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| | PUBLISHER ChartaBOOK FORMAT Hardcover, 8.5 x 11 in. / 232 pgs / 63 color / 81 bw. PUBLISHING STATUS Pub Date 2/2/2001 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2001 PRODUCT DETAILS ISBN 9788881582921 TRADE List Price: $45.00 CAD $55.00 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTAMax ColeContributions by Max Cole, Reinhard Ermen, Giuseppe Panza di Biumo, Laura Mattioli Rossi, Richard Vine.
Max Cole's formal vocabulary, refined over a period of three decades, suggests an attempt to reduce painting to its bare essentials. Cole's insistent horizontal stripes, the most immediately striking element of her work, refer not only to landscape--that most stabilizing component of human perceptual experience--but also the wave forms which we associate with the transmission of energy. Her work displays a preternatural power of concentration, and af control over the interpenetrations of pattern and noise. Cole's paintings give us a glimpse of the infinite. Born in Kansas in 1937, Cole began exhibiting her work in the early 1960s. Her work has been shown at numerous museums and galleries internationally, including the Los Angeles County Museum of Art, the Corcoran Gallery of Art, Washington D.C. and the Whitney Biennial. She has also received several prestigious grants and fellowships, including the Visual Artist's Fellowship and a grant from the National Endowment for the Arts.
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FORMAT: Hardcover, 8.5 x 11 in. / 232 pgs / 63 color / 81 b&w. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $55 ISBN: 9788881582921 PUBLISHER: Charta AVAILABLE: 2/2/2001 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2001 | PRESS INQUIRIES
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| Max Cole Published by Charta. Contributions by Max Cole, Reinhard Ermen, Giuseppe Panza di Biumo, Laura Mattioli Rossi, Richard Vine. Max Cole's formal vocabulary, refined over a period of three decades, suggests an attempt to reduce painting to its bare essentials. Cole's insistent horizontal stripes, the most immediately striking element of her work, refer not only to landscape--that most stabilizing component of human perceptual experience--but also the wave forms which we associate with the transmission of energy. Her work displays a preternatural power of concentration, and af control over the interpenetrations of pattern and noise. Cole's paintings give us a glimpse of the infinite. Born in Kansas in 1937, Cole began exhibiting her work in the early 1960s. Her work has been shown at numerous museums and galleries internationally, including the Los Angeles County Museum of Art, the Corcoran Gallery of Art, Washington D.C. and the Whitney Biennial. She has also received several prestigious grants and fellowships, including the Visual Artist's Fellowship and a grant from the National Endowment for the Arts.
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