• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Hatje Cantz

    Charles Brittin: West and South

    Throughout the 1950s, Charles Brittin was the unofficial house photographer for the Beat community that coalesced around the artist Wallace Berman. Brittin settled in Venice Beach, California, in 1951, and his beach shack became a hangout for the Berman circle, which included actors Dean Stockwell and Dennis Hopper, artist John Altoon, curator Walter Hopps and poet David Meltzer, among many others. A self-taught photographer, Brittin was working as a mailman at the time, and spent much of his free time wandering the streets with a camera; he came to know Venice intimately, and his pictures of the town are freighted with a hushed beauty and forlorn sweetness. In the early 1960s the focus of Brittin's life shifted dramatically when he became . . . . Hbk, 9.5 x 13 in. / 216 pgs / 150 duotone.

    Edited by Kristine McKenna, Lorraine Wild, Roman Alonso, Lisa Eisner.

    PRICE: $60.00 | $45.00
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    D.A.P/Distributed Art Publishers/MOCA, LA/JRP|Ringier

    Doug Aitken: The Idea of the West

    Sunsets over the Pacific. "Surfers." "Movie stars." "Coyotes in the street." "Sex." Doug Aitken's The Idea of the West gathers the responses of 1,000 people on the streets who were asked "What is your idea of the West?" and assembles this amazing manifesto from their replies. Through an assortment of more than 200 color and black-and-white images juxtaposed with responses to this question, The Idea of the West takes the reader on a high-speed journey across space and time to trace the mythology of the New West. The volume also features conversational fragments by a host of creators based in the Pacific region, including Devendra Banhart, Bruce Brown, Charles Burnett, Exene Cervenka, Fallen Fruit, Simone Forti, Fritz Haeg, Miranda July, No . . . . Hbk, 11.25 x 8.75 in. / 160 pgs / 124 color / 72 b&w.


    PRICE: $55.00 | $41.25
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    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
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    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    Charta

    Hans Ulrich Obrist: Interviews, Volume 2

    Since Hans Ulrich Obrist--museum director, curator, writer, cultural instigator and professional conversationalist--released his bestselling first volume of interviews back in 2004, one wonders if there is a living artist, musician or writer left with whom Obrist hasn't recorded an interview. Happily, of course, there are plenty. Obrist--who was born in Zurich in 1968, and who joined London's Serpentine Gallery as Co-Director of Exhibitions and Programmes and Director of International Projects in 2006--makes it his business to cross paths with the most significant thinkers of our time, from in or outside the artworld. Since 1993, he has conducted literally hundreds of interviews. The 70 published here are taken from an archive containing nearly 2,000 hours of recordings and organized by interviewees' dates . . . . Pbk, 5.5 x 8.25 in. / 950 pgs.

    Edited by Charles Arsène-Henry, Shumon Basar, Karen Marta.

    PRICE: $75.00 | $56.25
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    DuMont Buchverlag

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
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    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
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    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
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    Hatje Cantz

    Lawrence Weiner: After Fine Art, Nach Bildende Kunst

    One of Conceptual art’s most popular and iconic protagonists, Lawrence Weiner (born 1942) has stood as a pioneer for practitioners of language-based art for the last 40 years. His philosophical aphorisms, poetical declarations, idle observations and casual musings, and his appropriation of the art catalogue as artist’s book, have proved enduringly influential strategies. About 300 of Weiner’s works--whose total oeuvre to date comprises more than 1,000 works--have been presented only in German, in the German-speaking world (either translated by Weiner himself or conceived by him in German). Featuring over 800 pieces, this volume is the first catalogue raisonné of those works. As always, Weiner has assumed responsibility for the book’s typography and design. Accompanying text and visual documents shed light on . . . . Pbk, 6.5 x 9.5 in. / 200 pgs / 80 color.

    Text by Gabriele Wix.

    PRICE: $55.00 | $41.25
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    Deste Foundation for Contemporary Art

    Doug Aitken: Black Mirror

    Doug Aitken’s Black Mirror is a meditation on the rootlessness and the extreme virtuality of contemporary existence. Comprised of a site-specific multi-channel video installation and a live theater performance at the Deste Foundation Project Space, Slaughterhouse, on the Greek island of Hydra, it stars Chloë Sevigny as a nomadic individual traversing airport terminals, hotel lobbies and car rental kiosks, communicating in quick pulses and travelling long distances for short meetings. The video installation was shot in and around Athens and Hydra, as well as Cancun, Mexico; Albuquerque and Gallup, New Mexico; Flagstaff and Arcosanti, Arizona; and Palm Springs, California. The performance was staged on a barge off Athens, and featured Sevigny, gospel singers, strippers and musicians, Los Angeles underground rock duo . . . . Pbk, 8.5 x 11 in. / 144 pgs / illustrated throughout.

