ARTBOOK BLOG

RECENT POSTS

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

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DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'

DATE 5/8/2024

The World of Tim Burton in rare, archival materials

DATE 5/5/2024

Eugene Richards' eloquent new photobook documenting Green-Wood Cemetery

DATE 5/5/2024

Artbook at Hauser & Wirth LA Bookstore presents Yasmine Ostendorf-Rodríguez and David Horvitz on 'Let's Become Fungal'


IMAGE GALLERY

Peter Doig
CORY REYNOLDS | DATE 11/21/2013

Peter Doig: No Foreign Land

Peter Doig's 100 Years Ago (2002) is reproduced from the new monograph, No Foreign Land—one of our top Holiday Gift Books of 2013 and a featured title in our Holiday Bookshop at the agnès b. Galerie Boutique opening this weekend in Soho. Of the painting, essayist Keith Hartley writes, "100 Years Ago is a sort of manifesto painting in which Doig sets out to explore, as he sees it, the still vital legacy and issues of modernist painting... The canoe, floating on the water, is one of Doig's iconic images. He first used it back in 1998 in the painting Friday 13th, when he based the motif on a scene from Sean Cunningham’s low-budget 1980 horror film… This work and the 'canoe paintings' that Doig made in the 1990s have a psychological intensity and brooding atmosphere that perhaps owe as much to the paintings of Edvard Munch as to the film Friday the 13th."

Peter Doig: No Foreign Lands

Peter Doig: No Foreign Lands

Hatje Cantz
Clth, 9.75 x 11.5 in. / 224 pgs / 326 color.





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