• Hans Ulrich Obrist: Interviews, Books, and Projects


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Walther König, Köln

    Gerhard Richter: Obrist-O’Brist

    Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure . . . . Pbk, 6.75 x 9 in. / 184 pgs / 102 color.

    Text by Hans Ulrich Obrist.

    PRICE: $65.00 | $48.75
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    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Walther König, Köln/Koenig Books

    Indian Highway

    Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highwayis a timely snapshot of a new generation of artists. Its title indicates the significance of the road in migration, as well as the information superhighway” that has driven India's economic boom. A common thread throughout is the political and social engagement of these artists, who include: Ayisha Abraham, Ravi Agarwal, Sarnath Banerjee, Hemali Bhuta, Nikhil Chopra, Desire Machine Collective, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, NS Harsha, Abhishek, Hazra Shanay, Jhaveri, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Nalini Malani, Jagannath Panda, Prajakta Potnis, Raqs Media Collective, Tejal Shah, Valay Shende, Sudarshan Shetty, Dayanita Singh, Sumakshi Singh, Ashok Sukumaran, Shaina Anand, Thukral . . . . Pbk, 8.75 x 10 in. / 320 pgs / 290 color.

    Edited by Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran, Thierry Raspail.

    PRICE: $59.95 | $44.96
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    Gregory R. Miller & Co.

    In the Shadow a Shadow: The Work of Joan Jonas

    One of the most continuously influential figures of the past half century, Joan Jonas was among the first artists to embrace the forms of video, performance and installation. From her beginnings as a sculptor, and her emergence in the New York art and performance scenes of the 1960s and 70s (including the seminal "Vertical Roll" video piece of 1972, in which the titular television malfunction enacted a memorably fractured female identity), up through her six appearances at Documenta and her performance at the Performa 13 biennial, her work has always been surprising, groundbreaking and necessary. This extensively illustrated volume, containing hundreds of full-color photographs, drawings, scripts and diagrams, presents the definitive collection of Jonas' work. The first and authoritative career-spanning monograph . . . . Clth, 9.5 x 12.75 in. / 536 pgs / 840 color.

    Edited with text by Joan Simon. Text by Joan Jonas, Douglas Crimp, Johanna Burton, Barbara Clausen, Richard Serra, Susan Rothenberg.

    PRICE: $85.00 | $63.75
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    JRP|Ringier/ BDV Bureau des videos

    The Secret Files of Gilbert & George

    For the last 40 years Gilbert & George have united and divided the international art scene with equal parts insolence and elegance. Their oeuvre, with its repeating figures and reprising themes of shit, piss, blood, tears, nudity, sperm, alcohol and drugs, overturned the conventions of the twentieth century and helped to set the agenda for the twenty-first. This 35-minute film produced, hosted and edited by the influential international curator Hans Ulrich Obrist is the first documentary to follow Gilbert & George inside their creative process, and into their archives and collection. Obrist discovers the couple's intimate life within the interior of their London house, a veritable museum of obsessions. Beyond good and bad, beyond appearances and objects (negatives, books, press cuttings… . . . . DVD video, PAL Multizone, 5.5 x 7.5 in.

    Edited by Nicolas Tremblay. By Hans Ulrich Obrist.

    PRICE: $32.00 | $24.00
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    D.A.P./Distributed Art Publishers, Inc.

    Gerhard Richter: Writings

    1961 to 2007

    For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. Perhaps it is only natural that an artist whose painting incarnates the Cagean premise that there is nothing to communicate should be moved to address that fact over and over. For this reason, the first edition of Richter's writings, The Daily Practice of Painting (published in 1993 by MIT Press) was an especially compelling collection, gathering the speculations of an artist profoundly involved in states of doubt, uncertainty and negation. Edited by Hans Ulrich Obrist, it quickly became a basic text in all of the creative fields. For this new, complete edition . . . . Hbk, 6.75 x 9.25 in. / 600 pgs / 115 b&w.

    Edited by Hans Ulrich Obrist, Dietmar Elger.

    PRICE: $55.00 | $41.25
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    Walther König, Köln

    Layout: Philip Johnson In Conversation With Rem Koolhaas And Hans Ulrich Obrist

    Listen to Johnson, one of America's most potent architectural forces, talk with Obrist, curator and interviewer extraordinaire, and Koolhaas, architect of the global moment. But listen also to the background sounds provided by German artist Thomas Bayrle's application of Johnson's saying, I take collective skeletons and insert the appropriate flesh,” to book design by way of The New York Times.

    . . . . Paperback, 6.5 x 11 in. / 120 pgs / 48 color.

    Edited by Thomas Bayrle. Interview by Hans Ulrich Obrist.

    PRICE: $30.00 | $22.50
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    Kerber

    Alois Mosbacher: Out There

    Secession

    Here is the premier of Alois Mosbacher's block of works developed over the last few years, comprising over 80 pictures and revolving around the theme of the woods as a space for outsiders and drop-outs. By interlocking the classical media of painting and drawing with the language of computer games, Mosbacher expands his image-based research into complex and often eerie narratives that present contemporary meanings of the woods on various levels.

