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| | BOOK FORMAT
Hardcover, 9.5 x 12 in. / 180 pgs / 105 color, 50 bw. PUBLISHING STATUS
Pub Date 7/1/2007
Out of print DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2007 p. 136 PRODUCT DETAILS
ISBN 9783775719636 TRADE
List Price: $50.00 CDN $60.00 AVAILABILITY
Not available | TERRITORY
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| | | Swiss Made: Precision and MadnessSwiss Art from Hodler to HirschhornText by Markus Brüderlin, Michael Schindhelm, Julia Wallner, Martin Heller.
At last, the broader movements of twentieth-century Swiss art--and the individual artists behind them--are tracked through the present day in one standard-setting publication. Swiss Made: Precision and Madness sets the famous Swiss tendency toward precision and order alongside the tendency toward obstinacy and chaos, pairing canonical works with pieces made within the past 40 years. Provocative pairs include Max Bill and John Armleder, Ferdinand Hodler and Urs Lüthi, Alberto Giacometti and Rémy Zaugg, Louis Soutter and Martin Disler, Robert Müller and Sylvie Fleury, Paul Klee and Silvia Bächli, Adolph Wölfli and Ugo Rondinone. Tensions emerge between the focused and the expansive, over everyday life in the Swiss state, and naturally over the mountains. Swiss Made: Precision and Madness is of interest on its own analytic terms, and as an excellent overview of the country's art since 1850.
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FORMAT: Hardcover, 9.5 x 12 in. / 180 pgs / 105 color, 50 b&w.
LIST PRICE: U.S. $50.00
LIST PRICE: CANADA $60
ISBN: 9783775719636
PUBLISHER: Hatje Cantz
AVAILABLE: 7/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Out of print
AVAILABILITY: Not available
TERRITORY: NA LA | D.A.P. CATALOG: FALL 2007 Page 136 | PRESS INQUIRIES
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| Swiss Made: Precision and Madness
Swiss Art from Hodler to Hirschhorn Published by Hatje Cantz.
Text by Markus Brüderlin, Michael Schindhelm, Julia Wallner, Martin Heller. At last, the broader movements of twentieth-century Swiss art--and the individual artists behind them--are tracked through the present day in one standard-setting publication. Swiss Made: Precision and Madness sets the famous Swiss tendency toward precision and order alongside the tendency toward obstinacy and chaos, pairing canonical works with pieces made within the past 40 years. Provocative pairs include Max Bill and John Armleder, Ferdinand Hodler and Urs Lüthi, Alberto Giacometti and Rémy Zaugg, Louis Soutter and Martin Disler, Robert Müller and Sylvie Fleury, Paul Klee and Silvia Bächli, Adolph Wölfli and Ugo Rondinone. Tensions emerge between the focused and the expansive, over everyday life in the Swiss state, and naturally over the mountains. Swiss Made: Precision and Madness is of interest on its own analytic terms, and as an excellent overview of the country's art since 1850.
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