Alejandro Merizalde: 100 Churches of Venice and the Lagoon
Text by Marina Gasparini Lagrange.
An in-depth guide to Venetian culture and history through its houses of worship
Begun in 2014 by Ecuadorian-born, New York–based photographer Alejandro Merizalde (born 1979), 100 Churches of Venice and the Lagoon documents religious temples from every sestiere of Venice and the smaller towns of the Venetian lagoon. What began as a small challenge of photographing just the Grand Canal’s churches quickly grew in scope to include every neighborhood in the city. From Murano to Burano and Torcello, from Pellestrina to Chioggia, and deep into the northern lagoon to areas such as Lio Piccolo and Treporti, Merizalde photographed their respective churches whether they remained in service or were deconsecrated or repurposed. The layout of these images emphasizes the facade, relying on subtle repetitions for aesthetic continuity and balance. An essay by Marina Gasparini Lagrange combines her experience living in Venice with a poignant historical perspective.
Featured image is reproduced from 'Alejandro Merizalde: 100 Churches of Venice and the Lagoon'.
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FORMAT: Hbk, 9 x 9 in. / 112 pgs / 100 color. LIST PRICE: U.S. $60.00 LIST PRICE: CANADA $82 ISBN: 9788862087490 PUBLISHER: Damiani AVAILABLE: 10/17/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA LA
Alejandro Merizalde: 100 Churches of Venice and the Lagoon
Published by Damiani. Text by Marina Gasparini Lagrange.
An in-depth guide to Venetian culture and history through its houses of worship
Begun in 2014 by Ecuadorian-born, New York–based photographer Alejandro Merizalde (born 1979), 100 Churches of Venice and the Lagoon documents religious temples from every sestiere of Venice and the smaller towns of the Venetian lagoon. What began as a small challenge of photographing just the Grand Canal’s churches quickly grew in scope to include every neighborhood in the city.
From Murano to Burano and Torcello, from Pellestrina to Chioggia, and deep into the northern lagoon to areas such as Lio Piccolo and Treporti, Merizalde photographed their respective churches whether they remained in service or were deconsecrated or repurposed. The layout of these images emphasizes the facade, relying on subtle repetitions for aesthetic continuity and balance. An essay by Marina Gasparini Lagrange combines her experience living in Venice with a poignant historical perspective.
