• Hans Ulrich Obrist: Interviews, Books, and Projects


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    Walther König, Köln

    Gerhard Richter: Obrist-O’Brist

    Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has then painted over using brushes and scrapers. Chiming with many currents in contemporary writing and bookmaking, Obrist-O'Brist is an adventure . . . . Pbk, 6.75 x 9 in. / 184 pgs / 102 color.

    Text by Hans Ulrich Obrist.

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    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Hatje Cantz

    Johan Grimonprez: It's a Poor Sort of Memory that Only Works Backwards

    Situating themselves at the intersections of art, cinema, documentary and fiction, the critically acclaimed films and video installations of Johan Grimonprez (born 1962) explore the mechanisms by which fear and ignorance are perpetuated and whipped up in the media. This Grimonprez reader gathers essays on and film scripts from his work. . . . . Clth, 5.5 x 8 in. / 352 pgs / 33 color / 18 b&w.

    Edited by Benoit Detalle. Text by Catherine Bernard, Slavoj Zizek, Hans Ulrich Obrist, et. al.

    PRICE: $45.00 | $33.75
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    Walther König, Köln/Koenig Books

    Indian Highway

    Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highwayis a timely snapshot of a new generation of artists. Its title indicates the significance of the road in migration, as well as the information superhighway” that has driven India's economic boom. A common thread throughout is the political and social engagement of these artists, who include: Ayisha Abraham, Ravi Agarwal, Sarnath Banerjee, Hemali Bhuta, Nikhil Chopra, Desire Machine Collective, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, NS Harsha, Abhishek, Hazra Shanay, Jhaveri, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Nalini Malani, Jagannath Panda, Prajakta Potnis, Raqs Media Collective, Tejal Shah, Valay Shende, Sudarshan Shetty, Dayanita Singh, Sumakshi Singh, Ashok Sukumaran, Shaina Anand, Thukral . . . . Pbk, 8.75 x 10 in. / 320 pgs / 290 color.

    Edited by Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran, Thierry Raspail.

    PRICE: $59.95 | $44.96
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    JRP|Ringier/ BDV Bureau des videos

    The Secret Files of Gilbert & George

    For the last 40 years Gilbert & George have united and divided the international art scene with equal parts insolence and elegance. Their oeuvre, with its repeating figures and reprising themes of shit, piss, blood, tears, nudity, sperm, alcohol and drugs, overturned the conventions of the twentieth century and helped to set the agenda for the twenty-first. This 35-minute film produced, hosted and edited by the influential international curator Hans Ulrich Obrist is the first documentary to follow Gilbert & George inside their creative process, and into their archives and collection. Obrist discovers the couple's intimate life within the interior of their London house, a veritable museum of obsessions. Beyond good and bad, beyond appearances and objects (negatives, books, press cuttings… . . . . DVD video, PAL Multizone, 5.5 x 7.5 in.

    Edited by Nicolas Tremblay. By Hans Ulrich Obrist.

    PRICE: $32.00 | $24.00
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    D.A.P./Distributed Art Publishers, Inc.

    Gerhard Richter: Writings

    1961 to 2007

    For a painter who has so successfully neutralized the declarative potential of his medium, Gerhard Richter has committed to print a surprisingly large amount of discussion on his work. Perhaps it is only natural that an artist whose painting incarnates the Cagean premise that there is nothing to communicate should be moved to address that fact over and over. For this reason, the first edition of Richter's writings, The Daily Practice of Painting (published in 1993 by MIT Press) was an especially compelling collection, gathering the speculations of an artist profoundly involved in states of doubt, uncertainty and negation. Edited by Hans Ulrich Obrist, it quickly became a basic text in all of the creative fields. For this new, complete edition . . . . Hbk, 6.75 x 9.25 in. / 600 pgs / 115 b&w.

    Edited by Hans Ulrich Obrist, Dietmar Elger.

    PRICE: $55.00 | $41.25
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    D.A.P./Distributed Art Publishers, Inc.

    Broken Screen: Expanding The Image, Breaking The Narrative

    26 Conversations with Doug Aitken

    Broken Screen is comprised of informal conversations between artist Doug Aitken and a roster of 26 carefully chosen artists, filmmakers, designers and architects. Part guidebook and part manifesto, the book takes a fresh look at what it's like to create work in a world that has become increasingly fragmentary. Through casual and direct discussions Broken Screen offers a detailed navigation through the ideas behind the important yet under-documented visual language of nonlinear narratives, split screens and fragmentary visual planes that define the most progressive moving images today. Presented in 26 illustrated chapters, the focus here lies on the shattering of the linear narrative in the visual arts through the use of image-based work to articulate the speed and fragmentation of modern . . . . Paperback, 7 x 9.5 in. / 288 pgs / 310 color / 65 b&w.

