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| | PUBLISHER ChartaBOOK FORMAT Paperback, 8.5 x 9.5 in. / 64 pgs / 44 bw. PUBLISHING STATUS Pub Date 2/2/2003 No longer our product DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2003 PRODUCT DETAILS ISBN 9788881584147 TRADE List Price: $24.00 CAD $27.50 AVAILABILITY Not available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | CHARTAAttilio Gigli: PassersbyText by Roberta Valtorta.
In the tradition of documentary photography, that form of the medium that depends so heavily on its direct relationship with reality, Attilio Gigli has photographed a series of figures of passers-by in different urban or suburban settings. They are female figures captured in everyday moments, frozen in ordinary attitudes and gestures. Gigli does not emphasize any particular situation nor does he intend to make these figures the protagonists of some event. And herein lies the particularly contemporary slant of Gigli's oeuvre, which highlights the difficulty, if not the impossibility, for people to be protagonists in the times and places we inhabit today. Here and there Gigli captures a subtle irony or the twinge of a smile, and thus is he led to reflect on life, the anonymity of our existence, and the passing of time.
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FORMAT: Paperback, 8.5 x 9.5 in. / 64 pgs / 44 b&w. LIST PRICE: U.S. $24.00 LIST PRICE: CANADA $27.5 ISBN: 9788881584147 PUBLISHER: Charta AVAILABLE: 2/2/2003 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not available
| D.A.P. CATALOG: SPRING 2003 | PRESS INQUIRIES
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| Attilio Gigli: Passersby Published by Charta. Text by Roberta Valtorta. In the tradition of documentary photography, that form of the medium that depends so heavily on its direct relationship with reality, Attilio Gigli has photographed a series of figures of passers-by in different urban or suburban settings. They are female figures captured in everyday moments, frozen in ordinary attitudes and gestures. Gigli does not emphasize any particular situation nor does he intend to make these figures the protagonists of some event. And herein lies the particularly contemporary slant of Gigli's oeuvre, which highlights the difficulty, if not the impossibility, for people to be protagonists in the times and places we inhabit today. Here and there Gigli captures a subtle irony or the twinge of a smile, and thus is he led to reflect on life, the anonymity of our existence, and the passing of time.
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