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| | BOOK FORMAT Paperback, 9 x 7.5 in. / 100 pgs / 20 color / 5 bw. PUBLISHING STATUS Pub Date 6/2/2004 Out of stock indefinitely DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2004 PRODUCT DETAILS ISBN 9780971939738 TRADE List Price: $25.00 CDN $34.50 GBP £22.00 AVAILABILITY Not available | TERRITORY WORLD | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG ![Artbook | D.A.P. Catalog Cover Link](https://s.turbifycdn.com/aah/artbook/thomas-mailaender-the-night-climbers-of-cambridge-171.jpg) | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Byron Kim: Threshold 1990-2004Essays by Eugenie Tsai and Anoka Faruqee. Foreword by Kevin E. Consey. Introduction by Constance Lewallen. Conversation with Janine Antoni, Constance Lewallen, Glenn Ligon and Eugenie Tsai.
For the past decade, Byron Kim has maintained a steadfast commitment to exploring the potential for content in abstract painting. Kim's work reflects his attraction to the postwar tradition of monochromatic painting, exemplified by Ad Reinhardt's black paintings and Brice Marden's fields of color. While Kim incorporates the visual language of color and abstraction, he also addresses cultural and personal issues, positioning himself closely with many of his contemporaries, including Glenn Ligon and Felix Gonzalez-Torres. Like Ligon and Gonzalez-Torres, Kim has invested the formal strategies of the 1960s, such as seriality and grids, with private and political significance; the end result resonates with elegance and emotional complexity. Threshold provides an overview of Kim's career from several vantage points: a curatorial essay by Eugenie Tsai on the concept of “threshold” in Kim's work, a conversation with Constance Lewallen, Glenn Ligon, Janine Antoni and Kim on the 1990s art world, an essay on color theory and color in Kim's work by art historian Anoka Faruqee, and a new photo and text project by Kim himself. The publication of Threshold precedes the touring of a major exhibition of Kim's work, which will open at the Berkeley Art Museum and Pacific Film Archive in the fall of 2004 and travel throughout the U.S. for two years.
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| ![Byron Kim: Threshold 1990-2004](https://s.turbifycdn.com/aah/artbook/byron-kim-threshold-1990-2004-74.jpg) | STATUS: Out of stock indefinitely. | |
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![Byron Kim: Threshold 1990-2004](https://s.turbifycdn.com/aah/artbook/byron-kim-threshold-1990-2004-75.jpg)
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FORMAT: Paperback, 9 x 7.5 in. / 100 pgs / 20 color / 5 b&w. LIST PRICE: U.S. $25.00 LIST PRICE: CANADA $34.5 GBP £22.00 ISBN: 9780971939738 PUBLISHER: University of California, Berkeley Art Museum and Pacific Film Archive AVAILABLE: 6/2/2004 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of stock indefinitely AVAILABILITY: Not available TERRITORY: WORLD | D.A.P. CATALOG: SPRING 2004 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Byron Kim: Threshold 1990-2004 Published by University of California, Berkeley Art Museum and Pacific Film Archive. Essays by Eugenie Tsai and Anoka Faruqee. Foreword by Kevin E. Consey. Introduction by Constance Lewallen. Conversation with Janine Antoni, Constance Lewallen, Glenn Ligon and Eugenie Tsai. For the past decade, Byron Kim has maintained a steadfast commitment to exploring the potential for content in abstract painting. Kim's work reflects his attraction to the postwar tradition of monochromatic painting, exemplified by Ad Reinhardt's black paintings and Brice Marden's fields of color. While Kim incorporates the visual language of color and abstraction, he also addresses cultural and personal issues, positioning himself closely with many of his contemporaries, including Glenn Ligon and Felix Gonzalez-Torres. Like Ligon and Gonzalez-Torres, Kim has invested the formal strategies of the 1960s, such as seriality and grids, with private and political significance; the end result resonates with elegance and emotional complexity. Threshold provides an overview of Kim's career from several vantage points: a curatorial essay by Eugenie Tsai on the concept of “threshold” in Kim's work, a conversation with Constance Lewallen, Glenn Ligon, Janine Antoni and Kim on the 1990s art world, an essay on color theory and color in Kim's work by art historian Anoka Faruqee, and a new photo and text project by Kim himself. The publication of Threshold precedes the touring of a major exhibition of Kim's work, which will open at the Berkeley Art Museum and Pacific Film Archive in the fall of 2004 and travel throughout the U.S. for two years.
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