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| | BOOK FORMAT Slip, hbk, 2 vols, 9.75 x 11.75 in. / 276 pgs / 130 color. PUBLISHING STATUS Pub Date 2/21/2023 Active DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2022 p. 96 PRODUCT DETAILS ISBN 9781955161039 TRADE List Price: $65.00 CDN $89.00 GBP £55.00 AVAILABILITY Out of stock | TERRITORY WORLD | | THE SPRING 2024 ARTBOOK | D.A.P. CATALOG | Preview our Spring 2024 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
|   |   | Binh Danh: The Enigma of BelongingText by Boreth Ly, Joshua Chuang, Isabelle Thuy Pelaud, Andrew Lam, Binh Danh.
A two-volume collection of materially ingenious photographs responding to identity and the American landscapeBinh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants’ chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, “This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them.” Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering 19th-century photographers. For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspective—namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danh’s daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work.
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| | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
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FORMAT: Slip, hbk, 2 vols, 9.75 x 11.75 in. / 276 pgs / 130 color. LIST PRICE: U.S. $65.00 LIST PRICE: CANADA $89 GBP £55.00 ISBN: 9781955161039 PUBLISHER: Radius Books AVAILABLE: 2/21/2023 DISTRIBUTION: D.A.P. RETAILER DISC: TRADE PUBLISHING STATUS: Active AVAILABILITY: Out of stock TERRITORY: WORLD | D.A.P. CATALOG: FALL 2022 Page 96 | PRESS INQUIRIES
Tel: (212) 627-1999 ext 217 Fax: (212) 627-9484 Email Press Inquiries: publicity@dapinc.com | TRADE RESALE ORDERS
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| Binh Danh: The Enigma of Belonging Published by Radius Books. Text by Boreth Ly, Joshua Chuang, Isabelle Thuy Pelaud, Andrew Lam, Binh Danh. A two-volume collection of materially ingenious photographs responding to identity and the American landscape Binh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants’ chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, “This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them.” Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering 19th-century photographers.
For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspective—namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danh’s daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work.
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