Published by FUEL Publishing. Edited by Damon Murray, Stephen Sorrell. Foreword by Dinos Chapman. Text by PK.
With just a few select books to date, the British publisher (and design company) Fuel has already made a splash with its beautifully produced books on such ephemeral or popular arts as tattooing (Russian Criminal Tattoo Encyclopedia Volumes I and II), soccer programs (Match Day) and improvised domestic implements (Home-Made). Fuel's latest publication extends this visual anthropology to the Internet, specifically the blog BibliOdyssey. Across the world, libraries and institutions are only recently starting to make their collections available online, and the bulk of this amazing material goes unnoted by the casual surfer. BibliOdyssey's mission over the past two years has been to diligently trawl the dustier corners of the Internet and retrieve these materials for our attention. Thanks to the daily efforts of this singular blog, a myriad of long-forgotten imagery has now re-surfaced, from eighteenth-century anatomical and architectural drawing to occult and alchemical engravings and proto-Surrealist depictions of the horrors of industrialization (for example, the half-plant, half-people illustrations of J.J. Grandville). Each of the images is accompanied by commentary from "PK," author and curator of the BibliOdyssey blog. The book also provides details for each image and links to the source website. With a foreword by artist Dinos Chapman, BibliOdyssey is a true cabinet of curiosities and a journey in discovery and delight.
Published by D.A.P./Distributed Art Publishers. By Richard Barnett.
The Sick Rose is a visual tour through the golden age of medical illustration. The nineteenth century experienced an explosion of epidemics such as cholera and diphtheria, driven by industrialization, urbanization and poor hygiene. In this pre-color-photography era, accurate images were relied upon to teach students and aid diagnosis. The best examples, featured here, are remarkable pieces of art that attempted to elucidate the mysteries of the body, and the successive onset of each affliction. Bizarre and captivating images, including close-up details and revealing cross-sections, make all too clear the fascinations of both doctors and artists of the time. Barnett illuminates the fears and obsessions of a society gripped by disease, yet slowly coming to understand and combat it. The age also saw the acceptance of vaccination and the germ theory, and notable diagrams that transformed public health, such as John Snow’s cholera map and Florence Nightingale’s pioneering histograms, are included and explained. Organized by disease, The Sick Rose ranges from little-known ailments now all but forgotten to the epidemics that shaped the modern age. It is a fascinating Wunderkammer of a book that will enthrall artists, students, designers, scientists and the incurably curious everywhere.
Published by D.A.P./Distributed Art Publishers. By Joanna Ebenstein.
Of all the artifacts from the history of medicine, the Anatomical Venus—with its heady mixture of beauty, eroticism and death—is the most seductive. These life-sized dissectible wax women reclining on moth-eaten velvet cushions—with glass eyes, strings of pearls, and golden tiaras crowning their real human hair—were created in eighteenth-century Florence as the centerpiece of the first truly public science museum. Conceived as a means to teach human anatomy, the Venus also tacitly communicated the relationship between the human body and a divinely created cosmos; between art and science, nature and mankind. Today, she both intrigues and confounds, troubling our neat categorical divides between life and death, body and soul, effigy and pedagogy, entertainment and education, kitsch and art. The first book of its kind, The Anatomical Venus, by Morbid Anatomy Museum cofounder Joanna Ebenstein, features over 250 images—many never before published—gathered by its author from around the world. Its extensively researched text explores the Anatomical Venus within her historical and cultural context in order to reveal the shifting attitudes toward death and the body that today render such spectacles strange. It reflects on connections between death and wax, the tradition of life-sized simulacra and preserved beautiful women, the phenomenon of women in glass boxes in fairground displays, and ideas of the ecstatic, the sublime and the uncanny. Joanna Ebenstein is a multidisciplinary artist, curator, writer, lecturer and graphic designer. She originated the Morbid Anatomy blog and website, and is cofounder (with Tracy Hurley Martin) and creative director of the Morbid Anatomy Museum in Brooklyn, New York. She is coauthor of Walter Potter’s Curious World of Taxidermy, with Dr. Pat Morris; coeditor of The Morbid Anatomy Anthology, with Colin Dickey; and acted as curatorial consultant to Wellcome Collection’s Exquisite Bodies exhibition in 2009. She has also worked with such institutions as the New York Academy of Medicine, the Dittrick Museum and the Vrolik Museum.