    . . . . Paperback, 8.25 x 11.75 in. / 84 pgs / 55 color / 13 b&w.

    Essays by Brigitte Huck, Matthias Herrmann and Hans Ulrich Obrist.

    PRICE: $30.00 | $22.50
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    media_city seoul 2000

    Media_City Seoul 2000

    Featuring an astonishing array of work by such artists and architects as Nam June Paik, Rem Koolhaas, Vito Acconci, Laurie Anderson, Chantal Akerman, Matthew Barney, Pierre Bismuth, Stefano Boeri, Christian Boltanski, Marco Brambilla, Angela Bulloch, Cai Guo-Qiang, Janet Cardiff and George Bures Miller, Dan Graham, Rodeny Graham, Lynn Hershmann, Gary Hill, Arthur Jafa, Joan Jonas, Kim Young-Jin, Charles Long and Stereolab, Bruce Nauman, Tony Oursler, Chan-Kyong Park, Paul Pfeiffer, Pipilotti Rist, Sam Taylor-Wood and Bill Viola--as well as a number of emerging Korean artists--media_city seoul 2000documents the recent international cultural festival in the South Korean capital city of Seoul.media_city seoul 2000 takes as its focus today's increasingly media-defined and media-centered cultural and physical landscape, and presents multimedia and video art along . . . . Paperback, 7.5 x 9 in. / 392 pgs / 146 color / 25 b&w reproductions.

    Includes Ryu Byounghak, Anne-Marie Duguet, H.D. Gadamer, Udo Kittelmann, Alexander Kluge, Rem Koolhaas, Barbara London, Geert Lovink, Lev Manovich, Jeremy Millar, Paul D. Miller, Nam June Paik, Marian Pastor Roces.

    PRICE: $40.00 | $30.00
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    JRP|Ringier

    Yang Fudong: No Snow on the Broken Bridge

    Film and Video Installations

    Though he trained as a painter at the China Academy of Fine Arts, Yang Fudong, one of the most interesting and influential young artists emerging from China today, has always preferred film. His videos and photographs combine and accumulate perspectives, investigating identity through ancient mythology, personal memory and lived experience. His subjects, often in their late 20s and early 30s, seem confused and appear to be hovering between the past and present, or perhaps China's past and present. That split gives them an expectant quality, as if something is going to happen that never quite does. Yang Fudong seeks, through vignettes, a poetics of place and people as an alternative to the politics of power. No Snow on the Broken Bridge . . . . Paperback, 7.5 x 10 in. / 180 pgs / 70 color / 20 b&w.

    Edited by Ziba de Weck. Text by Hans Ulrich Obrist.

    PRICE: $35.00 | $26.25
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    JRP|Ringier

    Merz World: Processing the Complicated Order

    The evolving artwork and early, all-encompassing installation Merzbau was German Dadaist Kurt Schwitters’ obsession. He began building a fantastical structure inside his Hanover studio in 1923, which he conceived as a project without end. It gradually took over most of the house. He continued to work on it in different locations throughout his life, remarking that the Merzbau contained everything that was important to him. This groundbreaking volume results from the first of a series of Zurich-based symposia on the Merzbau and its legacy in contemporary architecture, art and society. The Symposium Merzbau sets a new standard for further research on Schwitter’s influential project. Edited by curator and writer Hans Ulrich Obrist, this book includes contributions by art historians, critics and . . . . Paperback, 4.25 x 6.5 in. / 124 pgs / 20 color.

    Edited by Hans Ulrich Obrist, Adrian Notz. Text by Yona Friedman, Thomas Hirschhorn, Peter Bissegger, Karin Orchard, Gwendolen Webster.

    PRICE: $15.00 | $11.25
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    Guggenheim Museum

    Theanyspacewhatever

    During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, . . . . Hardback, 6.5 x 9.5 in. / 256 pgs / 85 color.

    Essays by Michael Archer, Jan Avgikos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Heike Föll, Hal Foster, Massimiliano Gioni, Michael Govan, Dorothea von Hantelmann, Jens Hoffman, Chrissie Iles, Branden Joseph, Emily King, Christy Lange, Maria Lind, Tom Morton, Molly Nesbit, Hans Ulrich Obrist, Beatrix Ruf, Stephan Schmidt-Wulffen, Barbara Steiner, Rachael Thomas, Eric Troncy, Giorgio Verzotti, Thomas Wulffen, Olivier Zahm

    PRICE: $49.95 | $37.46
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    JRP|Ringier

    Collection agnès b.

