ARTBOOK BLOG

RECENT POSTS

DATE 6/2/2024

Green-Wood Cemetery presents Eugene Richards launching 'Remembrance Garden: A Portrait of Green-Wood Cemetery'

DATE 6/1/2024

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DATE 5/24/2024

Beautifully illustrated essays on Arab Modernists

DATE 5/19/2024

Of bodies and knowing, in 'Christina Quarles: Collapsed Time'

DATE 5/17/2024

192 Books presents Robert Storr and Lloyd Wise launching Heni 'Focal Points' series

DATE 5/17/2024

Lee Quiñones signing at Perrotin Store New York

DATE 5/15/2024

A gorgeous new book on Bauhaus textile innovator Otti Berger

DATE 5/13/2024

Rizzoli Bookstore presents Tony Caramanico and Zack Raffin launching 'Montauk Surf Journals'

DATE 5/12/2024

Black Feminist World-Building in LaToya Ruby Frazier’s ‘Monuments of Solidarity’

DATE 5/10/2024

Artbook at MoMA PS1 Bookstore presents Yasmine Ostendorf-Rodríguez and Juan Ferrer on 'Let's Become Fungal!'

DATE 5/8/2024

The World of Tim Burton in rare, archival materials

DATE 5/5/2024

Eugene Richards' eloquent new photobook documenting Green-Wood Cemetery

DATE 5/5/2024

Artbook at Hauser & Wirth LA Bookstore presents Yasmine Ostendorf-Rodríguez and David Horvitz on 'Let's Become Fungal'


IMAGE GALLERY

"Opera n. 18" (1939) is reproduced from
CORY REYNOLDS | DATE 9/4/2015

The Passion According to Carol Rama

"Opera n 18" (1939) is reproduced from The Passion According to Carol Rama, the fascinating new release published to accompany the current touring retrospective. Artist and essayist Mai-Thu Perret writes, "A savage little old lady tries on the panoply of modern art, from Fauvism to concrete abstraction to Art Informel and Surrealism. She sits in the intersection between movements, in the cracks of history. Art movements are like fashions that a woman can put on and distort, and spit back garbled and cut-up for more than seventy years from her apartment in Turin. Always producing her very own, very particular type of jouissance. Always refusing to behave. Her work teems with orifices. The places through which a body, in its singularity, connects and conjoins with other bodies. The places through which the outside enters in, through which one is penetrated, and penetrates. The mouths, the assholes, the vulvas, the ears, the eyes, of a machine sexuality where desire is the prime mover. There are dicks, feet, snakes, bicycle tires, mad cows, shoes, syringes, dentures and shit… It can be tragic, but it's also quite hilariously funny, in a fierce and merciless way. Pain has never been the opposite of pleasure."

The Passion According to Carol Rama

The Passion According to Carol Rama

Museu d'Art Contemporani de Barcelona
Clth, 6.75 x 9.5 in. / 272 pgs / 138 color.





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