Published by Morbid Anatomy Press. Edited by Joanna Ebenstein, Colin Dickey. Text by Chiara Ambrosio, Stephen T. Asma, Zoe Beloff, Elizabeth L. Bradley, Simon Chaplin, Mark Dery, Colin Dickey, Caitlin Doughty, Joanna Ebenstein, Richard Faulk, Kate Forde, Mel Gordon, Richard Harris, Amy Herzog, Amber Jolliffe, Vadim Kosmos, Paul Koudounaris, Ross MacFarlane, Dániel Margócsy, Evan Michelson, Pat Morris, Salvador Olguín, David Pescovitz, Carl Schoonover, Daniel K. Smith, Shannon Taggart, Ronni Thomas, John Troyer.
Since 2008, the Morbid Anatomy Library of Brooklyn, New York, has hosted some of the best scholars, artists and writers working along the intersections of the history of anatomy and medicine, death and the macabre, religion and spectacle. The Morbid Anatomy Anthology collects some of the best of this work in 28 lavishly illustrated essays. Included are essays by Evan Michelson (star of Science Channel's hit show Oddities) on the catacombs of Palermo; Simon Chaplin (head of the Wellcome Library in London) on public displays of corpses in Georgian England; mortician Caitlin Doughty on demonic children; and Paul Koudounaris (author of Empire of Death) on a truck stop populated with human skulls. In addition are pieces on books bound in human skin, death-themed cafes in fin-de-siècle Paris, post-mortem photography, eroticized anatomical wax models, taxidermied humans and other animals, Santa Muerte, "artist of death" Frederik Ruysch, and much more.
PUBLISHER Morbid Anatomy Press
BOOK FORMAT Clth, 6 x 8.5 in. / 491 pgs / 108 color / 64 bw.
PUBLISHING STATUS Pub Date 4/30/2014 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2014 p. 75
PRODUCT DETAILS ISBN 9780989394307TRADE List Price: $30.00 CDN $40.00
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.
Published by Editorial RM. Foreword by Gregory Dechant. Text by Mercurio López Casillas.
Over the past two centuries, Mexican culture has kept up a unique dialogue with the fact of death, rather than defying it as most contemporary cultures are wont to do. Today, Mexico even boasts a Museum of Death (in Aguascalientes), filled with pre-Columbian sculpture and pottery, reproductions of ancient Indian codices depicting human sacrifices, colonial-era artworks, skeletons, artisan’s toys and works by the countless Modern artists who have treated the theme. It is, of course, in Mexico’s arts that the blend of respect and irreverence for death and the afterlife is made most clear. Here, Mercurio López Casillas, expert on nineteenth-century Mexican graphic art and the author of studies of José Guadalupe Posada and Manuel Manilla, surveys the subject from pre-Hispanic times to the comic pages of contemporary Mexican newspapers. López Casillas examines the long tradition of representing death and skeleton figures that leads up to Posada, and traces the influence of this great popular engraver in the work of many other twentieth-century artists, including those of the Taller de Gráfica Popular workshop, like Leopoldo Méndez. Readers of this richly illustrated book will also be fascinated by early colonial examples of calaveras, or skeleton caricatures. Images of Death is a colorful and lively deterrent against our habitual inclination to take the Grim Reaper too seriously. For enthusiasts of Mexican folk art, underground comics, tattoo art, the occult and more.
Published by Fundación Museo Picasso Málaga/Legado Paul, Christine y Bernard Ruiz-Picasso. Text by Valeriano Bozal, Martin Clayton, Frances S. Connelly, Emmanuel Dreux, Werner Hofmann, José Lebrero Stals, Michel Melot, Luis Puelles, Xavier Tricot.