    Edited by Noel Daniel.

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    Turner/Galeria de Arte Mexicano

    Stefan Brüggemann: Capitalism And Schizophrenia

    Ah, capitalism and schizophrenia. Everyone's favorite two topics, or at least Deleuze and Guattari's--and now Stefan Brüggemann's, too. Brüggemann, a young contemporary artist of the Mexican variety, makes witty text installations and other conceptual projects, as if Jenny Holzer and Bruce Nauman got together south of the border and had a baby. One text piece, installed in the form of a neon sign at the Lisson Gallery in London, proclaims, I Can't Explain And I Won't Even Try.” A wall piece in silver block text notes, Everybody Is Thinking Outside This Room.” Capitalism and Schizophrenia, the book, is divided into three sections, the first of which represents Brüggemann's artwork in a format as close as possible to the artist's actual work. . . . . Hardcover, 7.75 x 10.5 in. / 282 pgs / 16 color.

    Essays by Alexandra Garcìa and Nicolas De Oliveria. Interview by Hans Ulrich Obrist and Pedro Reyes.

    PRICE: $30.00 | $22.50
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    JRP|Ringier

    Yang Fudong: No Snow on the Broken Bridge

    Film and Video Installations

    Though he trained as a painter at the China Academy of Fine Arts, Yang Fudong, one of the most interesting and influential young artists emerging from China today, has always preferred film. His videos and photographs combine and accumulate perspectives, investigating identity through ancient mythology, personal memory and lived experience. His subjects, often in their late 20s and early 30s, seem confused and appear to be hovering between the past and present, or perhaps China's past and present. That split gives them an expectant quality, as if something is going to happen that never quite does. Yang Fudong seeks, through vignettes, a poetics of place and people as an alternative to the politics of power. No Snow on the Broken Bridge . . . . Paperback, 7.5 x 10 in. / 180 pgs / 70 color / 20 b&w.

    Edited by Ziba de Weck. Text by Hans Ulrich Obrist.

    PRICE: $35.00 | $26.25
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    JRP|Ringier

    Lyon Biennial

    00s—The History of a Decade That Has Not Yet Been Named

    The curators of the ninth Lyon Biennial approached the task of mapping the moment in contemporary art playfully: by commissioning a polyphonic history and geography book. With 70 players” from around the world, the game” of how to define the decade unfolded via a series of delegations, invitations and programs in which artists proposed their responses and critics and curators sequenced and challenged them, in turn suggesting artists of their own. Reframing the unfolding present from within, creatively rethinking the role of the artist as well as that of serious play, and reconsidering the now-ubiquitous and decreasingly authoritative biennial exhibition, these myriad voices, framed by only a few rules, became participants in an exercise in collective self-determination. This lavishly illustrated publication, . . . . Hardback, 7 x 9.25 in. / 304 pgs / 500 color.

    Edited by Hans Ulrich Obrist, Stéphanie Moisdon. Text by Okwui Enwezor. Text by Michel Houellebecq, Paul Veyne, Ralph Rugoff.

    PRICE: $45.00 | $33.75
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    Guggenheim Museum

    Theanyspacewhatever

    During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, . . . . Hardback, 6.5 x 9.5 in. / 256 pgs / 85 color.

    Essays by Michael Archer, Jan Avgikos, Daniel Birnbaum, Ina Blom, Stefano Boeri, Francesco Bonami, Nicolas Bourriaud, Xavier Douroux, Patricia Falguieres, Heike Föll, Hal Foster, Massimiliano Gioni, Michael Govan, Dorothea von Hantelmann, Jens Hoffman, Chrissie Iles, Branden Joseph, Emily King, Christy Lange, Maria Lind, Tom Morton, Molly Nesbit, Hans Ulrich Obrist, Beatrix Ruf, Stephan Schmidt-Wulffen, Barbara Steiner, Rachael Thomas, Eric Troncy, Giorgio Verzotti, Thomas Wulffen, Olivier Zahm

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    JRP|Ringier

    Collection agnès b.

