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| | BOOK FORMAT
Slip, hbk, 2 vols, 9.75 x 11.75 in. / 276 pgs / 130 color. PUBLISHING STATUS
Pub Date 2/21/2023
Active DISTRIBUTION
D.A.P. Exclusive
Catalog: FALL 2022 p. 96 PRODUCT DETAILS
ISBN 9781955161039 TRADE
List Price: $65.00 CDN $89.00 GBP £55.00 AVAILABILITY
Out of stock | TERRITORY
WORLD | | THE FALL 2023 ARTBOOK | D.A.P. CATALOG  | | Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture. |
| | | Binh Danh: The Enigma of BelongingText by Boreth Ly, Joshua Chuang, Isabelle Thuy Pelaud, Andrew Lam, Binh Danh.
A two-volume collection of materially ingenious photographs responding to identity and the American landscapeBinh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants’ chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, “This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them.” Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering 19th-century photographers.
For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspective—namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danh’s daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work.
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|  | STATUS: Out of stock Temporarily out of stock pending additional inventory. | |
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USD $125.00 | CAN $181 UK £ 110Pub Date: 10/10/2023
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USD $49.95 | CAN $71.95Pub Date: 8/8/2023
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USD $65.00 | CAN $94 UK £ 57Pub Date: 10/24/2023
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USD $65.00 | CAN $94 UK £ 58Pub Date: 6/13/2023
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USD $55.00 | CAN $79Pub Date: 11/7/2023
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|  | THE MUSEUM OF MODERN ART, NEW YORKISBN: 9781633451520
USD $60.00 | CAN $87Pub Date: 12/12/2023
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|  | MANY VOICES PRESSISBN: 9780991218912
USD $65.00 | CAN $94 UK £ 57Pub Date: 10/3/2023
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|  | MANY VOICES PRESSISBN: 9780991218929
USD $65.00 | CAN $94 UK £ 57Pub Date: 9/5/2023
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|  | STEIDL/GORDON PARKS FOUNDATION/RALPH AND FANNY ELLISON CHARITABLE TRUSTISBN: 9783969991800
USD $60.00 | CAN $84Pub Date: 4/18/2023
Active | In stock
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FORMAT: Slip, hbk, 2 vols, 9.75 x 11.75 in. / 276 pgs / 130 color.
LIST PRICE: U.S. $65.00
LIST PRICE: CANADA $89
GBP £55.00
ISBN: 9781955161039
PUBLISHER: Radius Books
AVAILABLE: 2/21/2023
DISTRIBUTION: D.A.P.
RETAILER DISC: TRADE
PUBLISHING STATUS: Active
AVAILABILITY: Out of stock
TERRITORY: WORLD | D.A.P. CATALOG: FALL 2022 Page 96 | PRESS INQUIRIES
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| Binh Danh: The Enigma of Belonging Published by Radius Books.
Text by Boreth Ly, Joshua Chuang, Isabelle Thuy Pelaud, Andrew Lam, Binh Danh. A two-volume collection of materially ingenious photographs responding to identity and the American landscape Binh Danh was born in Vietnam and immigrated to the US in 1979. Early in his career, Danh pioneered a technique of printing images directly onto plant matter, activating the plants’ chlorophyll with sunlight. Using this process, Danh printed images associated with the war in Vietnam onto the leaves of tropical plants and grasses. Of this work, Danh explains, “This process deals with the idea of elemental transmigration: the decomposition and composition of matter into other forms. The images of war are part of the leaves, and live inside and outside of them.” Known for his innovative approach to alternative photographic processes, Binh Danh extends and reconsiders the pursuit of pioneering 19th-century photographers.
For almost a decade, Danh has traveled across the American West, making daguerreotypes of scenic vistas on silver plates in a mobile darkroom he calls Louis, after Louis Daguerre. Danh imbues this scenery with his distinctly personal perspective—namely, an attempt to negotiate his connection as a Vietnamese American with the landscape and history of the United States. The highly reflective surfaces of Danh’s daguerreotypes literally mirror their surroundings, embracing viewers within the idyllic environs of national sites and landmarks. This inaugural monograph features two volumes in a slipcase, bringing together all three bodies of work and a separate book of essays and memorabilia that serves to contextualize Danh's work.
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