• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
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    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    Walther König, Köln

    Hans Ulrich Obrist & Hans-Peter Feldmann: Interview

    Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.

    . . . . Pbk, 6.5 x 8.75 in. / 130 pgs / 59 color / 73 b&w.

    Edited by Hans Ulrich Obrist.

    PRICE: $49.95 | $37.46
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    DuMont Buchverlag

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
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    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
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    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
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    Skarstedt Fine Art

    Barbara Kruger: Money Talks

    Money Talks is the first publication to bring together a thematic grouping of Kruger's work. The subject chosen could not be more apt--not only because of current politics and economic realities, but also because this is the subject Kruger has repeatedly returned to throughout her career.



    . . . . Clth, 8.75 x 11.25 in. / 76 pgs / 32 b&w.

    Text by Lisa Phillips.

    PRICE: $30.00 | $22.50
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    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
    WITH FREE SHIPPING



    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Pomona College Museum of Art

    It Happened at Pomona

    Art at the Edge of Los Angeles 1969-1973

    From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles County at the Pomona College Museum of Art, in Claremont, California. Here, Hal Glicksman, a pioneering curator in Light and Space art and former assistant to Walter Hopps, and Helene Winer, later the director of Artists Space and founder of Metro Pictures gallery in New York, curated landmark exhibitions by young local artists who bridged the gap between postminimalism and Conceptual art and presaged the development of postminimalism in the late 1970s. Among these artists were Bas Jan Ader, Michael Asher, Mowry Baden, Lewis Baltz, Chris Burden, Judy Chicago, Ger van Elk, Jack Goldstein, Robert Irwin, William Leavitt, John McCracken, Allen . . . . Pbk, 9 x 13 in. / 386 pgs / 120 color / 160 b&w.

    Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. Text by Thomas Crow, David Pagel.

    PRICE: $49.95 | $37.46
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    Wilhelm Fink Verlag, Munich

    The Digital Wunderkammer

    10 Chapters on the Iconic Turn

    As digital technology advances at breakneck speed, Images are circulating quicker than ever before. But what is the status of the image in the digital era? In The Digital Wunderkammer, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle--the topic of the third chapter--that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to . . . . Hbk, 8.25 x 11.75 in. / 202 pgs / 58 color / 16 b&w.

    By Hubert Burda. Text by Peter Sloterdijk, Bazon Brock, Hans Belting, Horst Bredekamp, Friedrich Kittler.

    PRICE: $45.00 | $33.75
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    Primary Information

    Dan Graham: Rock/Music Writings

    As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for those movements, and an early supporter of (and friend to) Glenn Branca and Sonic Youth among many others. Rock/Music Writings collects 13 of Graham's most influential writings, on bands ranging from The Kinks to Bow Wow Wow, first published in art journals such as Real Life, Open Letter and ZG between 1968 and 1988, and in the now rare volume Rock My Religion. It includes such landmark essays as Punk as Propaganda,” which explicates the self-packaging and media critique of The Ramones, Devo, the Sex Pistols, the . . . . Pbk, 5.5 x 8.25 in. / 224 pgs / 29 b&w.


    PRICE: $18.00 | $13.50
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Judd Foundation/David Zwirner Books

    Donald Judd Writings

    This comprehensive collection of Donald Judd's writings includes previously unpublished writings and hundreds of notes

    Donald Judd: Writings, copublished by Judd Foundation and David Zwirner Books, is the most comprehensive collection of the artist's writings assembled to date. This timely publication includes Judd’s best-known essays organized chronologically with little-known texts previously published in limited editions. This new collection also includes unpublished college essays and hundreds of never-before-seen handwritten notes, a critical but unknown part of Judd’s writing practice.

    Judd’s earliest published writing, consisting largely of reviews for hire, defined the terms of art criticism in the 1960s, but his essays as a graduate student at Columbia, published here for the first time, contain the seeds of his later writing, and allow readers to trace . . . . Pbk, 4.25 x 7.25 in. / 1,048 pgs / 137 color / 47 b&w.

    Edited by Flavin Judd, Caitlin Murray.

    PRICE: $39.95 | $29.96
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    The Museum of Modern Art

    Kai Althoff: and then leave me to the common swifts

    An eclectic contemporary master of figuration examined through multiple lenses in this career-spanning catalogue

    Kai Althoff is one of the most consummate--and unpredictable--artists of his generation. A painter and a draftsman, he has experimented since the mid-1990s with combinations of unconventional mediums and exhibition formats to create all-encompassing environments that might include finely detailed drawings, collage, woven textiles, knitted fabric, soft sculpture, paintings, writing, video, fragrance and song.

