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| | PUBLISHER ApertureBOOK FORMAT Hardcover, 13.5 x 11.5 in. / 132 pgs / 100 color. PUBLISHING STATUS Pub Date 7/15/2005 No longer our product DISTRIBUTION Contact Publisher Catalog: PRODUCT DETAILS ISBN 9781931788519 TRADE List Price: $50.00 CAD $60.00 AVAILABILITY Not Available | | THE FALL 2024 ARTBOOK | D.A.P. CATALOG | Preview our FALL 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.
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|   |   | APERTURERichard Misrach: Golden GateEdited by Lesley Martin.
Aperture is delighted to reissue Richard Misrach's highly acclaimed publication, Golden Gate. The photographs for Golden Gate were made over a three-year period from a single vantage point on the artist's front porch, overlooking the San Francisco Bay. Photographed at all times of day and night, in every season, the pictures reveal an astonishing range of changing weather, light and color. The rigorous execution of a simple premise brings a fresh appreciation to this famous western vista. Misrach's photographs are illuminated by important essays by noted art historian T.J. Clark and geographer Richard Walker. Geoff Dyer writes of the work: “We are in the presence of that uniquely photographic and uniquely American phenomenon: the documentary sublime. [Golden Gate] takes you, metaphorically and literally, as far west as you can get. Just as Frederic Edwin Church's colossal “Niagara” (1857) still surpasses the iconic familiarity of the location, so Misrach's pictures make us see an overphotographed subject in a new light; literally. But the light that shrouds, frames, drenches and (always) dwarfs the bridge is also historical. It is as if the sky of every one of the paintings on show at Tate Britain has, at some point, ended up in the Bay Area... Church's rainbow even turns up in one of them. All--even the ones that are completely abstract, just air, color, light--attest to a verifiable truth: at that moment it really looked like this. We have arrived at a vision of the sublime that is literal and absolute. It is impossible to go any further.”
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| | | | | | Fraenkel GalleryISBN: 9781881337348 USD $45.00 | CAD $60 UK £ 40Pub Date: 7/31/2013 Active | Out of stock
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FORMAT: Hardcover, 13.5 x 11.5 in. / 132 pgs / 100 color. LIST PRICE: U.S. $50.00 LIST PRICE: CANADA $60 ISBN: 9781931788519 PUBLISHER: Aperture AVAILABLE: 7/15/2005 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: No longer our product AVAILABILITY: Not Available
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Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Richard Misrach: Golden Gate Published by Aperture. Edited by Lesley Martin. Aperture is delighted to reissue Richard Misrach's highly acclaimed publication, Golden Gate. The photographs for Golden Gate were made over a three-year period from a single vantage point on the artist's front porch, overlooking the San Francisco Bay. Photographed at all times of day and night, in every season, the pictures reveal an astonishing range of changing weather, light and color. The rigorous execution of a simple premise brings a fresh appreciation to this famous western vista. Misrach's photographs are illuminated by important essays by noted art historian T.J. Clark and geographer Richard Walker. Geoff Dyer writes of the work: “We are in the presence of that uniquely photographic and uniquely American phenomenon: the documentary sublime. [Golden Gate] takes you, metaphorically and literally, as far west as you can get. Just as Frederic Edwin Church's colossal “Niagara” (1857) still surpasses the iconic familiarity of the location, so Misrach's pictures make us see an overphotographed subject in a new light; literally. But the light that shrouds, frames, drenches and (always) dwarfs the bridge is also historical. It is as if the sky of every one of the paintings on show at Tate Britain has, at some point, ended up in the Bay Area... Church's rainbow even turns up in one of them. All--even the ones that are completely abstract, just air, color, light--attest to a verifiable truth: at that moment it really looked like this. We have arrived at a vision of the sublime that is literal and absolute. It is impossible to go any further.”
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