    Preface by Dakis Joannou.

    PRICE: $35.00 | $26.25
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    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Verlag Kettler/D.A.P.

    Doug Rickard: N.A.

    For the last three years, photographer Doug Rickard has been immersed in YouTube videos uploaded by Americans from their cellphones. These videos, documenting a dizzying array of activities, from seemingly criminal or semilegal acts to comic antics, allowed Rickard to witness scenarios he otherwise would never have seen-"right from the hands and eyes of other people," he writes, "hijacking their own device to give me very special views and intimate situations." Reveling in this vicariousness, he found that he could be "riding in a car full of teens through Detroit at night with a camera phone hanging out the window or witnessing, from their own lens, someone who is paying a drug addict to dance for a dollar to later get . . . . Hbk, 12.5 x 9.5 in. / 128 pgs / 96 color.

    Text by Zaha Redman. Poem by Ann Garlid.

    PRICE: $65.00 | $48.75
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    Sinecure Books

    Sounds of Two Eyes Opening

    Southern Cali Punk/Surf/Skate Culture 69-82, Photographs by Spot

    Spot landed in Hermosa Beach, CA in the mid-1970s. A serious musician, he helped build Media Art Recording Studio and stumbled into photojournalism via Easy Reader, the local news weekly. Hermosa proved to be a crossroads abounding with oddball roller skaters who were mostly overshadowed by Venice disco rollers and the Dogtown-inspired leaps into professional skateboarding (never mind that the first skateboard competition ever was in Hermosa in 1963). Then, in the late 70s, a cultural shift hit, fueled largely by music. This time the South Bay was in the vanguard. Spot became the in-house producer and engineer at SST Records--the label founded in 1978 by Greg Ginn as a vehicle for Black Flag, the band that defined LA hardcore. Between . . . . Hbk, 8.25 x 10.75 in. / 276 pgs / 13 color / 263 b&w.

    Edited by Johan Kugelberg, Introduction by Ryan Richardson.

    PRICE: $50.00 | $37.50
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    Wakefield Press

    The Creator

    Billed by its author--the pseudonymous Mynona (German for anonymous” backward)--as the most profound magical experiment since Nostradamus,” The Creator tells the tale of Gumprecht Weiss, an intellectual who has withdrawn from a life of libertinage to pursue his solitary philosophical ruminations. At first dreaming and then actually encountering an enticing young woman named Elvira, Weiss discovers that she has escaped the clutches of her uncle, the Baron, who has been using her as a guinea pig in his metaphysical experiments. But the Baron catches up with them and persuades Gumprecht and Elvira to come to his laboratory, to engage in an experiment to bridge the divide between waking consciousness and dream by entering a mirror engineered to bend and blend realities. . . . . Pbk, 4.5 x 7 in. / 160 pgs / 1 color / 18 b&w.

    By Mynona. Foreword and translation by Peter Wortsman. Afterword by Detlef Thiel. Illustrations by Alfred Kubin.

    PRICE: $13.95 | $10.46
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    David Zwirner/Radius

    John McCracken: Works from 1963-2011

    John McCracken (1934–2011) occupies a singular position within the recent history of American art, as his work melds the restrained formal qualities of Minimalist sculpture with a distinctly West Coast sensibility expressed through color, form and finish. He developed his early sculptural work while studying painting at the California College of Arts and Crafts in Oakland in the late 1950s and early 1960s. While experimenting with increasingly three-dimensional canvases, the artist began to produce objects made with industrial materials, including plywood, sprayed lacquer and pigmented resin, creating the highly reflective, smooth surfaces that he was to become known for. This catalogue charts the evolution of McCracken’s diverse oeuvre, encompassing both well-known and lesser-seen examples of the artist’s production from the early . . . . Hbk, 11.5 x 13 in. / 164 pgs / 88 color.

    Text by Robin Clark. Interview by Anne Reeve.