    French fashion designer and cultural broker agnès b. has been a major participant in the international art world for many years--especially in New York, where her encouragement and support of numerous artists and institutions has made her a revered philanthropist and friend to many. Now, this book offers a window into agnès b.'s much-admired eye by surveying the highlights of the collection she has amassed over the decades. Initially organized around Modern photography, with a focus on Brassaï, Diane Arbus, Helen Levitt and Weegee, as well as classic pieces by Atget, Richard Avedon, Henri Cartier-Bresson and Robert Frank, the collection quickly expanded into Contemporary art and photography, as agnès b. acquired works by William Eggleston, Andy Warhol, Larry Clark, Jean-Michel Basquiat . . . . Hbk, 7.25 x 9.25 in. / 356 pgs / 400 color / 50 b&w.

    Edited by agnès b. Text by Edouard Glissant, Felix Hoffmann, André Magnin, Hans Ulrich Obrist.

    PRICE: $55.00 | $41.25
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    D.A.P./Distributed Art Publishers

    On Curating: Interviews with Ten International Curators

    By Carolee Thea

    On Curating, Carolee Thea's second volume of interviews with ten of today's leading curators, explores the intellectual convictions and personal visions that lay the groundwork for the most prestigious and influential exhibitions in the world today. Among the aesthetic and theoretical issues raised are the relationship between artist and curator, globalism, post-colonialism, capitalism, the future of cultural tourism and the biennial as spectacle or utopian ideal. As Thea notes in her introduction, "the biennial or mega-exhibition--a laboratory for experimentation, investigation and aesthetic liberation--is where the curators' experience and knowledge are tested. As they negotiate venues for artistic expression, intellectual critiques and humanistic concerns in their own societies and others, they are challenged by the certainties and uncertainties of a constantly evolving . . . . Pbk, 6.5 x 9.5 in. / 144 pgs / 50 color.

    By Carolee Thea. Edited by Thomas Micchelli. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    JRP|Ringier

    Luke Fowler

    A prominent figure in Glasgow's vibrant art scene, Luke Fowler's cinematic collages break down conventional approaches to biographical and documentary filmmaking. Fowler's films have often been linked to the British Free Cinema of the 1950s, and Fowler likewise avoids didactic voice-over and narrative continuity in favor of impressionistic sound and editing. However, Fowler moves beyond simply referencing the work of his predecessors. Mercurially applying the logic, aesthetics and politics of his subjects—who include the composers/musicians Cornelius Cardew and L. Voag, and the psychologist R.D. Laing—to the film he is making about them, he creates atmospheric, sampled histories that reverberate with the vitality of the people he studies. This is the first major publication on Luke Fowler. It provides a comprehensive overview . . . . Hbk, 8.75 x 10 in. / 96 pgs / 127 color / 18 b&w.

    Edited by Hans Ulrich Obrist, Julia Peyton-Jones, Beatrix Ruf. Text by Will Bradley. Interview by Stuart Comer.

    PRICE: $35.00 | $26.25
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Aperture

    Richard Misrach: The Mysterious Opacity of Other Beings

    Since the publication of Richard Misrach's bestselling and critically acclaimed publication On the Beach, he has continued to photograph at the same location, building a body of work that has been exhibited as On the Beach 2.0—a reference to the technological and optical developments that have made the intensely detailed, exquisitely rendered depictions possible. The Mysterious Opacity of Other Beings focuses less on the abstraction of water, sand and mote-sized figures, instead honing in on the gestures and expressions of bathers adrift in the ocean. Misrach has rarely ventured into portraiture; this work is his first to focus exclusively on the human figure. Each photograph features one or more individuals crisply rendered from a distance, as they seem to levitate among . . . . Hbk, 17 x 13 in. / 80 pgs / 78 color.


    PRICE: $80.00 | $60.00
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    Koenig Books

    Jonathan Horowitz & Elizabeth Peyton: Secret Life

    Secret Life, a collaboration between the celebrated artists Jonathan Horowitz (born 1966) and Elizabeth Peyton (born 1965), revolves around the broad theme of flowers and plants. Through painting, print, drawing, sculpture and photography, the artists delve into the history of floral symbolism in art and literature. . . . . Pbk, 11.75 x 9.5 in. / 80 pgs / 41 color / 7 b&w.


    PRICE: $54.00 | $40.50
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    Walther König, Köln

    Dieter Roth: Balle Balle Knalle

    Although he is regarded as one of the most influential artists of the twentieth century for his artists' books, prints and sculptures often made with found materials, Dieter Roth (1930–1998) always thought of himself mainly as a writer, viewing his artistic work as a way to earn money for his writing. The use of language accordingly forms a leitmotif throughout Roth's entire oeuvre. Drawing on significant works from various phases of Roth's career, Dieter Roth: Balle Balle Knalle explores an essential connective thread in Roth's varied body of work, showing how text and image were intimately connected for the artist and how his literary and artistic endeavors cross-pollinated each other. This volume, published to accompany an exhibition at the Kunstmuseum Stuttgart, . . . . Hbk, 6.75 x 9.5 in. / 288 pgs / illustrated throughout.