    French fashion designer and cultural broker agnès b. has been a major participant in the international art world for many years--especially in New York, where her encouragement and support of numerous artists and institutions has made her a revered philanthropist and friend to many. Now, this book offers a window into agnès b.'s much-admired eye by surveying the highlights of the collection she has amassed over the decades. Initially organized around Modern photography, with a focus on Brassaï, Diane Arbus, Helen Levitt and Weegee, as well as classic pieces by Atget, Richard Avedon, Henri Cartier-Bresson and Robert Frank, the collection quickly expanded into Contemporary art and photography, as agnès b. acquired works by William Eggleston, Andy Warhol, Larry Clark, Jean-Michel Basquiat . . . . Hbk, 7.25 x 9.25 in. / 356 pgs / 400 color / 50 b&w.

    Edited by agnès b. Text by Edouard Glissant, Felix Hoffmann, André Magnin, Hans Ulrich Obrist.

    PRICE: $55.00 | $41.25
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    D.A.P./Distributed Art Publishers

    On Curating: Interviews with Ten International Curators

    By Carolee Thea

    On Curating, Carolee Thea's second volume of interviews with ten of today's leading curators, explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. As Thea notes in her introduction, "the biennial or mega-exhibition--a laboratory for experimentation, investigation and aesthetic liberation--is where the curators' experience and knowledge are tested. As they negotiate venues for artistic expression, intellectual critiques and humanistic concerns in their own societies and others, they are challenged by the certainties and uncertainties of a constantly evolving . . . . Pbk, 6.5 x 9.5 in. / 144 pgs / 50 color.

    By Carolee Thea. Edited by Thomas Micchelli. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    JRP|Ringier

    Luke Fowler

    A prominent figure in Glasgow's vibrant art scene, Luke Fowler's cinematic collages break down conventional approaches to biographical and documentary filmmaking. Fowler's films have often been linked to the British Free Cinema of the 1950s, and Fowler likewise avoids didactic voice-over and narrative continuity in favor of impressionistic sound and editing. However, Fowler moves beyond simply referencing the work of his predecessors. Mercurially applying the logic, aesthetics and politics of his subjects—who include the composers/musicians Cornelius Cardew and L. Voag, and the psychologist R.D. Laing—to the film he is making about them, he creates atmospheric, sampled histories that reverberate with the vitality of the people he studies. This is the first major publication on Luke Fowler. It provides a comprehensive overview . . . . Hbk, 8.75 x 10 in. / 96 pgs / 127 color / 18 b&w.

    Edited by Hans Ulrich Obrist, Julia Peyton-Jones, Beatrix Ruf. Text by Will Bradley. Interview by Stuart Comer.

    PRICE: $35.00 | $26.25
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Damiani

    Fink on Warhol: New York Photographs of the 1960s by Larry Fink

    A long-lost photoshoot of the Warhol tribe at the peak of its fame
    Fink on Warhol collects photographs of Andy Warhol and his tribe taken within a time span of just four or five days in the spring of 1966 by Fink, working on assignment for the literary magazine East Side Review, alongside other photos of Warhol from this period. The story was about Andy,” explained Shepard Sherbell, the magazine’s editor. In 1966, everything was about Andy.” The East Side Review closed before Fink’s photographs ran; they are published here for the first time. It was a larky shoot,” says Fink of the photos. Spontaneous.”
    Shooting Warhol, Ingrid Superstar, Lou Reed, John Cale, Edie Sedgwick and Gerard Malanga on the Lower East Side, . . . . Hbk, 9.75 x 11.75 in. / 128 pgs / 55 b&w.

    Text by Kevin Moore.

    PRICE: $50.00 | $37.50
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    NAi010 Publishers

    Cobra: A History of a European Avant-Garde Movement

    1948–1951

    The Cobra artists combined creative freedom and social engagement

    Radical and transnational (the group’s name derives from the main urban centers of the movement--Copenhagen, Brussels and Amsterdam), the postwar artist’s group Cobra caused a revolution in modern art in just three years of active work that continues to influence artists to this day. Willemijn Stokvis’ classic text on the group, Cobra: A History of a European Avant-Garde Movement was first published in 1974, and is now available in English for the first time, fully updated from the 1974 edition. In this comprehensive, richly illustrated volume, Stokvis (a leading authority on the movement) presents the history of Cobra through primary documents, conversations and correspondence conducted with the artists themselves and the movement’s eyewitnesses.

    Cobra . . . . Hbk, 9.5 x 11.5 in. / 400 pgs / 450 color.

    Edited by Willemijn Stokvis.

    PRICE: $80.00 | $60.00
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    Damiani

    Mark Segal: Cheetah

    Segal's celebration of this regal feline also records the cheetah's alarming path toward extinction
    For the past 15 years, American photographer Mark Segal’s fascination with the world’s fastest land mammal has taken him across the US, Europe, Kenya, Namibia and South Africa. What started out as an aesthetic obsession evolved as he deepened his understanding of this fierce yet fragile creature and its rapid path toward extinction. My desire changed from simply wanting to experience cheetahs for my own selfish curiosity to wanting to contribute to their conservation.” Over the last five years, Segal has traveled to various cheetah research and conservation centers, in an effort to show the beauty of this magnificent predator and to draw awareness to its endangered state . . . . Clth, 13.75 x 9.5 in. / 240 pgs / 56 color / 93 b&w.