    Published in conjunction with a major exhibition at The Museum of Modern Art, this publication presents Althoff’s work in all mediums made over a 25-year career. Created in close collaboration with the artist, the book features lavish color reproductions of Althoff’s most significant works. Contributions by scholars, art professionals and friends of the artist offer . . . . Hbk, 9 x 10.5 in. / 196 pgs / 205 color.

    Edited by Kai Althoff. Text by Rita Kersting, DovBer Naiditch, Yair Oelbaum, Constantin Rothkopf, Robert Storr, Rein Wolfs. Interview by Laura Hoptman.

    PRICE: $60.00 | $45.00
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    HENI Publishing

    Iggy Pop Life Class

    A Project by Jeremy Deller

    On Sunday February 21, 2016, 21 artists from all walks of life gathered at the New York Academy of Art for a special life drawing class with a guest model: American rock legend Iggy Pop. The class was organized by the Brooklyn Museum and conceived by artist Jeremy Deller.
    In stark contrast to his kinetic stage persona, Pop methodically posed nude on a different kind of stage, whilst the participating artists—representing New York’s diverse community and ranging from 19 to 70 years of age—depicted his body in the wide-ranging styles expected from a mix of students, practicing artists and retirees.
    Iggy Pop Life Class includes drawings by all participating artists, with works ranging from five-minute sketches to studies to presentation drawings—107 works in . . . . Pbk, 8.5 x 11.75 in. / 144 pgs / 235 color.

    By Jeremy Deller. Foreword by Anne Pasternak. Preface and text by Sharon Matt Atkins. Text by Mark Beasley, Frances Borzello.

    PRICE: $24.95 | $18.71
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    Steidl/Pace McGill

    Peter Hujar: Lost Downtown

    The Lower East Side between 1972 and 1985—filled with artists, wannabe artists and hangers-on—was a community of the misbegotten gathered from every town in America and relocated in the mean streets between Broadway and the Bowery, and Peter Hujar was right in the midst of it. Nothing but talent, flamboyance, rank gender-bending mockery and arch irony supported these artists: some made their names, many came to grief and a few made art. In those days, the gutted streets of the Lower East Side resembled a war-zone. Though some established artists had passed through—Rauschenberg and Johns, John Cage and Merce Cunningham—almost everyone lived and worked on the extreme outer margins of money and art, penniless and unknown. As a community, downtown New . . . . Hbk, 10.5 x 11 in. / 56 pgs / 20 b&w.

    Text by Vince Aletti.

    PRICE: $30.00 | $22.50
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    David Zwirner Books|Steidl

    William Eggleston: The Democratic Forest

    Selected Works

    Over the course of nearly six decades, William Eggleston—often referred to as the “father of color photography”—has established a singular pictorial style that deftly combines vernacular subject matter with an innate and sophisticated understanding of color, form, and composition.

    Eggleston has said, “I am at war with the obvious.” His photographs transform the ordinary into distinctive, poetic images that eschew fixed meaning. Though criticized at the time, his now legendary 1976 solo exhibition, organized by the visionary curator John Szarkowski at The Museum of Modern Art, New York—the first presentation of color photography at the museum—heralded an important moment in the medium’s acceptance within the art-historical canon and solidified Eggleston’s position in the pantheon of the greats alongside Henri Cartier-Bresson, Robert Frank, . . . . Clth, 11.75 x 11.75 in. / 150 pgs / 60 color.

    Text by Alexander Nemerov.

    PRICE: $55.00 | $41.25
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    Reel Art Press

    Total Excess

    Photographs by Michael Zagaris

    It has been said of Michael Zagaris’ photographic oeuvre that it is the last untouched rock archive.” Zagaris was responsible for shooting everyone in the rock music scene in San Francisco in the 1970s and 80s, including The Clash, Grateful Dead, Blondie, Sex Pistols, Bob Dylan, Eric Clapton, Lou Reed and the Velvet Underground, Patti Smith, Led Zeppelin, and many more.
    Zagaris’ photographs are some of the best portraits of their kind. Because a lot of his work was taken for pleasure rather than pay, the vast majority of his archive has remained unseen until now. Total Excess is the complete anthology of his incredible rock photography. This is the first book in a series of collaborations between Reel Art Press and . . . . Hbk, 9.5 x 12 in. / 272 pgs / 30 color / 200 b&w.

