French Dominican photographer Karla Hiraldo Voleau (born 1992) grew up with one constant warning: “Never date a Dominican.” In Hola Mi Amol, Hiraldo Voleau returns to the Dominican Republic to cast her gaze on the bodies of the many men she meets, mostly men working in the tourism trade. There, she explores desire, sex and love in this luscious, tender and sexy debut. Her sensual, unstaged, mostly nude photos of the men she connects with are punctuated by vulnerable self-portraits of their intimate encounters. Accompanied by short texts, Hola Mi Amol unfolds into a story that is at once fierce, funny and compassionate. In the Dominican Republic without her mother, aunt or grandmother (all of whom had fallen in love, married or had a child there), and out of sight of her male relatives there, Voleau frees herself to the borders of what feels "allowed" in love, sexuality and friendship.
Featured image is reproduced from 'Karla Hiraldo Voleau: Hola Mi Amola.'
PRAISE AND REVIEWS
1000 Words
Tim Clark
Hola Mi Amol speaks through the most personal and private experiences relating to eroticism, prowess and racial identities. Ultimately the male gaze has in effect been turned on itself to powerful, and at times beguiling, effect.
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FORMAT: Hbk, 7.5 x 10.75 in. / 152 pgs / 104 color. LIST PRICE: U.S. $45.00 LIST PRICE: CANADA $62 ISBN: 9781916041202 PUBLISHER: SPBH Editions/ECAL University of Art and Design Lausanne AVAILABLE: 9/17/2019 DISTRIBUTION: D.A.P. RETAILER DISC: SDNR40 PUBLISHING STATUS: Active AVAILABILITY: In stock TERRITORY: NA ONLY
Published by SPBH Editions/ECAL University of Art and Design Lausanne.
French Dominican photographer Karla Hiraldo Voleau (born 1992) grew up with one constant warning: “Never date a Dominican.” In Hola Mi Amol, Hiraldo Voleau returns to the Dominican Republic to cast her gaze on the bodies of the many men she meets, mostly men working in the tourism trade. There, she explores desire, sex and love in this luscious, tender and sexy debut. Her sensual, unstaged, mostly nude photos of the men she connects with are punctuated by vulnerable self-portraits of their intimate encounters. Accompanied by short texts, Hola Mi Amol unfolds into a story that is at once fierce, funny and compassionate. In the Dominican Republic without her mother, aunt or grandmother (all of whom had fallen in love, married or had a child there), and out of sight of her male relatives there, Voleau frees herself to the borders of what feels "allowed" in love, sexuality and friendship.