    PRICE: $120.00 | $90.00
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    Spoonbill Books

    My Vibe

    My Vibe is New York–based poet and writer Jeremy Sigler’s collection of diaristic tales by an only partly sympathetic struggling poet who flirts with—and often fails at—creating romance and playful distractions in his otherwise boring life. The tales are self-deprecating, awkward, nostalgic and at times perverse, but they retain warmth, honesty, whimsy, charm and are often wickedly funny. I love pseudoscience. I love it. Next time I read my work in public, I’m gonna cut out big cardboard letters and paint them red. I’m gonna prop them up behind me: T-E-D. Pseudoscientists get all the fans. They get all the love letters. For their viral youtubes of levitating beer cans. The Pseudos get all the attention. They go viral. Unlike poets.” . . . . Pbk, 5.25 x 7.25 in. / 140 pgs.

    By Jeremy Sigler. Edited by Dan Nadel.

    PRICE: $18.00 | $13.50
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    Editions Xavier Barral

    Automata

    Richly illustrated with etchings, manuscripts, and old documents, this book retraces the epic tale of the automaton from ancient times up to the present day.

    Wondrous objects that are at once scientific and magical, automata testify to the technical research and inventiveness of their designers. In 1675, the astronomer and mathematician Christian Huygens invented the spiral spring that would play a leading role in the development of smaller and more precise watches, with highly complex mechanisms. The creation of more complicated wheelwork and the use of extremely meticulous spiral springs gave free rein to clockmakers’ imaginations, who invented animated objects that fascinated philosophers and scientists alike. Doctors, thespians and thinkers of the modern world all saw these increasingly lifelike automata: wonderful simulacra . . . . Hbk, 7.75 x 10.25 in. / 320 pgs / 160 color.

    Text by Nicholas Foulkes.

    PRICE: $69.95 | $52.46
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    CANADA

    Katherine Bernhardt

    Bernhardt paints a brightly hued portrait of the glorious jumble of contemporary life

    This is the first book to provide a comprehensive overview of Katherine Bernhardt’s wildly popular pattern paintings. Spanning 2013 through 2016, it collects over 100 of her brightly colored canvases. Well known for paintings of super models ripped from glossy fashion magazines and, more recently, Morrocan rug motifs, in 2013 Bernhardt dropped all direct quotation and now paints straight from her imagination, mining her own fertile reservoir of experience, imagery and sensation. Since then, Bernhardt has produced paintings that mix an assortment of objects reflecting her daily experiences, from life in New York to her love of Puerto Rico, her Saint Louis roots and family life. The objects are . . . . Hbk, 11 x 8 in. / 176 pgs / illustrated throughout.

    Edited by Dan Nadel. Text by Nicole Rudick.

    PRICE: $40.00 | $30.00
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    Karma, New York

    Roe Ethridge: American Spirit

    In American Spirit, New York–based conceptual photographer Roe Ethridge (born 1969) presents an unabashedly gorgeous collection of mountainous vistas and meta-advertising spreads that riff on the name of the eponymous cigarette brand.

    Wide-open views of Western peaks are interspersed with close-shot portraits, still lifes and consumer imagery, a Manifest Destiny atlas for the post-internet era.



    . . . . Pbk, 9.5 x 12.75 in. / 72 pgs / 39 color.


    PRICE: $40.00 | $30.00
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    Hauser & Wirth Publishers

    Lygia Pape

    A founding member of Brazil's Neo-Concrete movement, Lygia Pape (1927–2004) made art that favored the primacy of the viewer's sensorial experience. Pape's geometric abstractions explore rich territory through sculpture, drawing, engraving, filmmaking and installation. This publication brings together works spanning 1955 to 2001. The precise incised lines of Pape's Tecelares woodcut prints and drawings of the 1950s and '60s marry pure geometry with organic patterns. Her subsequent Ttéia installations (begun in the late 1970s and continued throughout her career) present captivating explorations of geometry, space and materiality. Installation views and detail shots of these works complement texts by Briony Fer and Daniel Birnbaum, two ardent followers of Pape's work.



    . . . . Clth, 9.75 x 12.75 in. / 96 pgs / 59 color / 2 b&w.

    Text by Briony Fer, Daniel Birnbaum.

    PRICE: $45.00 | $33.75
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    The Studio Museum in Harlem/Institute of Contemporary Art, University of Pennsyl

    Rodney McMillian

    For more than a decade, Los Angeles–based artist Rodney McMillian (born 1969) has worked in sculpture, painting, video and performance to explore the intersections of race, class, gender and socioeconomic policy.
    Copublished by the Institute of Contemporary Art, University of Pennsylvania and The Studio Museum in Harlem on the occasion of Rodney McMillian: The Black Show and Rodney McMillian: Views of Main Street, this volume offers an in-depth examination of McMillian’s varied practice and his meditations on social systems, art history, science fiction and public policy.
    In addition to contributions by Elms and Keith, McMillian’s radical use of postconsumer objects, video and painting is addressed in essays by leading figures including Charles Gaines, Rita Gonzalez, Dave McKenzie and Steven Nelson.