    Edited by Dagon James. Foreword by David Talbot. Afterword by Peter Frampton.

    PRICE: $60.00 | $45.00
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    David Zwirner Books

    Paul Gauguin: Ramblings of a Wannabe Painter

    “People tell me I’m not Rembrandt, Michelangelo, Puvis de Channes--but I already know that!” --Paul Gauguin

    “Criticism is our censorship….” So begins one of the greatest invectives against criticism ever written by an artist. Paul Gauguin (1848–1903) wrote “Racontars de Rapin” only months before he died in 1903, but the essay remained unpublished until 1951. Through discussions of numerous artists, both his contemporaries and predecessors, Gauguin unpacks what he viewed as the mistakes and misjudgments behind much of art criticism, revealing not only how wrong critics’ interpretations have been, but also what it would mean to approach art properly--to really look.
    This new translation by French writer and academic Donatien Grau includes an introduction that situates the essay within Gauguin’s written oeuvre, . . . . Pbk, 4.25 x 7 in. / 96 pgs / 5 color.

    Introduction by Donatien Grau.

    PRICE: $12.95 | $9.71
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    Hatje Cantz

    Kandinsky, Marc, and Der Blaue Reiter

    A reappraisal of the Blue Rider group in the context of their legendary almanac

    For just a few years at the beginning of the 20th century, Munich was the hot spot of Germany‘s artistic avant-garde. Russian painter Wassily Kandinsky and Franz Marc’s initiative as founding editors of the almanac Der Blaue Reiter (The Blue Rider) was a catalyst for the arts. The journal and the 1911 exhibition of the same name created international waves and heralded the start of the modern era in Germany before the First World War. Today, the names of the movement’s key players Franz Marc, Gabriele Münter, Alexej von Jawlensky and Paul Klee stand for a pivotal chapter in the international history of art, marked by the transition . . . . Hbk, 9.75 x 12 in. / 250 pgs / 180 color.

    Edited with text by Ulf Küster. Text by Andreas Beyer, Oskar Bätschmann, Cathrin Klingsöhr-Leroy, Marta Ruiz del Árbol.

    PRICE: $85.00 | $63.75
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    Steidl

    Robert Frank: Hold Still, Keep Going

    Hold Still, Keep Going is the long-awaited reprint of the catalogue to Robert Frank’s (born 1924) 2001 exhibition at the Museum Folkwang in Essen. Though the artist is best known for his seminal photobook The Americans (1959) and his experimental film Pull My Daisy (1959), until this publication, little scholarship existed on the intersection between Frank’s work in the disciplines of photography and film.
    Hold Still, Keep Going fills that void, exploring the influence of film on Frank’s photographic work, and the interaction between the still and moving image that has engaged the photographer and experimental filmmaker since the late 1950s. The book adopts a nonchronological approach, including photographs, film stills, 35mm filmstrips, as well as photomontages that present Frank’s most famous . . . . Hbk, 8.25 x 10.75 in. / 168 pgs / illustrated throughout.

    Edited by Ute Eskildsen. Text by Ute Eskildsen, Christoph Ribbat, Wolfgang Beilenhoff. Interview by Ute Eskildsen.

    PRICE: $40.00 | $30.00
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    National Portrait Gallery

    Speak its Name! Quotations by and about Gay Men and Women

    This collection of quotations by and about gay people celebrates the advances of the international LGBT community over the past 50 years. Amusing observations by Noël Coward, Tallulah Bankhead, Quentin Crisp, Boy George and Ian McKellen are interspersed with interviews with Dusty Springfield, Alan Bennett, Freddie Mercury, Clive Barker, George Michael and William S. Burroughs, and diary entries by Kenneth Williams, Joe Orton, W.H. Auden and John Maynard Keynes. John Gielgud and Alan Turing’s accounts of being arrested contrast with letters from Violet Trefusis to her lover Vita Sackville-West, King James I to the Marquis of Buckingham, and Benjamin Britten to his partner Peter Pears. Contributions by Oscar Wilde, Lord Montagu of Beaulieu, John Wolfenden, Field Marshal Montgomery, Lord Arran, Margaret . . . . Hbk, 7.5 x 6 in. / 366 pgs / 160 color.

    Edited by Christopher Tinker. Introduction by Simon Callow.