    Text by Sven Beckstette, Julia Gelshorn, Benjamin Meyer-Krahmer, Stefan Ripplinger.

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    Walther König, Köln

    Katharina Grosse: Inside the Speaker

    German artist Katharina Grosse (born 1961) has created a spectacular walk-in installation, measuring almost 800 square meters, in the hall of the Museum Kunstpalast, using large quantities of soiland panels of fabric, as well as massive paintings. This catalogue presents her methods, plans and execution. . . . . Pbk, 6 x 10 in. / 156 pgs / 80 color / 2 b&w.

    Foreword by Beat Wismer. Text by Dustin Breitenwischer, Ulrich Loock, Philipp Kaiser.

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    Walther König, Köln/Hansjörg Mayer

    Hansjörg Mayer: Film

    Patterns Possible Filmworlds

    Hansjörg Mayer (born 1943), Rainer Wössner and Georg Bense together form the experimental filmmaker unit Filmarbeitsteam (FAT) in Stuttgart. This publication and the accompanying DVD bring together FAT's short films of the 1950s and 1960s, focusing particularly on Mayer's contributions. . . . . Pbk, 6.75 x 9 in. / 272 pgs / 940 color.

    Edited by Georg Bense, Hansjörg Mayer, Rainer Wössner. Text by Stefan Ripplinger.

    PRICE: $39.95 | $29.96
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    Walther König, Köln/Hansjörg Mayer

    Hansjörg Mayer: Foto

    260 Photos, 1957–2014

    German publisher, author and artist Hansjörg Mayer (born 1943) has been taking photographs of structures and strange surfaces since the late 1950s. This publication highlights these works, which emphasize the fleeting and the ephemeral (a quality intensified by the advances of camera technology—digital cameras and smart phones). . . . . Pbk, 6.75 x 9 in. / 272 pgs / 260 color.


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    Walther König, Köln/Hansjörg Mayer

    Hansjörg Mayer: Typo

    Printing and Typographic Works from the 50s and 60s

    This volume surveys the astonishing variety of Hansjörg Mayer's (born 1943) concrete and visual poetry—a field in which he was a protagonist—alongside other typographic and printed works, several of which are in color. Also included are reproductions of all 26 issues of his influential concrete poetry broadsheet Futura. . . . . Pbk, 6.75 x 9 in. / 272 pgs / 441 color.

    Edited by Hansjörg Mayer. Text by Stefan Ripplinger.

    PRICE: $39.95 | $29.96
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    Walther König, Köln

    Cosima von Bonin: Hippies Use Side Door

    The Year 2014 has Lost the Plot

    This publication accompanies the largest exhibition to date of works by Cosima von Bonin (born 1962) in Austria, including more than 100 pieces. The retrospective demonstrates how von Bonin's art has shifted away from isolated sculpture to installation. . . . . Flexi, 9.5 x 12 in. / 224 pgs / illustrated throughout.

    Foreword by Karola Kraus. Text by Diedrich Diederichsen, et al.

    PRICE: $50.00 | $37.50
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    Koenig Books

    Marina Abramovic: 512 Hours

    Following her 2010 retrospective at MoMA, this catalogue records a new performance by Marina Abramovic (born 1946) for the Serpentine Gallery, London. Documentation of works from throughout Abramovi´c's career, reperformed for the first time since their original debuts, is also included. . . . . Clth, 5 x 8 in. / 128 pgs / 51 color.


    PRICE: $49.95 | $37.46
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    Aperture

    Aperture 219: Summer 2015

    Aperture is a sophisticated guide to the world of contemporary photography that combines the finest writing with inspiring photographic portfolios. Presenting fresh perspectives accessible to the photo practitioner and the culturally curious alike, each issue examines one theme at the heart of contemporary photography, explored in two distinct sections: Words, focused on ideas, interviews, and debate, and Pictures, offering an immersive photographic experience of artists' projects and series. Columns include Studio Visit, The Collectors, Dispatches, Object Lessons, and What Matters Now. The Summer 2015 issue, "Tokyo," will be researched onsite in that city and will feature a selection of vital contemporary photography, while exploring Tokyo's role in narratives of Japanese photography. . . . . Pbk, 9.25 x 12 in. / 136 pgs / illustrated throughout.