    . . . . Hbk, 8.25 x 11 in. / 168 pgs / 121 color.

    Edited by Anthony Elms, Naima J. Keith. Text by Charles Gaines, Rita Gonzalez, Dave McKenzie, Steven Nelson.

    PRICE: $50.00 | $37.50
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    Gregory R. Miller & Co.

    Analia Saban

    Whether casting paints and ink into sculpture, or using marble, concrete, porcelain or photographs for painterly purposes, Los Angeles–based artist Analia Saban (born 1980) has stretched the limits of material and media in often unexpected ways. Her concern is for the component materials from which art, particularly painting, is made, and her explorations have teased out the hidden ideological and political repercussions of those materials and the forms they take.
    Saban's first book is published on the occasion of a major museum retrospective that showcases ten years of her deep investigations into the possibilities of both the process and the mediums of art making. Her work is presented here alongside major new texts on the artist from Johanna Burton and exhibition curator Claudia . . . . Clth, 8.25 x 10.5 in. / 160 pgs / 110 color.

    Text by Claudia Schmuckli, Johanna Burton.

    PRICE: $45.00 | $33.75
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    Steidl

    Frank Gohlke & Joel Sternfeld: Landscape as Longing

    In 2003, Frank Gohlke (born 1942) and Joel Sternfeld (born 1944) were commissioned to photograph one of the densest concentrations of ethnic diversity in the world--the borough of Queens in New York City. After more than a year of photographing everything from corner bodegas to the borough’s boundaries, Gohlke and Sternfeld had not only captured the complicated dynamic that sustains Queens and its myriad communities, they had also evolved a theory of landscape photography, in which landscape is a visible manifestation of the invisible emotions of its inhabitants.
    Gohlke’s Queens consists of streets, houses, fences, gardens, parklands, shorelines and waste spaces, the territory where human arrangement contends endlessly with the forces that undo it: unruly vegetation, weather, rot and decay.
    Sternfeld focuses on . . . . Clth, 11 x 12.5 in. / 180 pgs / 36 color / 38 b&w.

    Text by Joel Sternfeld, Suketu Mehta.

    PRICE: $75.00 | $56.25
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    Royal Academy Publications

    Michelangelo Buonarroti: The Taddei Tondo

    Michelangelo’s (1475–1564) Taddei Tondo,” in the collection of the Royal Academy in London, offers a fascinating insight into the master’s technical and experimental skill. Joshua Reynolds, the Academy’s first president, considered that Michelangelo represented everything that an artist should aspire to, combining technical brilliance with sublime poetical imagination, and the Tondo shows this in scintillating relief. Expertly researched and written by the renowned Renaissance art historian Alison Cole, this book moves through the life of the Tondo,” from Michelangelo’s rivalry with Leonardo to the marble’s arrival at the Royal Academy and its use in the RA Schools. Finishing with a fresh look at the Tondo’s role in revealing Michelangelo’s technical experimentalism, Cole explores the importance of finish and what constitutes a . . . . Pbk, 6.75 x 9 in. / 80 pgs / 50 color.

    Text by Alison Cole.

    PRICE: $16.95 | $12.71
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    Kaya Press

    So Many Olympic Exertions

    Blending elements of memoir and sports writing, Anelise Chen’s debut novel is an experimental work that perhaps most resembles what the ancient Greeks called hyponemata, or notes to the self,” in the form of observations, reminders and self-exhortations. Taken together, these notes constitute a personal handbook on how to live”––or perhaps more urgently why to live,” a question the narrator, graduate student Athena Chen, desperately needs answering. When Chen hears news that her brilliant friend from college has committed suicide, she is thrown into a fugue of fear and doubt. Through anecdotes and close readings of moments in the sometimes harrowing world of sports, the novel questions the validity of our current narratives of success.
    Anelise Chen earned her BA in English . . . . Pbk, 5 x 7 in. / 200 pgs / 12 b&w.

    By Anelise Chen.

    PRICE: $17.95 | $13.46
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    Hauser & Wirth Publishers

    Djordje Ozbolt: Questions of Faith

    The work of Belgrade-born, London-based artist Djordje Ozbolt (born 1967) combines technical expertise with a light touch, offering a great example of what an uninhibited approach to the venerable genres of painting and sculpture can look like today.

    Infused with wit and humor (of all varieties: satire, slapstick, black), Ozbolt takes on themes of history, politics and travel, among others, in his work, which has increasingly come to include sculpture.

    Djordje Ozbolt: Questions of Faith highlights the artist’s work from the past three years, exploring Ozbolt’s range as an artist, his practice, inspirations and evolution. Featuring a text from Oliver Basciano, International Editor at ArtReview, this volume comes on the heels of several major shows for Ozbolt, including at the Holburne Museum . . . . Clth, 9 x 12.5 in. / 160 pgs / 169 color / 28 b&w.