    PRICE: $75.00 | $56.25
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    Contemporary Art Museum, St. Louis/Walther König, Köln

    Nicole Eisenman: Dear Nemesis, 1993-2013

    Depicting themes and settings as varied as bar scenes, motherhood and the plight of the artist, New York–based artist Nicole Eisenman (born 1965) fuses contemporary subject matter with art historical influences ranging from Renaissance chiaroscuro to twentieth-century social realist painting. Her narrative depictions and renderings of women's bodies proclaim an ardently feminist world and imbue figurative art with an audaciously queer sensibility. This publication accompanies Eisenman's definitive midcareer survey at the Contemporary Art Museum St. Louis, which charts the development of the artist's practice from the early 1990s to the present across painting, printmaking, drawing and sculpture--bringing together more than 120 works of art, from early ink-on-paper drawings to recent explorations in printmaking and sculpture. . . . . Pbk, 9.25 x 11.25 in. / 192 pgs / 150 color.

    Edited by Samantha Topol. Foreword by Lisa Melandri. Text by Julia Bryan-Wilson, Terry Castle, Litia Perta, Kelly Shindler.

    PRICE: $39.95 | $29.96
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    Valiz/Casco

    Grand Domestic Revolution Handbook

    Grand Domestic Revolution Handbook compiles investigations and living research into the concept of the home and the "domestic" by more than 25 artists, designers, theorists and activists. Through case studies, project documentation, ephemera, analyses and theory, the status of the home is revealed beyond the narrow lens of private concerns, but with full consideration of a "privateness" that revitalizes the individual and allows for other forms of sociality. In both form and content, this volume attempts to uncover the potentialities of the house and the private sphere through a rethinking of social practices in conjunction with practical design approaches. . . . . Pbk, 12.5 x 9.5 in. / 336 pgs / 400 color / 100 b&w.

    Edited by Binna Choi, Maiko Tanaka. Text by Agency, Sepake Angiama, Ask!, Ruth Buchanan, Binna Choi, Doris Denekamp, Silvia Federici, Katherine Gibson, Arend Groosman, Shannon Jackson, Dolores Hayden, Christina Kiaer, Margaret Kohn, Gabriele Kunsch, Emily Pethick, Doina Petrescu, Precarias a la deriva, Simon Sheikh, Stavros Stavrides, Maiko Tanaka, Marina Vishmidt, Sarah van Walsum, et al.

    PRICE: $39.95 | $29.96
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    Aperture

    Aperture 217: Lit

    Winter 2014

    At a cultural moment when images are arguably placing increased pressure on the written word, Aperture's "Lit" issue looks at the many relationships between photography and writing by considering photography projects that take cues from works of literature, play with image-text pairings and poetics, or were in fact produced by prominent writers, such as William S. Burroughs, Kobo Abe and Herve Guibert, who all moonlighted as photographers. The issue features an impressive line up of contemporary writers offering their views on photography, including Teju Cole, Tom McCarthy, Mary Gaitskill, Heidi Julavits, Geoff Dyer and Janet Malcolm, as well as Pulitzer Prize winning poets John Ashbury and Richard Howard, among many others. . . . . Pbk, 9.25 x 12 in. / 128 pgs / illustrated throughout.

    Edited by Michael Famighetti.

    PRICE: $24.95 | $18.71
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    Turner

    New Territories

    Laboratories for Design, Craft and Art in Latin America

    New Territories examines creative practices in today's globalized world, in which disciplines overlap more than ever before. Looking in particular at countries such as Brazil, Cuba, Panama, Columbia, Mexico, El Salvador, Puerto Rico, Venezuela and Chile, this volume discusses the ways in which craft, art and design have transcended their former identities. Today, artists in these fields may address issues of not only commodification and mass production, but also social concerns of urbanization, displacement, housing and sustainability. Including the work of more than 100 artists, designers/design studios and artisans, New Territories sets out to explore the present state of design--much of which has emerged from interfaces between manufacturers, folk artisans, indigenous artists and designers--and its future. . . . . Hbk, 8 x 10 in. / 264 pgs / illustrated throughout.

