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| | PUBLISHER
Veenman PublishersBOOK FORMAT
Hardcover, 7.5 x 10.25 in. / 80 pgs. PUBLISHING STATUS
Pub Date 3/1/2007
No longer our product DISTRIBUTION
D.A.P. Exclusive
Catalog: SPRING 2007 p. 149 PRODUCT DETAILS
ISBN 9789086900305 TRADE
List Price: $45.00 CAD $55.00 AVAILABILITY
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| | | VEENMAN PUBLISHERSFrancis Upritchard: Human ProblemsInterview by Hari Kunzru.
The rising London-based artist Francis Upritchard, born in 1976 in New Zealand, takes thriftstore pots and remakes them as canopic urns, ancient Egyptian repositories for the organs of the dead; converts old fur coats into stuffed monkeys and chimps; and makes striking necklaces, at once primitive and ultra-contemporary, out of materials like cigarette butts, wire and plastic straws. Perhaps these fragments shore the artist up against her own ruin. A gift from a relative, an unwanted wedding present or a generic tourist souvenir--even the tackiest ornament once played a small symbolic function in someone's life. Upritchard repurposes these materials to reveal their underlying purpose--to personalize and decorate our domestic spaces and to fabricate memories which can offset our knowledge of our own impending death. Francis Upritchard is represented by Andrea Rosen Gallery in New York.
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FORMAT: Hardcover, 7.5 x 10.25 in. / 80 pgs.
LIST PRICE: U.S. $45.00
LIST PRICE: CANADA $55
ISBN: 9789086900305
PUBLISHER: Veenman Publishers
AVAILABLE: 3/1/2007
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: No longer our product
AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2007 Page 149 | PRESS INQUIRIES
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| Francis Upritchard: Human Problems Published by Veenman Publishers.
Interview by Hari Kunzru. The rising London-based artist Francis Upritchard, born in 1976 in New Zealand, takes thriftstore pots and remakes them as canopic urns, ancient Egyptian repositories for the organs of the dead; converts old fur coats into stuffed monkeys and chimps; and makes striking necklaces, at once primitive and ultra-contemporary, out of materials like cigarette butts, wire and plastic straws. Perhaps these fragments shore the artist up against her own ruin. A gift from a relative, an unwanted wedding present or a generic tourist souvenir--even the tackiest ornament once played a small symbolic function in someone's life. Upritchard repurposes these materials to reveal their underlying purpose--to personalize and decorate our domestic spaces and to fabricate memories which can offset our knowledge of our own impending death. Francis Upritchard is represented by Andrea Rosen Gallery in New York.
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