    Text by Oliver Basciano.

    PRICE: $45.00 | $33.75
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    Esopus Foundation Ltd.

    Esopus 24

    Spring 2017

    Esopus 24 includes long-form artists’ projects by Carlos Amorales, Ted Barker, Hayden Dunham, Marco Maggi, Tony Tasset, and Jane and Louise Wilson. Other contents include an interview with translator Ann Goldstein (perhaps best known for her English translation of Elena Ferrante’s novels), who will also translate submissions in Italian from Esopus readers for the issue’s subscriber invitational; never-before-published photographs from the early 1970s by Arthur Tress; a piece on the stunning quilts of Ernest B. Haight (1899–1992); a new installment of our regular series, Modern Artifacts,” featuring archival material from The Museum of Modern Art archives reproduced in facsimile; as well as the first appearance of Public Access,” a new series copresented with the New York Public Library which features items . . . . Pbk, 9 x 11.5 in. / 230 pgs / 300 color / 50 b&w / Audio CD.

    Edited by Tod Lippy.

    PRICE: $40.00 | $30.00
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  • Walther König, Köln

    Gerhard Richter: Obrist-O’Brist

    Text by Hans Ulrich Obrist.
    Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has ...
    Pbk, 6.75 x 9 in. / 184 pgs / 102 color.

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  • Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.
    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western ...
    Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

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  • Walther König, Köln/Koenig Books

    Indian Highway

    Edited by Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran, Thierry Raspail.
    Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highwayis a timely snapshot of a new generation of artists. Its title indicates the significance of the road in migration, as well as the information superhighway” that has driven India's economic boom. A common thread throughout is the political and social engagement of these artists, who include: Ayisha Abraham, Ravi Agarwal, Sarnath Banerjee, Hemali Bhuta, Nikhil Chopra, Desire Machine Collective, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, NS Harsha, Abhishek, Hazra Shanay, Jhaveri, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Nalini Malani, Jagannath Panda, ...
    Pbk, 8.75 x 10 in. / 320 pgs / 290 color.

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  • Gregory R. Miller & Co.

    In the Shadow a Shadow: The Work of Joan Jonas

    Edited with text by Joan Simon. Text by Joan Jonas, Douglas Crimp, Johanna Burton, Barbara Clausen, Richard Serra, Susan Rothenberg.
    One of the most continuously influential figures of the past half century, Joan Jonas was among the first artists to embrace the forms of video, performance and installation. From her beginnings as a sculptor, and her emergence in the New York art and performance scenes of the 1960s and 70s (including the seminal "Vertical Roll" video piece of 1972, in which the titular television malfunction enacted a memorably fractured female identity), up through her six appearances at Documenta and her performance at the Performa 13 biennial, her work has always been surprising, groundbreaking and necessary. This extensively illustrated volume, containing hundreds ...
    Clth, 9.5 x 12.75 in. / 536 pgs / 840 color.

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  • JRP|Ringier/ BDV Bureau des videos

    The Secret Files of Gilbert & George

    Edited by Nicolas Tremblay. By Hans Ulrich Obrist.
    For the last 40 years Gilbert & George have united and divided the international art scene with equal parts insolence and elegance. Their oeuvre, with its repeating figures and reprising themes of shit, piss, blood, tears, nudity, sperm, alcohol and drugs, overturned the conventions of the twentieth century and helped to set the agenda for the twenty-first. This 35-minute film produced, hosted and edited by the influential international curator Hans Ulrich Obrist is the first documentary to follow Gilbert & George inside their creative process, and into their archives and collection. Obrist discovers the couple's intimate life within the interior of ...
    DVD video, PAL Multizone, 5.5 x 7.5 in.

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  • D.A.P./Distributed Art Publishers, Inc.

    Gerhard Richter: Writings

    Edited by Hans Ulrich Obrist, Dietmar Elger.
    For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. Perhaps it is only natural that an artist whose painting incarnates the Cagean premise that there is nothing to communicate should be moved to address that fact over and over. For this reason, the first edition of Richter's writings, The Daily Practice of Painting (published in 1993 by MIT Press) was an especially compelling collection, gathering the speculations of an artist profoundly involved in states of doubt, uncertainty and negation. Edited by ...
    Hbk, 6.75 x 9.25 in. / 600 pgs / 115 b&w.

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  • The Conversation Series


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Walther König, Köln

    Hans Ulrich Obrist & Konrad Klapheck: The Conversation Series

    Volume 3

    In this German-language-only installment of Hans Ulrich Obrist's Conversation Series, the acclaimed curator-conversationalist speaks with the German Pop Surrealist painter Konrad Klapheck, and includes the German conceptual photographer Hans-Peter Feldmann--who was there to document the afternoon's activities with a series of photographic portraits--in the talk. Writing of Klapheck's psycho-erotic "machine" imagery in a 1994 Art in America review, critic Ken Johnson wrote, "What makes Klapheck's pictures compelling is the way the objects he paints are psycho-erotically animated. His machines…are like primitive totems…monumental, amusingly absurd and sexually suggestive." This volume contains generous photo documentation, with many new paintings depicting offbeat human sexual encounters reproduced in color.

