Imperial Threads: Motifs and Artisans from Turkey, Iran and India
Text by Mounia Chekhab-Abudaya, Julia Tugwell.
Imperial Threads brings a new perspective to Islamic art by exploring the connection between four major dynasties—the Ottoman (1299–1923), Timurid (1370–1507), Safavid (1501–1736) and Mughal (1526–1857) empires—that mark the start of the early modern period.
(Due to the development of firearms during that period, these dynasties are commonly referred to as the “Gunpowder Empires.”) Focusing on carpets as the primary medium, the volume also features manuscripts, metalwork, ceramics and more. Across a wide range of mediums, we find a selection of recurring motifs, some of which have maintained their original form or evolved stylistically to conform with cultural and artistic trends. These objects are contextualized within the politics and artistic production of their time.
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
FORMAT: Hbk, 9.25 x 12 in. / 200 pgs / 150 color. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $72.5 ISBN: 9788836636174 PUBLISHER: Silvana Editoriale AVAILABLE: 9/26/2017 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: NA LA ASIA AU/NZ AFR ME
Imperial Threads: Motifs and Artisans from Turkey, Iran and India
Published by Silvana Editoriale. Text by Mounia Chekhab-Abudaya, Julia Tugwell.
Imperial Threads brings a new perspective to Islamic art by exploring the connection between four major dynasties—the Ottoman (1299–1923), Timurid (1370–1507), Safavid (1501–1736) and Mughal (1526–1857) empires—that mark the start of the early modern period.
(Due to the development of firearms during that period, these dynasties are commonly referred to as the “Gunpowder Empires.”) Focusing on carpets as the primary medium, the volume also features manuscripts, metalwork, ceramics and more. Across a wide range of mediums, we find a selection of recurring motifs, some of which have maintained their original form or evolved stylistically to conform with cultural and artistic trends. These objects are contextualized within the politics and artistic production of their time.