Practice-based Institutional Critique, Working up from the Actual Museum Floor by Aldo Giannotti
Published by Set Margins' publications. Edited by Aldo Giannotti, Andrea Steves, Freek Lomme. Introduction by Andrea Steves. Text by Ian Carozzi.
Responding to the museum status quo, Aldo Giannotti's concepts and props reshape the institution’s social and spatial architecture. Through dialogue with staff, guards and visitors, Giannotti engages with the museum and its underlying purpose.
Published by Mousse Publishing. Text by Lorenzo Balbi, Emanuele Guidi, et al.
Combining video, installation, performance, photography and drawing, Italian artist Aldo Giannotti (born 1977) deconstructs the rules of architectural space and institutions. This catalog offers an overview of the artist’s anarchic subversions.
Italian artist Aldo Giannotti’s (born 1977) new drawings reflect everyday routines as shaped by pandemic restrictions and the attendant growing sense of insecurity. From canceled exhibitions to excessive food shopping, Giannotti’s drawings reveal the gradual shift from one social norm to another.
Published by Moderne Kunst Nürnberg. Edited by Beatrix Bakondy. Text by Emanuele Guidi, Giorgio Palma.
In his series Spatial Dispositions, Italian artist Aldo Giannotti (born 1977) researches the relationships and characteristics that shape the gallery ar/ge kunst in Bolzano, Italy. His drawings form a kind of cartography in dialogue with the visitors, members, staff and artists who comprise the institution.