Despite its longevity as a tradition stretching back to at least the eighteenth century, the Grotesque has only recently become a non-pejorative term in art and academia. The Grotesque Factor takes a close look at the evolution of the Grotesque, examining early caricature (Hogarth, Goya), abject, scatological and black humor, nineteenth-century French art and literature (Grandville, Baudelaire, Jarry), Jame Ensor, the grotesque in early film and the grotesque turn in recent British art. It includes 175 extraordinary works by more than 76 artists, including Francis Bacon, Louise Bourgeois, Otto Dix, James Ensor, Max Ernst, José Gutiérrez Solana, Victor Hugo, Paul Klee, Willem de Kooning, Roy Lichtenstein, René Magritte, Man Ray, Franz Xavier Messerschmidt, Juan Muñoz, Meret Oppenheim, Pablo Picasso, Richard Prince, Juan Sánchez Cotán, Antonio Saura, Thomas Schütte, Cindy Sherman, Leonardo da Vinci, Bill Viola and Franz West, among others.
PUBLISHER Fundación Museo Picasso Málaga/Legado Paul, Christine y Bernard Ruiz-Picasso
BOOK FORMAT Hardcover, 6.5 x 9.5 in. / 368 pgs / 157 color / 21 duotone.
PUBLISHING STATUS Pub Date 9/30/2013 Active
DISTRIBUTION D.A.P. Exclusive Catalog: FALL 2013 p. 113
PRODUCT DETAILS ISBN 9788494024924TRADE List Price: $55.00 CDN $72.50
AVAILABILITY In stock
in stock $55.00
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
Remedios Varo: The Mexican Years offers a definitive survey of the life and work of a singularly appealing and mysterious Surrealist painter. Born and raised in Spain, Remedios Varo received her earliest training in Madrid before fleeing the Spanish Civil War in 1937 to join Surrealist circles in Paris. The outbreak of World War II forced her to take refuge in Mexico, where she remained until her untimely death in 1963, and where she created her most enduring work. Known as one of the three “brujas” (witches) active in the Mexico City art milieu, Varo shared an interest in esotericism with fellow painter Leonora Carrington and a range of interests in science, philosophy and the literature of German Romanticism with the photographer Kati Horna. For some ten years, from the mid–1950s until her death in 1963, Varo devoted herself to creating an extraordinary dreamlike oeuvre, on the threshold between mysticism and modernity. Her beautifully crafted images of medieval interiors, occult workshops and androgynous figures engaged in alchemical pursuits evoke the eerie allegories of Hieronymus Bosch, esoteric engravings and the charm and lure of fairytales. This catalogue includes a complete illustrated chronology with never before published images and describes Varo’s role in the Mexican Surrealist movement and her relations with Luis Buñuel, Octavio Paz, Benjamin Péret, Alice Rahon, Wolfgang Paalen and many others. Remedios Varo (1908–1963) fled the Spanish Civil War and then World War II to settle in Mexico where she helped establish a Mexican Surrealist movement and painted visions that combined modernism with mysticism. She was married to the leading French Surrealist Benjamin Péret.
Published by FUEL Publishing. Edited by Damon Murray, Stephen Sorrell. Text by Arkady Bronnikov.
Russian Criminal Tattoo Police Files Volume I features more than 180 photographs of Russian criminal tattoos and official police papers from the collection of Arkady Bronnikov, regarded as Russia’s foremost authority on criminal tattoo iconography. From the mid-1960s to the late 1980s, Bronnikov worked as a senior expert in criminalistics at the USSR Ministry of Internal Affairs, and part of his duties involved visiting the correctional institutions of the Ural and Siberia regions. It was there that he interviewed convicts, gathering information and taking photographs of their tattoos, amassing one of the most comprehensive archives of this phenomenon. Bronnikov regularly helped to solve criminal cases across Russia by using his collection of tattoos to identify culprits and corpses. Selections from Bronnikov’s collection, which includes more than 900 photographs, will be published by Fuel in two volumes. The Bronnikov collection was made exclusively for police use, to further the understanding of the language of these tattoos and to act as an aid in the identification and apprehension of criminals in the field. Unimpeded by artistic aspirations, these amazing vernacular photographs present a seemingly straightforward representation of criminal society. Every image discloses evidence of an inmate’s character: aggressive, vulnerable, melancholic, conceited. The prisoners’ bodies display an unofficial history waiting to be deciphered, told not just through tattoos, but also in scars and missing digits. Yet close inspection seems only to make the language of the tattoos more baffling and incredible, pointing to the unimaginable lives of this previously unacknowledged caste.
