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| | BOOK FORMAT Hardcover, 6 x 9 in. / 192 pgs / 25 color / 20 bw. PUBLISHING STATUS Pub Date 11/15/2005 Out of print DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2005 p. 47 PRODUCT DETAILS ISBN 9781933045214 TRADE List Price: $30.00 CAD $35.00 AVAILABILITY Not available | TERRITORY WRLD Export via T&H | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | Chasing The Perfect: Thoughts On Modernist Design In Our TimeBy Natalia Ilyin. Foreword by Susan S. Szenasy.
In Chasing the Perfect writer/designer Natalia Ilyin delivers her astute, incisive and humorous observations on design and the world it has molded. According to Ilyin, “Modern design is based on deeply idealist notions, and its inherent perfectionism has dovetailed beautifully with our commodity-based economy's need to keep people itching so that they will buy things and keep the society chugging along. I began Chasing the Perfect because I started to become aware of this collusion, this silent pressure that a language of design based in perfectionism had brought to bear on how I developed as a person.” Chasing the Perfect is especially relevant in our times as interest in graphic, industrial and architectural design moves more and more into mainstream culture. Each of the ten chapters features Ilyin's accessible and often hilarious writing, which is highlighted with a broad range of images--some quite unexpected--from the designed world around us. An excerpt: “The choices that designers and architects have made in the last hundred years silently mold us, silently direct us through the tunnels of Penn Station or up to the fifty-third floor of the Sears Tower. But they direct more than our movements. They direct us to notice one thing and not another, to value one thing over another, to identify with one thing rather than with another. Modernism, the guts of it, the strength of it, the egotistic beauty of it, carries with it effects we did not expect and fosters attitudes about ourselves and others that may have been dandy in a utopia, but do little good in our world. Why have we not changed this idea, moved on with our thinking? For even after the disbanding of the Bauhaus, the disintegration of the International Style, the exhausting of postmodernism, we're all still chasing the perfect.”
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| | | | FORTHCOMING AND NEW: DESIGN AND DECORATIVE ARTS | | Walther König, KölnISBN: 9783753306940 USD $40.00 | CAD $60Pub Date: 2/25/2025 Forthcoming
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| | nai010 publishersISBN: 9789462088122 USD $49.95 | CAD $71.95Pub Date: 3/26/2024 Active | In stock
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FORMAT: Hardcover, 6 x 9 in. / 192 pgs / 25 color / 20 b&w. LIST PRICE: U.S. $30.00 LIST PRICE: CANADA $35 ISBN: 9781933045214 PUBLISHER: Metropolis Books AVAILABLE: 11/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Out of print AVAILABILITY: Not available TERRITORY: WRLD Export via T&H | D.A.P. CATALOG: FALL 2005 Page 47 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
D.A.P. | DISTRIBUTED ART PUBLISHERS Tel: (212) 627-1999 Fax: (212) 627-9484 Customer Service: (800) 338-2665 Email Trade Sales: orders@dapinc.com |
| Chasing The Perfect: Thoughts On Modernist Design In Our Time Published by Metropolis Books. By Natalia Ilyin. Foreword by Susan S. Szenasy. In Chasing the Perfect writer/designer Natalia Ilyin delivers her astute, incisive and humorous observations on design and the world it has molded. According to Ilyin, “Modern design is based on deeply idealist notions, and its inherent perfectionism has dovetailed beautifully with our commodity-based economy's need to keep people itching so that they will buy things and keep the society chugging along. I began Chasing the Perfect because I started to become aware of this collusion, this silent pressure that a language of design based in perfectionism had brought to bear on how I developed as a person.” Chasing the Perfect is especially relevant in our times as interest in graphic, industrial and architectural design moves more and more into mainstream culture. Each of the ten chapters features Ilyin's accessible and often hilarious writing, which is highlighted with a broad range of images--some quite unexpected--from the designed world around us. An excerpt: “The choices that designers and architects have made in the last hundred years silently mold us, silently direct us through the tunnels of Penn Station or up to the fifty-third floor of the Sears Tower. But they direct more than our movements. They direct us to notice one thing and not another, to value one thing over another, to identify with one thing rather than with another. Modernism, the guts of it, the strength of it, the egotistic beauty of it, carries with it effects we did not expect and fosters attitudes about ourselves and others that may have been dandy in a utopia, but do little good in our world. Why have we not changed this idea, moved on with our thinking? For even after the disbanding of the Bauhaus, the disintegration of the International Style, the exhausting of postmodernism, we're all still chasing the perfect.”
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