    Edited by Michael Famighetti.

    PRICE: $24.95 | $18.71
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    Koenig Books

    Fairland: Explorations, Insights and Outlooks on the Future of Art Fairs

    How do we imagine the art fair of the future? In addition to considering the issues usually invoked in discussions about the contemporary art fair—the relationship between fairs and biennials, questions about the potential cultural role of these events—Fairland explores the phenomenon of "fairization" to describe the way the fair begins to appropriate other cultural forms, and other cultural forms begin to appropriate the conventions of the fair. Edited by Italian curator Francesco Garutti, this volume is a wide-ranging collection of analytical, critical standpoints and possible visions by internationally renowned artists, curators and critics, including contributions from DIS magazine, architect Kersten Geers, artist Gabriel Kuri, Guggenheim curator Pablo León de la Barra and Frieze Foundation curator Sarah McCrory. . . . . Pbk, 7.5 x 4 in. / 180 pgs / 29 color / 27 b&w.

    Edited by Francesco Garutti. Text by Stefano Baia Curioni, et al.

    PRICE: $19.95 | $14.96
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    Other Criteria

    Private Collection: A History of Erotic Photography, 1850–1940

    Private Collection is a unique and fascinating publication of over 250 pornographic photographs from Danny Moynihan's personal collection, including images made by some of the earliest erotic photographers, right up to the 1940s. This publication visually documents attitudes about sex and pornography, and by so doing shows how they were developed alongside a 'correct' social and cultural behavioural code of restraint, particularly with regard to sexual intercourse and role-play. By providing a historical overview of nudity and sex in photography, the book offers an intriguing insight into the way pornography was made alongside the development of photography. Private Collection includes an extremely readable and informative essay by Cressida Connolly which discusses pornography from an historical perspective, the way the sex industry . . . . Hbk, 8.75 x 13.5 in. / 304 pgs / 267 color.

    Text by Danny Moynihan.

    PRICE: $100.00 | $75.00
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    Walther König, Köln

    Bethan Huws: Reading Duchamp

    Research Notes 2007–2014

    In this artist's book, Welsh artist Bethan Huws (born 1961) compiles her years of research into Marcel Duchamp. Composed of notes, critical commentary and photographs, the volume constitutes an ambitious associative framework or map of key themes and patterns in Duchamp's oeuvre. . . . . Clth, 9 x 13 in. / 684 pgs / 524 color.


    PRICE: $90.00 | $67.50
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    Walther König, Köln

    Cerith Wyn Evans

    This publication is the first to focus solely on the photographic work of Welsh sculptor and filmmaker Cerith Wyn Evans (born 1958), revealing a selection of previously unpublished images. Accompanying this is two texts in a separate booklet: a poetic response to the photographs by philosopher Hélène Cixous, and an abécédaire cowritten by Wyn Evans and philosopher Alexander García Düttmann. . . . . Pbk, 11 x 12.75 in. / 152 pgs / 174 color.

    Foreword by Julia Peyton-Jones, Hans Ulrich Obrist. Text by Hélène Cixous, et al.

    PRICE: $60.00 | $45.00
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    Walther König, Köln

    Live Forever

    Collecting Live Art

    Live Forever is a collection of some of the catalytic figures of contemporary performance art. The theories and work of artists, cultural engineers, curators and collectors are set alongside critical meditations on the aesthetic and even legal ramifications of collecting live art. . . . . Pbk, 8 x 5.5 in. / 176 pgs / 1 b&w.

    Edited and introduction by Teresa Calonje. Foreword by Adrian Hearthfield. Text by Tania Bruguera, et al.

    PRICE: $29.95 | $22.46
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  • JRP|Ringier

    A Brief History of Curating

    Edited by Hans Ulrich Obrist.
    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's ...
    Paperback, 6 x 8 in. / 200 pgs.

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    REGULAR PRICE: $24.95
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  • Walther König, Köln

    Gerhard Richter: Obrist-O’Brist

    Text by Hans Ulrich Obrist.
    Gerhard Richter and Hans Ulrich Obrist first met in 1985. Their professional collaborations began seven years later, when the 24-year-old Obrist curated his first Richter exhibition; the following year he published a collection of his writings. Now Gerhard Richter has dedicated an artist's book to this longstanding relationship. The texts in Obrist-O'Brist have been produced by rearranging Obrist's interviews using a random generator, setting the results in blocks without discrete passages or paragraphs. The color plates are made up of photographs—both portraits and mementos—of Hans Ulrich Obrist, from the past 15 years, and photos of Richter's own paintings, which Richter has ...
    Pbk, 6.75 x 9 in. / 184 pgs / 102 color.

