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| | BOOK FORMAT
Boxed, 5 x 5.75 in. / 16 pgs / illustrated throughout. PUBLISHING STATUS
Pub Date 7/15/2005
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2005 p. 137 PRODUCT DETAILS
ISBN 9783775715966 TRADE
List Price: $28.00 CDN $32.50 AVAILABILITY
Not available | TERRITORY
NA LA | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG  | | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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| | | Philip Glass & Steve Reich: Images 4 MusicArtwork by Glass. Philip, Steve Reich.
The urge towards the optic is arguably being felt increasingly in all media; music is no exception, as Images 4 Music demonstrates. Whether the results are spontaneous, derivative, algorithmic, abstract, poetic or simply arbitrary, visual artists and computer geeks have been joining together with noise creators in a cooperative spirit, achieving greater results than any individual could solo. Such is the case with this experimental production by an interdisciplinary range of collaborators. Images 4 Music, performed live at Ars Electronica 2004 and studio-mixed to perfection here, articulates different interpretations of two works, one by each of these vanguard composers. Philip Glass' Les Enfants Terribles and Steve Reich's Piano Phase are reworked by Dennis Russell Davies and Maki Namekawa on two pianos. Added to this are layered multiple visual components, from Casey Reas' indefinite flux of rounded and out-of-focus forms to Norbert Pfaffenbichler and Lotte Schreiber's kinetic, grey, two-channel video. Dietmar Offenhuber orchestrates scenes of commuters moving among urban architecture, the Poetry Loom adds a wash of concrete poetry and Martin Wattemberg provides a film of liquid kaleidoscopic distortions. Altogether, this unpredictable melange of new media artists and musicians definitively breaks with the traditional focus on the musical performer. Here that focus shifts away from the singular virtuoso to the relationship that exists between a team of diversely talented practitioners who together push the potential of a contemporary hybrid audio/visual language.
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|  | Hatje CantzISBN: 9783775754811
USD $50.00 | CAN $72.5Pub Date: 10/1/2024
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|  | Reel Art PressISBN: 9781909526761
USD $49.95 | CAN $64.95Pub Date: 10/19/2021
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|  | Edition Patrick FreyISBN: 9783907236352
USD $55.00 | CAN $75Pub Date: 3/29/2022
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|  | Blank Forms EditionsISBN: 9781953691057
USD $20.00 | CAN $27Pub Date: 5/24/2022
Active | In stock
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| | Blank Forms EditionsISBN: 9781953691057
USD $20.00 | CAN $27Pub Date: 5/24/2022
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|  | Blank Forms EditionsISBN: 9781953691033
USD $20.00 | CAN $27Pub Date: 2/8/2022
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|  | Lars Müller PublishersISBN: 9783037786703
USD $45.00 | CAN $61Pub Date: 8/31/2021
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FORMAT: Boxed, 5 x 5.75 in. / 16 pgs / illustrated throughout.
LIST PRICE: U.S. $28.00
LIST PRICE: CANADA $32.5
ISBN: 9783775715966
PUBLISHER: Hatje Cantz
AVAILABLE: 7/15/2005
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2005 Page 137 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217
Fax: (212) 627-9484
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| Philip Glass & Steve Reich: Images 4 Music Published by Hatje Cantz.
Artwork by Glass. Philip, Steve Reich. The urge towards the optic is arguably being felt increasingly in all media; music is no exception, as Images 4 Music demonstrates. Whether the results are spontaneous, derivative, algorithmic, abstract, poetic or simply arbitrary, visual artists and computer geeks have been joining together with noise creators in a cooperative spirit, achieving greater results than any individual could solo. Such is the case with this experimental production by an interdisciplinary range of collaborators. Images 4 Music, performed live at Ars Electronica 2004 and studio-mixed to perfection here, articulates different interpretations of two works, one by each of these vanguard composers. Philip Glass' Les Enfants Terribles and Steve Reich's Piano Phase are reworked by Dennis Russell Davies and Maki Namekawa on two pianos. Added to this are layered multiple visual components, from Casey Reas' indefinite flux of rounded and out-of-focus forms to Norbert Pfaffenbichler and Lotte Schreiber's kinetic, grey, two-channel video. Dietmar Offenhuber orchestrates scenes of commuters moving among urban architecture, the Poetry Loom adds a wash of concrete poetry and Martin Wattemberg provides a film of liquid kaleidoscopic distortions. Altogether, this unpredictable melange of new media artists and musicians definitively breaks with the traditional focus on the musical performer. Here that focus shifts away from the singular virtuoso to the relationship that exists between a team of diversely talented practitioners who together push the potential of a contemporary hybrid audio/visual language.
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