    Introduction by Lowery Stokes Sims. Text by Mari Carmen Ramírez, Gabriela Rangel, Jorge Rivas Pérez, Regine Basha, Fabiana Lopes and Nessia Leonzini Pope, Antonio Sánchez Gómez, Ana Elena Mallet, Magdalena Grüneisen, Adélia Borges, Adriana Kertzer, Marcella Echavarría

    PRICE: $50.00 | $37.50
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    David Zwirner Books

    Marlene Dumas: Against the Wall

    Originally published in 2010 on the occasion of Dumas' first solo presentation at David Zwirner in New York, this much sought-after exhibition catalogue--which sold out shortly after publication--has been reprinted in 2014 to coincide with the artist's European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel traveling through 2015. Throughout her career, Dumas has created lyrically charged compositions that eulogize the frailties of the human body, probing issues of love and melancholy. At times her subjects are more topical, merging socio-political themes with personal experience and art-historical antecedents to reflect unique perspectives on the most salient and controversial issues facing contemporary society. The large-scale works included . . . . Hbk, 9.5 x 12.5 in. / 72 pgs / 30 color.

    Text by Marlene Dumas.

    PRICE: $45.00 | $33.75
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    Moderne Kunst Nürnberg

    Love Story

    Anne & Wolfgang Titze Collection

    The Austrian-French Titze Collection, documented here, includes key works of Minimalism and Conceptualism by Carl Andre, Sol LeWitt, Donald Judd, Dan Flavin and Fred Sandback alongside contemporary international artists. . . . . Hbk, 9.5 x 12 in. / 404 pgs / 280 color.

    Edited by Agnes Husslein-Arco, Clayton Press, Anne de Boismilon. Foreword Agnes Husslein-Arco. Text by Clayton Press, Anne de Boismilon, Loïc Malle. Interviews by Anne and Wolfgang Titze with Mario Codognato, Severin Dünser, Luisa Ziaja.

    PRICE: $60.00 | $45.00
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    Moderne Kunst Nürnberg

    Gustav Deutsch & Hannah Schimek: Shirley, Visions of Reality

    The Film/The Exhibition

    The latest film from Austrian filmmakers Gustav Deutsch and Hannah Schimek restages the paintings of American master Edward Hopper. This catalogue documents the making of the film, including costumes and sets. . . . . Flexi, 10.75 x 8.25 in. / 120 pgs / 90 color.

    Edited by Gustav Deutsch, Hanna Schimek. Text by Brigitte Felderer, Olaf Möller. Interview by Thomas Edlinger.

    PRICE: $38.00 | $28.50
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    Moderne Kunst Nürnberg

    The Revolution of the Romanticists

    Fluxus Made in USA

    Like the European Romantics, Fluxus artists were intent on changing society through reverie and imagination. This publication examines the connection between Fluxus artists such as George Maciunas, Geoffrey Hendricks, Al Hansen and Ben Patterson, and Romantics such as Caspar David Friedrich and Ludwig Tiek. . . . . Hbk, 11 x 8.25 in. / 256 pgs / 200 color.

    Edited by Dirk Blübaum, Gerhard Graulich, Katharina Uhl. Text by Matthias Bleyl, Lars Blunck, Markus Dauss, Gerhard Graulich, Frank Mehring, Ulrich Puritz, Katharina Uhl.

    PRICE: $45.00 | $33.75
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    Verlag Kettler

    Make a Photo Yourself

    Photos from Christoph Schlingensief's African Opera Village

    Initiated by artist/photographer Marie Köhler, the project documented here gathers photographs made by children living in Christoph Schlingensief's Opera Village Africa in Burkina Faso. . . . . Flexi, 9.5 x 11 in. / 168 pgs / 122 color.

    Edited with introduction by Marie Köhler. Text by Christiane Kuhlmann.

    PRICE: $39.95 | $29.96
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    Moderne Kunst Nürnberg

    Teres Wydler: Pre Solar Post

    Using painting, photography and video, as well as wall- and floor-based works and both indoor and outdoor installations, Teres Wydler (born 1945) explores the often fraught intersection of nature and culture. This first comprehensive publication on Wydler examines works from the last 30 years. . . . . Hbk, 9.25 x 11.5 in. / 280 pgs / 200 color / 50 b&w.

    Text by Dominique von Burg, Corinne Schatz, Elio Schenini, Tina Stolz.

    PRICE: $50.00 | $37.50
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    Moderne Kunst Nürnberg

    Beate Geissler & Oliver Sann and Brian Holmes: Volatile Smile

    German artist duo Beate Geissler and Oliver Sann photograph the offices of trading companies in Chicago, where they live and work, as well as interview traders, programmers and businessmen. Volatile Smile explores the impact of technology on systems of global commerce. . . . . Hbk, 11 x 8 in. / 192 pgs / 100 color.

    Text by Karen Irvine, Karen Knorr Cetina, Brian Holmes, Dirk Baecker.

    PRICE: $45.00 | $33.75
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