Nan Goldin

Published with Moderna Museet, Stockholm.

This slipcased box set presents four of Nan Goldin’s most important slideshow works, presented in book form in their entirety for the first time. The first volume Memory Lost explores the darkness of addiction and the claustrophobia of drug use, and is considered by Goldin to be her most important piece since the seminal Ballad of Sexual Dependency. Sirens / Salome is a single volume containing two works comprised of found footage: Sirens, about the experience of being ecstatically high and named after the Greek myth in which sailors are seduced by pleasure to their death; and Salome, which explores temptation, destruction and the male gaze. In Stendhal Syndrome Goldin pairs her autobiographical images with photographs that she made of paintings and sculptures from museums throughout the world, centered around themes of love and desire.
Housed in an elegant clothbound slipcase, Honey on a Razor Blade compellingly retains the presentation of these slideshows by presenting each image in the same format on a black background and preserving the original sequencing. Complementing these visual volumes is the reader “Heartbeat,” comprising 36 texts commissioned by Goldin and many published here for the first time: the most comprehensive, insightful and eloquent body of writing on her work to date.
Nan Goldin (born 1953) lives and works between New York and Paris. In 2018 Goldin and her colleagues founded P.A.I.N. (Prescription Addiction Intervention Now), a direct-action group advocating harm reduction and education to address the stigma of addiction and the mounting overdose crisis.

This is the first book to present a comprehensive overview of Nan Goldin’s work as a filmmaker. Accompanying the retrospective show and tour of the same name, organized by Moderna Museet, Stockholm, the book draws from the nearly dozen slideshows and films Goldin has made from thousands of photographs, film sequences, audio tapes and music tracks. The stories told range from the trauma of her family history to the portrayal of her bohemian friends to a journey into the darkness of addiction.
By focusing exclusively on slideshows and video installations, This Will Not End Well aims to fully embrace Goldin’s vision of how her work should be experienced. The book retains the presentation of the slide shows by showing all images in the same format on a black background and sequenced as they are in the sources. The 20 texts, the majority of which are newly commissioned by Goldin, complement and deepen the intention of her work.
Nan Goldin (born 1953) lives and works between New York, Paris and Berlin. Given her first camera at the age of 15, she began taking Polaroids of herself and her friends at a hippie commune. In 1972 she moved in with a group of drag queens in Boston, starting her lifelong obsession with photographing queer and transgender communities. In 1978 Goldin moved to New York City, where she presented slideshows in nightclubs and underground cinemas; her best known, The Ballad of Sexual Dependency, was published as a landmark book in 1986. In the 1990s, Goldin relocated to Berlin where she published A Double Life with David Armstrong and the first edition of The Other Side. In 2018 Goldin and her colleagues founded P.A.I.N. (Prescription Addiction Intervention Now), a direct-action group advocating harm reduction and education to address the stigma of addiction and the mounting overdose crisis.

The third volume of the Lambert Collection Icons series is dedicated to Nan Goldin (born 1953), very much an icon of her generation, whose work is prominent in Yvon Lambert’s Collection, which contains more than 100 works of the photographer’s deeply, personal candid portraiture.

The photographer and collector were personal friends, enjoying a passionate relationship marked by periods of estrangement and intense reunions.

More than 80 of the artist’s portraits are included here—snapshots of people meeting, laughing, embracing, entwining, loving, suffering, crying, dying and living as intensely as possible.

One of Time Magazine's best photo book of 2019

This is an expanded and updated version of Nan Goldin’s seminal book The Other Side, originally published in 1993, featuring a revised introduction by Goldin, and, for the first time, the voices of those whose stories are represented. Published at a time when discourse around gender and sexual orientation is evolving rapidly, The Other Side traces some of the history that informs this new visibility.

The first photographs in the book are from the 1970s, when Goldin lived in Boston with a group of drag queens and documented their glamour and vulnerability. In the early 1980s, Goldin chronicled the lives of transgender friends in New York when AIDS began to decimate her community. In the ’90s, she recorded the explosion of drag as a social phenomenon in New York, Berlin, Bangkok and the Philippines. Goldin’s newest photographs are intimate portraits, imbued with tenderness, of some of her most beloved friends. The Other Side is her homage to the queens she has loved, many of whom she has lost, over the last four decades.

Nan Goldin (born 1953) lives and works between New York, Paris and Berlin. In 1978 Goldin moved to New York, where she presented slideshows in nightclubs and underground cinemas; her best known, The Ballad of Sexual Dependency, was published in 1986. In the ’90s Goldin relocated to Berlin where she published A Double Life with David Armstrong and the first edition of The Other Side. In 2000 she moved to Paris. In 2018 Goldin and her colleagues founded P.A.I.N. (Prescription Addiction Intervention Now), a direct action group advocating for addiction treatment and education in the mounting opioid crisis. Her publications with Steidl include The Beautiful Smile (2008) and Diving for Pearls (2016).

The Beautiful Smile, unavailable since its original publication on the occasion of Nan Goldin’s (born 1953) Hasselblad Award of 2007, is finally back in print. The Hasselblad Award is considered the most important international photography prize in the world today; since 1980, award winners have included some of the greatest names the medium has known.

2007 winner Nan Goldin is easily one of the most significant photographers of our time. Adopting the direct aesthetics of snapshot photography, she has documented her own life and that of her friends and others on the margins of society for more than 30 years, offering frank depictions of drug abuse, cross-dressing and alternative sexualities. Her intimate photographs depict urban lives in New York and Europe in the 1970s, ‘80s and ‘90s, a period massively determined by HIV and AIDS. Her practice of photography as memoir, as a means of protection against loss and as an act of preservation, as well as her use of the slide show, resonates in the work of photographers of recent generations.

This classic volume, which the photographer has called her favorite of all of her books, is a moving homage to the work of one of the most eminent artists of our time.