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  • Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.
    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western ...
    Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    25% SAVINGS and FREE SHIPPING
    REGULAR PRICE: $70.00
    YOUR PRICE: $52.50

  • Hatje Cantz

    Johan Grimonprez: It's a Poor Sort of Memory that Only Works Backwards

    Edited by Benoit Detalle. Text by Catherine Bernard, Slavoj Zizek, Hans Ulrich Obrist, et. al.
    Situating themselves at the intersections of art, cinema, documentary and fiction, the critically acclaimed films and video installations of Johan Grimonprez (born 1962) explore the mechanisms by which fear and ignorance are perpetuated and whipped up in the media. This Grimonprez reader gathers essays on and film scripts from his work. ...
    Clth, 5.5 x 8 in. / 352 pgs / 33 color / 18 b&w.

    25% SAVINGS and FREE SHIPPING
    REGULAR PRICE: $45.00
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  • Walther König, Köln/Koenig Books

    Indian Highway

    Edited by Julia Peyton-Jones, Hans Ulrich Obrist, Gunnar B. Kvaran, Thierry Raspail.
    Following the rapid economic and cultural developments on the Indian subcontinent in recent years, Indian Highwayis a timely snapshot of a new generation of artists. Its title indicates the significance of the road in migration, as well as the information superhighway” that has driven India's economic boom. A common thread throughout is the political and social engagement of these artists, who include: Ayisha Abraham, Ravi Agarwal, Sarnath Banerjee, Hemali Bhuta, Nikhil Chopra, Desire Machine Collective, Sheela Gowda, Sakshi Gupta, Shilpa Gupta, Subodh Gupta, NS Harsha, Abhishek, Hazra Shanay, Jhaveri, Jitish Kallat, Amar Kanwar, Bharti Kher, Bose Krishnamachari, Nalini Malani, Jagannath Panda, ...
    Pbk, 8.75 x 10 in. / 320 pgs / 290 color.

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  • JRP|Ringier/ BDV Bureau des videos

    The Secret Files of Gilbert & George

    Edited by Nicolas Tremblay. By Hans Ulrich Obrist.
    For the last 40 years Gilbert & George have united and divided the international art scene with equal parts insolence and elegance. Their oeuvre, with its repeating figures and reprising themes of shit, piss, blood, tears, nudity, sperm, alcohol and drugs, overturned the conventions of the twentieth century and helped to set the agenda for the twenty-first. This 35-minute film produced, hosted and edited by the influential international curator Hans Ulrich Obrist is the first documentary to follow Gilbert & George inside their creative process, and into their archives and collection. Obrist discovers the couple's intimate life within the interior of ...
    DVD video, PAL Multizone, 5.5 x 7.5 in.

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  • The Conversation Series


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Walther König, Köln

    Hans Ulrich Obrist & Robert Crumb: The Conversation Series

    This out-of-sequence first volume in Hans Ulrich Obrist's Conversation Series is devoted to the influential cult comics artist, Robert Crumb-creator of Fritz the Cat, Zap Comics and Mr. Natural, among many other iconic underground mainstays. Both Obrist and Crumb are great conversationalists, and here they make a great match:
    Obrist: Could you tell me a little bit about how you feel about America and world politics right now?
    Crumb: Well, when I was young I really believed in the revolution. I don't really believe in revolution any more; I'm too old now. I think that any violent over-turning of a government or society causes a reaction that is bad or worse than the thing that they were revolting against to begin with... In . . . . Paperback, 5.5 x 8.25 in. / 47 pgs / 1 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & John Chamberlain: The Conversation Series

    Vol. 2

    The American sculptor John Chamberlain, known for using parts of wrecked automobiles in his volumetric, abstract work, is widely considered one of the most important artists of the 60s generation. Here, he speaks with curator, museum director, writer and cultural catalyst Hans Ulrich Obrist, editor of The Conversation Series, about everything from the need for a redesigned hospital gown, to his relationship to Donald Judd and Marfa, Texas, to "recipes" for making art, his years spent in the Navy, becoming a hairdresser in order to meet women, being cast as a drunken womanizer by Black Mountain College scholars, Andy Warhol's Factory, John Waters, Robert Creeley and even Chamberlains, the restaurant he owned with his son in the mid-1990s. . . . . Paperback, 5.5 x 8.5 in. / 128 pgs / 18 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Konrad Klapheck: The Conversation Series