    PRICE: $24.95 | $18.71
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    Steidl

    Henry Leutwyler: Document

    New York-based photographer Henry Leutwyler's new book Document examines humble objects from iconic moments such as the first moonwalk, political assassinations or episodes in the lives of musicians, artists and athletes. Ten years in the making, Document is essentially a collection of portraits of things: Mahatma Gandhi's sandal, Alan Shepard's golf club, Janis Joplin's acoustic guitar, Jack Ruby's handgun. Leutwyler shows us these objects close up--straight on and without backdrop--in a style that is equal parts still life, portraiture and crime-scene photography.
    Though isolated from their contexts and owners, these objects are the testaments of bodily histories, the traces of personalities and the stuff of our collective memory. Document invites us to engage with our "icons" in wholly new ways, and to . . . . Clth, 10 x 13 in. / 208 pgs / 123 color.

    Introduction by Karen Eileen Overbey.

    PRICE: $75.00 | $56.25
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    nai010 publishers

    William Kentridge

    The South African artist William Kentridge (born 1955) has achieved a worldwide reputation with his large, poetic and incisive installations. Over the last decades the versatile artist has developed a multidisciplinary way of working that combines film, animation, drawing, music and theater. Typical of his work are the powerful charcoal drawings that he turns into moving images. Kentridge's work explores the historically charged past of his native country. The artist is producing an impressive large-scale installation for EYE Filmmuseum in Amsterdam, to be shown on eight large screens and accompanied by a soundtrack of an African brass band. This publication of Kentridge's texts, sketches, set photographs and film stills lays bare the process by which this unusual project came into being . . . . Pbk, 6 x 9 in. / 112 pgs / 100 color.

    Text by Jaap Guldemond, William Kentridge.

    PRICE: $35.00 | $26.25
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    Whitechapel Gallery

    William Kentridge: Thick Time

    William Kentridge (born 1955) is a beloved figure, heralded for his work in drawing, film animation, sculpture and performance. Published to accompany a major exhibition which tours to four venues in Europe, William Kentridge: Thick Time undertakes an overview of the artist’s recent works, focusing on a sequence of five key pieces dating from 2003 to 2015. These encompass three immersive audiovisual installations, including The Refusal of Time, selected works on paper, and ideas for theatre and opera design.
    The fully illustrated monograph includes new critical writings on each of the works presented by venue curators Iwona Blazwick and Sabine Breitwieser; Michael Juul Holm, head of publications at Louisiana Museum of Modern Art; Harvard art historian Joseph Koerner; Denise Wendel, a writer . . . . Pbk, 9.75 x 11.25 in. / 256 pgs / 200 color.

    Edited with text by Iwona Blazwick. Text by Homi Bhabha, Sabine Breitwieser, Michael Juul Holm, Joseph Koerner, Denise Wendel.

    PRICE: $35.00 | $26.25
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    Steidl

    Robert Polidori: Hotel Petra

    This book is Robert Polidori’s portrait of the interiors of the now demolished Hotel Petra in Beirut, a grand icon of the city’s prewar history. The Hotel Petra was once one of the most popular hotels in Beirut, conveniently located in the city center adjacent to the Grand Theatre. After the Lebanese Civil War of 1975–90, Rafiq al-Hariri founded a holding company, Solidere, whose goal was the selective demolition and reconstruction of downtown Beirut’s urban fabric. In 1992 the Hotel Petra was set aside for later restoration, and from that moment essentially cut off from any human intervention.
    Polidori gained access to this site in 2010, and was transfixed by what he discovered: It’s truly rare to find examples of such undisturbed . . . . Hbk, 11.5 x 13.5 in. / 96 pgs / 80 color.


    PRICE: $55.00 | $41.25
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    Steidl

    Miles Aldridge: Please Return Polaroid

    With this volume, Miles Aldridge revisits his Polaroid archive of 20 highly prolific years of magazine assignments. Lots of those old Polaroids were intentionally or accidentally damaged while working on different stories--trimming, adjusting, marking, cutting, pasting, outlining specific details in order for them to be enhanced, modified, reassembled or discarded. Liberated from their original context, the images take on a life of their own and adapt an almost dreamlike and very effectual character. By partly enlarging and arranging the Polaroids in unexpected ways, Aldridge treats them as singular images that command individual respect. Here, we get a rare insight into a photographer’s storyboard and workflow while learning to appreciate the importance of flaws and imperfections, but also of the playfulness that . . . . Hbk, 11.5 x 11.5 in. / 190 pgs / 117 color.

    Text by Miles Aldridge.

    PRICE: $45.00 | $33.75
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  • Featured Artists, Critics and Curators



    John Baldessari

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    Uta Barth

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    Klaus Biesenbach

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    Daniel Birnbaum

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    Nicolas Bourriaud

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