Edited by Barney Kulok. Text by Casey Gerald. Interview by Jessica Bell Brown.
"One of the great overlooked luminaries of American picture-making." –The New Yorker
In 1983, Baldwin Lee (born 1951) left his home in Knoxville, Tennessee, with his 4 × 5 view camera and set out on the first of a series of road trips to photograph the American South. The subjects of his pictures were Black Americans: at home, at work and at play, in the street and in nature. This project would consume Lee—a first-generation Chinese American—for the remainder of that decade, and it would forever transform his perception of his country, its people, and himself. The resulting archive from this seven-year period contains nearly 10,000 black-and-white negatives. This monograph, *Baldwin Lee*, presents a selection of 88 images edited by the photographer Barney Kulok, accompanied by an interview with Lee by the curator Jessica Bell Brown and an essay by the writer Casey Gerald. Arriving almost four decades after Lee began his journey, this publication reveals the artist’s unique commitment to picturing life in America and, in turn, one of the most piercing and poignant bodies of work of its time.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Hbk, 10.75 x 11.5 in. / 168 pgs / 1 color / 93 tritone. LIST PRICE: U.S. $75.00 LIST PRICE: CANADA $108.5 ISBN: 9798218088484 PUBLISHER: Hunters Point Press AVAILABLE: 9/12/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA ONLY
Published by Hunters Point Press. Edited by Barney Kulok. Text by Casey Gerald. Interview by Jessica Bell Brown.
"One of the great overlooked luminaries of American picture-making." –The New Yorker
In 1983, Baldwin Lee (born 1951) left his home in Knoxville, Tennessee, with his 4 × 5 view camera and set out on the first of a series of road trips to photograph the American South. The subjects of his pictures were Black Americans: at home, at work and at play, in the street and in nature. This project would consume Lee—a first-generation Chinese American—for the remainder of that decade, and it would forever transform his perception of his country, its people, and himself. The resulting archive from this seven-year period contains nearly 10,000 black-and-white negatives. This monograph, *Baldwin Lee*, presents a selection of 88 images edited by the photographer Barney Kulok, accompanied by an interview with Lee by the curator Jessica Bell Brown and an essay by the writer Casey Gerald. Arriving almost four decades after Lee began his journey, this publication reveals the artist’s unique commitment to picturing life in America and, in turn, one of the most piercing and poignant bodies of work of its time.
