ARTBOOK BLOG

RECENT POSTS

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

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DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'

DATE 5/8/2024

The World of Tim Burton in rare, archival materials

DATE 5/5/2024

Eugene Richards' eloquent new photobook documenting Green-Wood Cemetery

DATE 5/5/2024

Artbook at Hauser & Wirth LA Bookstore presents Yasmine Ostendorf-Rodríguez and David Horvitz on 'Let's Become Fungal'


IMAGE GALLERY

Clifford Prince King’s “The Backyard” (2019) is reproduced from
CORY REYNOLDS | DATE 6/22/2023

For Pride Month, the black, queer intimacy of Clifford Prince King

Clifford Prince King’s “The Backyard” (2019) is reproduced from Love Songs: Photography and Intimacy, the International Center of Photography’s new survey featuring work by fifteen established and emerging photographers including Nobuyoshi Araki, Nan Goldin, Leigh Ledare, Collier Schorr and King, among others. “Clifford Prince King’s documentary-style color photographs are anchored in the artist’s celebration of queer Black love and bear witness to changing and divided societies,” Sara Raza writes. “In the context of US history, King’s photographs highlight wider social topics concerning the struggle for Black liberation and public space and time. Challenging the spaces that were long dominated by colonial male heterosexual desires and influences, King subverts narrow perceptions of gendered and racial roles in modern and contemporary society. Allegorically questioning the paradox of polarity, King’s works are imbued with overt and covert visual signifiers that illuminate the value of the previously unseen, unrecorded, and hidden. His tableaux seek to disrupt fixed norms through a surreal, dreamlike art of subversion.”

Love Songs

Love Songs

International Center of Photography/D.A.P.
Hbk, 7.5 x 10.75 in. / 208 pgs / 64 color / 130 b&w.





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