    Volume 3

    In this German-language-only installment of Hans Ulrich Obrist's Conversation Series, the acclaimed curator-conversationalist speaks with the German Pop Surrealist painter Konrad Klapheck, and includes the German conceptual photographer Hans-Peter Feldmann--who was there to document the afternoon's activities with a series of photographic portraits--in the talk. Writing of Klapheck's psycho-erotic "machine" imagery in a 1994 Art in America review, critic Ken Johnson wrote, "What makes Klapheck's pictures compelling is the way the objects he paints are psycho-erotically animated. His machines…are like primitive totems…monumental, amusingly absurd and sexually suggestive." This volume contains generous photo documentation, with many new paintings depicting offbeat human sexual encounters reproduced in color. . . . . Paperback, 5.5 x 8.25 in. / 68 pgs / 16 color / 21 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Rem Koolhaas: The Conversation Series

    Volume 4

    In this traditional paperback, renowned critic and curator Hans Ulrich Obrist teams up with Dutch avant-garde architect and paradigm-shifting intellectual, Rem Koolhaas, for a discussion of Koolhaas's work in China, his designs for Prada, architecture as metaphor, and the development of urbanism in the slipstream of globalization. . . . . Paperback, 5.5 x 8 in. / 68 pgs.


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    Walther König, Köln

    Hans Ulrich Obrist & Wolfgang Tillmans: The Conversation Series

    Vol. 6

    Over the course of two very personal conversations, Hans Ulrich Obrist and Wolfgang Tillmans discuss the photographer’s work, his changing artistic vision and various thematic pursuits since the 1980s. Tillmans’ recent book Manual is discussed in detail, as are cultural and social topics like AIDS. . . . . Paperback, 5.25 x 8.25 in. / 140 pgs / 30 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Yona Friedman: The Conversation Series

    Volume 7

    People make too much of architecture. I have a running quarrel with architects who overestimate architecture. Reality is at eye-level with people walking down the street. Born in 1923 in Budapest, Hungary, Yona Friedman is widely considered one of the greatest utopian visionary architects of the twentieth century. Currently based in Paris, he is just as much a sociologist as a designer of buildings, more concerned with the way people interact with their environments than monumental statements by an ego-centric creator. In this illuminating talk with The Conversation Series editor Hans Ulrich Obrist, he touches on the needs of the individual in heterogeneous urban societies, past and future projects, utopia, influences and metaphysics, revealing a wise and deeply-animated humanistic intellect. Known . . . . Paperback, 5.5 x 8.5 in. / 126 pgs / 29 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Zaha Hadid: The Conversation Series

    Vol. 8

    The celebrated architect and Pritzker Prize-winner speaks with series editor Hans Ulrich Obrist about the projects that established her distinctive, deconstructivist style, and shares her thoughts about contemporary architecture. Conceptual and structural questions are discussed with great precision, providing insight into one of the world’s most influential architectural firms. . . . . Paperback, 5.25 x 8.25 in. / 136 pgs / 35 color / 45 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Gilbert & George: The Conversation Series

    Vol. 9

    Series editor Hans Ulrich Obrist here collects seven years worth of interviews with the hugely influential British artistic collaborators Gilbert & George, providing an intimate vision of what they consider the most important landmarks in their four-decade-long career together. Many of the conversations are delightfully performative. . . . . Paperback, 5.25 x 8.25 in. / 192 pgs / 22 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Nancy Spero: The Conversation Series

    Vol.11

    For more than half a century, the influential American artist and activist Nancy Spero has been known for her relentless honesty and her unshakable commitment to political, social and cultural causes--from women’s issues to war and other power conflicts. In this volume, she shares strong thoughts and light moments with series editor Hans Ulrist Obrist. . . . . Paperback, 5.25 x 8.25 in.


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    Walther König, Köln

    Hans Ulrich Obrist & Dominique Gonzalez-Foerster: The Conversation Series

    Vol. 12

    The challenging French conceptualist Gonzalez-Foerster is prominent on the international scene. For Skulptur Projekte Münster 2007, she showed small-scale replicas of other Münster fair works, past and present; for her recent ARC Paris museum show, she collaborated with designer Nicolas Ghesquière. Here she speaks with fellow relational aesthetician, Hans Ulrich Obrist. . . . . Paperback, 5.25 x 8.25 in. / 190 pgs / 31 b&w.