By Ricky Jay Whose Peregrinations in Search of the “Little Man of Nuremberg” are Herein Revealed
Published by Siglio.
Matthias Buchinger (1674–1739) performed on more than a half-dozen musical instruments, some of his own invention. He exhibited trick shots with pistols, swords and bowling. He danced the hornpipe and deceived audiences with his skill in magic. He was a remarkable calligrapher specializing in micrography—handsome, precise letters almost impossible to view with the naked eye—and he drew portraits, coats of arms, landscapes and family trees, many commissioned by royalty. Amazingly, Buchinger was just 29 inches tall, and born without legs or arms. He lived to the ripe old age of 65, survived three wives, wed a fourth and fathered 14 children. Accompanying the Metropolitan Museum of Art exhibition Wordplay: Matthias Buchinger’s Inventive Drawings from the Collection of Ricky Jay, the book is a cabinet containing a single, multifaceted wonder, refracted through author Ricky Jay’s scholarship and storytelling. Alongside an unprecedented and sumptuously reproduced selection of Buchinger’s marvelous drawings and etchings, Jay delves into the history and mythology of the "Little Man," while also chronicling his encounters with the many fascinating characters whom he meets in his passionate search for Buchinger. Ricky Jay is considered one of the world’s great sleight-of-hand artists. His career is further distinguished by his accomplishments as author, actor and historian of "unusual entertainments." He has appeared in films directed by Paul Thomas Anderson, Gus Van Sant and David Mamet. His Jay’s Journal of Anomalies and Learned Pigs & Fireproof Women were New York Times "Notable Books." The subject of the documentary Ricky Jay: Deceptive Practices, Jay is the only conjurer to be profiled in the PBS series American Masters.
Published by Porterhouse Fine Art Editions. Text by Holly Meyers.
Absorbing Roman poet Ovid's tales of transformation in Metamorphoses and adding his own dash of art-historical figuration and contemporary pop culture, Mark Ryden broaches new terrain with The Tree Show. "Arcadian Gothic" might hint at the nature of this new work, and fans of Ryden will find familiar preoccupations in these new paintings, drawings and sculptures--made since his first solo show in 1998--transposed to new pastures. Never reluctant to freight his work with layers of reference that range from Renaissance landscape and Neoclassical portrait painting to occultism and literature, in his latest works Ryden combines the arcane with pop-cultural images as ground from which to make his carefully executed leaps into fantasy. Ryden's series includes depictions of oak trees consuming children, floating tree stumps with "seeing" eyes, imaginary wood nymphs and mythological characters who personify Nature herself. Ryden paints his characters with a masterful, porcelain glow reminiscent of Ingres and renders his trees with a care that evokes Audubon's botanical illustration. Several of his paintings are presented in elaborately carved frames that project their narratives beyond the canvas. The Tree Show offers reproductions of these paintings and sculptures alongside the fruits of Ryden's research on the tree as myth--drawing from the Buddha's Bodhi Tree to Adam and Eve, the Sephiroth of the Kabbalah and matters of ecological science. As such, this volume constitutes an enticing dossier on Ryden's encyclopedic exploration of the subject and reproduces in its entirety this series centered around the arboreal world. Mark Ryden was born in Medford, Oregon, and received a BFA in 1987 from Art Center College of Design in Pasadena. He currently lives and works in Los Angeles.
PUBLISHER Porterhouse Fine Art Editions
BOOK FORMAT Hardcover, 9.25 x 12.25 in. / 128 pgs / 138 color.
PUBLISHING STATUS Pub Date 2/1/2009 Active
DISTRIBUTION D.A.P. Exclusive Catalog: SPRING 2009 p. 176
PRODUCT DETAILS ISBN 9781931955089TRADE List Price: $40.00 CDN $54.00
AVAILABILITY Out of stock
STATUS: Out of stock
Temporarily out of stock pending additional inventory.