    . . . . Paperback, 5.5 x 8.25 in. / 68 pgs / 16 color / 21 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Rem Koolhaas: The Conversation Series

    Volume 4

    In this traditional paperback, renowned critic and curator Hans Ulrich Obrist teams up with Dutch avant-garde architect and paradigm-shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization.

    . . . . Paperback, 5.5 x 8 in. / 68 pgs.


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    Walther König, Köln

    Hans Ulrich Obrist & Yona Friedman: The Conversation Series

    Volume 7

    People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street. Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known . . . . Paperback, 5.5 x 8.5 in. / 126 pgs / 29 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Zaha Hadid: The Conversation Series

    Vol. 8

    The celebrated architect and Pritzker Prize-winner speaks with series editor Hans Ulrich Obrist about the projects that established her distinctive, deconstructivist style, and shares her thoughts about contemporary architecture. Conceptual and structural questions are discussed with great precision, providing insight into one of the world’s most influential architectural firms.

    . . . . Paperback, 5.25 x 8.25 in. / 136 pgs / 35 color / 45 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Gilbert & George: The Conversation Series

    Vol. 9

    Series editor Hans Ulrich Obrist here collects seven years worth of interviews with the hugely influential British artistic collaborators Gilbert & George, providing an intimate vision of what they consider the most important landmarks in their four-decade-long career together. Many of the conversations are delightfully performative.

    . . . . Paperback, 5.25 x 8.25 in. / 192 pgs / 22 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Nancy Spero: The Conversation Series

    Vol.11

    For more than half a century, the influential American artist and activist Nancy Spero has been known for her relentless honesty and her unshakable commitment to political, social and cultural causes--from women’s issues to war and other power conflicts. In this volume, she shares strong thoughts and light moments with series editor Hans Ulrist Obrist.

    . . . . Paperback, 5.25 x 8.25 in.


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    Walther König, Köln

    Hans Ulrich Obrist & Dominique Gonzalez-Foerster: The Conversation Series

    Vol. 12

    The challenging French conceptualist Gonzalez-Foerster is prominent on the international scene. For Skulptur Projekte Münster 2007, she showed small-scale replicas of other Münster fair works, past and present; for her recent ARC Paris museum show, she collaborated with designer Nicolas Ghesquière. Here she speaks with fellow relational aesthetician, Hans Ulrich Obrist.

    . . . . Paperback, 5.25 x 8.25 in. / 190 pgs / 31 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Philippe Parreno: The Conversation Series

    Vol. 14

    The French filmmaker and artist Philippe Parreno born in Algeria, has been working and collaborating with curator/thinker/editor Hans Ulrich Obrist for many years; over many projects they have taken huge risks and broken countless conventions together. The conversations gathered here give us a window into a dynamic and forward thinking aesthetic relationship.

    . . . . Paperback, 5.25 x 8.25 in. / 154 pgs / illustrated throughout.


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    Walther König

    Hans Ulrich Obrist & Gustav Metzger: The Conversation Series

    Vol. 16

    In volume 16 of The Conversation Series, Hans Ulrich Obrist presents an in-depth exchange with the venerable German-born artist and activist Gustav Metzger, which illuminates the artist's fascinating life and 60-year career. In 1959, Metzger penned a manifesto of Auto-destructive art, which states in part, "Auto-destructive paintings, sculptures and constructions have a lifetime varying from a few moments to 20 years. When the disintegrative process is complete, the work is to be removed from the site and scrapped." In this volume, Metzger talks to Obrist about his past and present association with Auto-destructive art, how he has come to fuse his art practice with his political commitment to human rights and ecology, how he escaped the Holocaust at the age of . . . . Pbk, 5.25 x 8.25 in. / 168 pgs / 41 b&w.

    Text by Hans Ulrich Obrist, Gustav Metzger.

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    Walther König, Köln

    Hans Ulrich Obrist & Yoko Ono: The Conversation Series

    Vol. 17

    In this volume, Hans Ulrich Obrist elicits from New York art veteran Yoko Ono a portrait of her life and career that is unprecedented in detail. Across five interview sessions, Obrist quizzes Ono about her earliest works in visual art and music in Japan, her musical development in New York, her friendship with John Cage, her Fluxus days, the founding of the new state of Nutopia with John Lennon and her ongoing campaigns for world peace and human rights. Ono also recounts here the genesis of her installations and performances, so many of which have since become classics of their genre. Throughout these discussions with Obrist, in which architects and artists such as Rem Koolhaas and Gustav Metzger also participate, this . . . . Pbk, 5.25 x 8.25 in. / 96 pgs / 16 b&w.