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    Walther König, Köln

    Hans Ulrich Obrist & Philippe Parreno: The Conversation Series

    Vol. 14

    The French filmmaker and artist Philippe Parreno born in Algeria, has been working and collaborating with curator/thinker/editor Hans Ulrich Obrist for many years; over many projects they have taken huge risks and broken countless conventions together. The conversations gathered here give us a window into a dynamic and forward thinking aesthetic relationship. . . . . Paperback, 5.25 x 8.25 in. / 154 pgs / illustrated throughout.


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    Walther König, Köln

    Hans Ulrich Obrist & John Baldessari: The Conversation Series Volume 18

    Hans Ulrich Obrist has been a staunch supporter of the Los Angeles maestro of Conceptualism John Baldessari from early on in his career. For these conversations, the artist and curator were joined by, among others, the Uruguayan artist and author Alejandro Cesarco, a friend and previous public interlocutor of Baldessari's. Baldessari himself offers readers insight into the motives and semiotics of his multimedia work and his life as an artist, always expressing himself with precision and with wit. A recurrent topic throughout these discussions is the interaction of text and image (on which so much of Baldessari's work leans), and issues such as the museum as institution, idea archives and unrealized projects, and on his career, exhibitions and retrospectives of the . . . . Pbk, 5.5 x 8.5 in. / 242 pgs / 20 b&w.

    Edited by Hans Ulrich Obrist.

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    Walther König

    Hans Ulrich Obrist & Christian Boltanski: The Conversation Series

    Vol. 19

    Hans Ulrich Obrist and Christian Boltanski are not only associated through their longstanding friendship: Boltanski was also the first artist that Obrist ever exhibited. Over the course of this friendship the two have often met for discussions, the earliest of which, from 1994, are published here. Whether on a taxi-boat in Venice, in his atelier or at an exhibition in Ljubljana, Botanski readily divulges information on his projects. His collaborations with other artists such as Ilya Kabakov, which have also led him into the field of performance arts such as opera and dance, are a particular theme of the conversations; on occasion, other interlocutors step in, such as the designer Jean Kalman or the sociologist Luc Boltanski (Christian Boltanski's brother). The . . . . Pbk, 5.25 x 8.25 in. / 234 pgs.


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    Walther König, Köln

    Hans Ulrich Obrist & Rirkrit Tiravanija: The Conversation Series

    Volume 20

    Rirkrit Tiravanija is easily one of the most important artists developing the social and relational aspects of art today. He has transformed gallery spaces into de facto banquet halls, pirate radio stations and even a replica of his own apartment, and in so doing he insists on social interaction, generosity and sociality as components of the art-going experience. It is about being in the space, participating to an activity,” he has said of his project; the nature of the visit has shifted to emphasize on the gallery as a space for social interaction. The transfer of such activities as cooking, eating or sleeping into the realm of the exhibition space put visitors into very intimate if unexpected contact.” Here, curator, critic . . . . Pbk, 5.5 x 8.25 in. / 150 pgs / 25 b&w.

    Edited by Hans Ulrich Obrist.

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    Walther König, Köln

    Hans Ulrich Obrist & Cedric Price: The Conversation Series

    Vol. 21

    The British architect Cedric Price (1934-2003) completed relatively few buildings, but through his drawings, proposals, teachings and conversations, he exerted an enormous influence across many disciplines. For Price, as for an increasing number of architects today, architecture was an instrument towards social and pedagogical growth, and not an aesthetic gesture in itself. His two most famous structures of the early 1960s, the Fun Palace (1961) and the Potteries Thinkbelt (1964) were both intended to foster social cohesion, and were executed as short-term structures. Hans Ulrich Obrist met the great visionary and architectural theorist several times between 1999 and his death in 2003, and spoke with him about his ideas and his most important projects. The result is a spirited and vivid . . . . Pbk, 5.25 x 8.25 in. / 172 pgs / 26 b&w.

    Edited by Hans Ulrich Obrist.

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  • HANS ULRICH OBRIST


    "Curators should be book machines."

  • HANS ULRICH OBRIST ON THE INTERVIEW PROJECT

    "Over the last years I have felt an increasing urgency to do more and more interviews, to make an effort to preserve traces of intelligence from past decades, particularly the 20th century pioneers who are in their 80s or 90s or even older, testimonies of the century past from those who are not online and thus who might fall into oblivion. The Interviews Project acts as "a hedge against the systematic forgetting," that, according to Rem Koolhaas, "hides at the core of the Information Age and which may in fact be its secret agenda." The Project enacts what Eric Hobsbawm has called a "protest against forgetting."

    The Institute of the 21st Century is dedicated to preserving and sharing Hans Ulrich Obrist’s Interview Project Archive, advocating the voices of the world’s most important artists and thinkers.

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