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| |   |   | Gregory Eddi Jones: Promise Land
 A photographic epic by Gregory Eddi Jones, in conversation with The Waste LandA visual poetic epic by Philadelphia-based artist Gregory Eddi Jones (born 1986), Promise Land reimagines the function of photography. Using T.S. Eliot’s masterpiece The Waste Land as its point of departure, the book presents a sequence of images, picking up where the poem left off nearly 100 years ago. Borrowing from Eliot’s strategies of literary allusion and fragmented, collage-like narrative, Jones pulls inspiration from a range of photographic and artistic processes and traditions. Using stock and advertising photographs as his source material, he employs strategies of digital composite and physical ink manipulation to craft a new kind of picture—one untethered from the traditional burdens of photography’s relationships to truth. The resulting sequence forms a visual symphony, composed of nearly 200 images, in harmony with a fracturing, “post-truth” contemporary world.
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FORMAT: Clth, 7.25 x 9.25 in. / 200 pgs / 200 color / 62 b&w. LIST PRICE: U.S. $55.00 LIST PRICE: CANADA $75 ISBN: 9781916041226 PUBLISHER: SPBH Editions AVAILABLE: 12/21/2021 DISTRIBUTION: D.A.P. RETAILER DISC: SDNR40 PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY | D.A.P. CATALOG: FALL 2021 Page 94 | PRESS INQUIRIES
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| Gregory Eddi Jones: Promise Land Published by SPBH Editions. A photographic epic by Gregory Eddi Jones, in conversation with The Waste Land A visual poetic epic by Philadelphia-based artist Gregory Eddi Jones (born 1986), Promise Land reimagines the function of photography. Using T.S. Eliot’s masterpiece The Waste Land as its point of departure, the book presents a sequence of images, picking up where the poem left off nearly 100 years ago.
Borrowing from Eliot’s strategies of literary allusion and fragmented, collage-like narrative, Jones pulls inspiration from a range of photographic and artistic processes and traditions. Using stock and advertising photographs as his source material, he employs strategies of digital composite and physical ink manipulation to craft a new kind of picture—one untethered from the traditional burdens of photography’s relationships to truth. The resulting sequence forms a visual symphony, composed of nearly 200 images, in harmony with a fracturing, “post-truth” contemporary world.
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