    Edited by Hans Ulrich Obrist.

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    Walther König, Köln

    Hans Ulrich Obrist & John Baldessari: The Conversation Series Volume 18

    Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit. A recurrent topic throughout these discussions is the interaction of text and image (on which so much of Baldessari's work leans), and issues such as the museum as institution, idea archives and unrealized projects, and on his career, exhibitions and retrospectives of the . . . . Pbk, 5.5 x 8.5 in. / 242 pgs / 20 b&w.

    Edited by Hans Ulrich Obrist.

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    Walther König

    Hans Ulrich Obrist & Christian Boltanski: The Conversation Series

    Vol. 19

    Hans Ulrich Obrist and Christian Boltanski are not only associated through their longstanding friendship: Boltanski was also the first artist that Obrist ever exhibited. Over the course of this friendship the two have often met for discussions, the earliest of which, from 1994, are published here. Whether on a taxi-boat in Venice, in his atelier or at an exhibition in Ljubljana, Botanski readily divulges information on his projects. His collaborations with other artists such as Ilya Kabakov, which have also led him into the field of performance arts such as opera and dance, are a particular theme of the conversations; on occasion, other interlocutors step in, such as the designer Jean Kalman or the sociologist Luc Boltanski (Christian Boltanski's brother). The . . . . Pbk, 5.25 x 8.25 in. / 234 pgs.


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    Walther König, Köln

    Hans Ulrich Obrist & Jeff Koons: The Conversation Series

    Vol. 22

    Reflecting on 20 years of making art, Jeff Koons talks to Hans Ulrich Obrist about his vocation and its frequently controversial highlights. Koons makes acknowledgement here of determinative influences such as Marcel Duchamp, Salvador Dalí and Andy Warhol, and elucidates his sense of the legacy of Pop art and his own transformations of that legacy. Koons emerges from this volume as a charmingly open and very focused artist, with strong views on the purposes of art today, and advice for practitioners: See everything as an opportunity. Stay focused, then amazing things can happen.” Koons' goals are also inspiringly utopian and appropriate to all forms of art: The journey of art begins with self-acceptance,” he declares at one point, espousing his ideal . . . . Pbk, 5.25 x 8.25 in. / 123 pgs / 28 b&w.

    Edited by Karen Marta.

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    Walther König, Köln

    Hans Ulrich Obrist & Marina Abramovic: The Conversation Series

    Volume 23

    Over the past three and a half decades, Marina Abramovic’s astonishing oeuvre, with pieces in which she performs feats of extreme endurance or mortification of the flesh, has laid bare--perhaps more than any other artist has done--the human body’s strengths, limitations, vulnerabilities and complex bouquet of meanings. In addition, her projects have simultaneously provoked and deflected intense curiosity about who could possibly want to publicly subject herself to such agonizing conditions: who, in short, is Marina Abramovic? In this revealing set of conversations--conducted in train stations, hotels, galleries and her own private studio--between Abramovic and curator Hans Ulrich Obrist, with the occasional addition of other interlocutors including Gustav Metzger (the Old Master of action art”), the artist talks about her work, . . . . Pbk, 5.5 x 8.5 in. / 192 pgs / 25 b&w.

    Edited by Hans Ulrich Obrist.

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    Walther König, Köln

    Hans Ulrich Obrist & Dan Graham: Conversation Series

    Volume 25

    Since the mid-1960s when he started out as a fledgling critic, Dan Graham has carved out a unique role for himself, expanding the scope of the Conceptual artist to incorporate art criticism, music criticism, photography and architecture. For this volume, curator Hans Ulrich Obrist met with Graham on several occasions to discuss the artist's work, life and the numerous interests he passionately follows. The conversation thus wanders seamlessly from architecture to rock and roll, philosophy to astrology, Graham's early performance pieces, photography and articles, to the films and glass pavilions for which he is best known today. A fountain of art folklore, Graham offers recollections of friends and colleagues, art work and influences, providing an invaluable insight not only into the . . . . Pbk, 5.5 x 8.5 in. / 134 pgs.

    Edited by Hans Ulrich Obrist.

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  • HANS ULRICH OBRIST


    "Curators should be book machines."

  • HANS ULRICH OBRIST ON THE INTERVIEW PROJECT

    "Over the last years I have felt an increasing urgency to do more and more interviews, to make an effort to preserve traces of intelligence from past decades, particularly the 20th century pioneers who are in their 80s or 90s or even older, testimonies of the century past from those who are not online and thus who might fall into oblivion. The Interviews Project acts as "a hedge against the systematic forgetting," that, according to Rem Koolhaas, "hides at the core of the Information Age and which may in fact be its secret agenda." The Project enacts what Eric Hobsbawm has called a "protest against forgetting."

    The Institute of the 21st Century is dedicated to preserving and sharing Hans Ulrich Obrist’s Interview Project Archive, advocating the voices of the world’s most important artists and thinkers.

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