pride Month staff pick 'Nick Cave: Forothermore'

DATE 6/6/2024

Celebratory and transgressive, 'John Waters: Pope of Trash' is a Pride Month Staff Pick

DATE 6/3/2024

In Nan Goldin's 'The Other Side,' you are who you pretend to be

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

There's no such thing as being extra in June! Pride Month Staff Picks 2024

DATE 5/28/2024

'Mickalene Thomas: All About Love,' on view at The Broad

DATE 5/24/2024

Celebrate Memorial Day weekend with Garry Winogrand's intimate, flashing mirror of America

DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists


IMAGE GALLERY

Featured image, the cover for an HC Westermann exhibition catalog published by LACMA in 1968, is reproduced from
CORY REYNOLDS | DATE 11/14/2014

Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986

Featured image, of Deborah Sussman and Lou Danziger's cover design for a 1968 H.C. Westermann exhibition catalogue for LACMA, is reproduced from Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986, Louise Sandhaus' "herculean history of (and tribute to) the unique status and nature of graphic design in the Golden State—the result of ten years of research," according to Design Observer, which is featuring excerpts from the book all week. Sandhaus writes, "Opportunities for graphic design firms, as opposed to advertising agencies or renowned individuals, were still hard to come by when the LACMA curatorial group decided to hire local designers including Sussman and Lou Danziger. After meeting with Westermann, Sussman received a note from the artist that included a cartoon of an animal doing a handstand. It was signed, 'Respectfully, Cliff.' Sussman saw the drawing as a means to capture the essence of the wacky-spirited Westermann, an exercise buff. After taking a photo of him in the handstand pose, she adapted it with a rainbow coloring, and added the artist's salutation and a bright yellow background."

Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986

Earthquakes, Mudslides, Fires & Riots: California and Graphic Design, 1936-1986

Metropolis Books
Hbk, 7.5 x 10 in. / 432 pgs / 275 color.





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