• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
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    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    DuMont Buchverlag

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
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    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
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    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
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    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
    WITH FREE SHIPPING



    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
    WITH FREE SHIPPING



    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
    WITH FREE SHIPPING



    Pomona College Museum of Art

    It Happened at Pomona

    Art at the Edge of Los Angeles 1969-1973

    From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles County at the Pomona College Museum of Art, in Claremont, California. Here, Hal Glicksman, a pioneering curator in Light and Space art and former assistant to Walter Hopps, and Helene Winer, later the director of Artists Space and founder of Metro Pictures gallery in New York, curated landmark exhibitions by young local artists who bridged the gap between postminimalism and Conceptual art and presaged the development of postminimalism in the late 1970s. Among these artists were Bas Jan Ader, Michael Asher, Mowry Baden, Lewis Baltz, Chris Burden, Judy Chicago, Ger van Elk, Jack Goldstein, Robert Irwin, William Leavitt, John McCracken, Allen . . . . Pbk, 9 x 13 in. / 386 pgs / 120 color / 160 b&w.

    Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. Text by Thomas Crow, David Pagel.

    PRICE: $49.95 | $37.46
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    Wilhelm Fink Verlag, Munich

    The Digital Wunderkammer

    10 Chapters on the Iconic Turn

    As digital technology advances at breakneck speed, Images are circulating quicker than ever before. But what is the status of the image in the digital era? In The Digital Wunderkammer, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle--the topic of the third chapter--that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to . . . . Hbk, 8.25 x 11.75 in. / 202 pgs / 58 color / 16 b&w.

    By Hubert Burda. Text by Peter Sloterdijk, Bazon Brock, Hans Belting, Horst Bredekamp, Friedrich Kittler.

    PRICE: $45.00 | $33.75
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    Primary Information

    Dan Graham: Rock/Music Writings

    As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for those movements, and an early supporter of (and friend to) Glenn Branca and Sonic Youth among many others. Rock/Music Writings collects 13 of Graham's most influential writings, on bands ranging from The Kinks to Bow Wow Wow, first published in art journals such as Real Life, Open Letter and ZG between 1968 and 1988, and in the now rare volume Rock My Religion. It includes such landmark essays as Punk as Propaganda,” which explicates the self-packaging and media critique of The Ramones, Devo, the Sex Pistols, the . . . . Pbk, 5.5 x 8.25 in. / 224 pgs / 29 b&w.


    PRICE: $18.00 | $13.50
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    D.A.P./Distributed Art Publishers, Inc.

    The Anatomical Venus

    Wax, God, Death & the Ecstatic

    Of all the artifacts from the history of medicine, the Anatomical Venus—with its heady mixture of beauty, eroticism and death—is the most seductive. These life-sized dissectible wax women reclining on moth-eaten velvet cushions—with glass eyes, strings of pearls, and golden tiaras crowning their real human hair—were created in eighteenth-century Florence as the centerpiece of the first truly public science museum. Conceived as a means to teach human anatomy, the Venus also tacitly communicated the relationship between the human body and a divinely created cosmos; between art and science, nature and mankind. Today, she both intrigues and confounds, troubling our neat categorical divides between life and death, body and soul, effigy and pedagogy, entertainment and education, kitsch and art. The first book . . . . Hbk, 6.75 x 9.5 in. / 224 pgs / 250 color.

    By Joanna Ebenstein.

    PRICE: $35.00 | $26.25
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    Vitra Design Museum

    Alexander Girard: A Designer's Universe

    Alexander Girard was one of the most important modern textile artists and interior designers of the 20th century. He combined Pop and Folk art influences to create a colorfully opulent aesthetic language whose impact continues to be felt today. This richly illustrated catalogue draws on the vast holdings in Girard’s private estate, which were exhaustively investigated for the first time at the Vitra Design Museum. The book presents the oeuvre of the multitalented designer in all its facets, while offering the first scholarly, critical examination of his work. Six essays address Girard’s textile and graphic design for the furniture manufacturer Herman Miller, interior design projects such as the Irwin Miller House in Columbus, Indiana (1953), and the restaurant La Fonda del . . . . Clth, 7.75 x 10.75 in. / 512 pgs / illustrated throughout.

    Edited by Mateo Kries, Jochen Eisenbrand. Text by Susan Brown, Jochen Eisenbrand, Barbara Hauss, Alexandra Lange, Monica Obniski, Jonathan Olivares.

    PRICE: $85.00 | $63.75
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    Aperture/George Eastman Museum

    The Photographer's Cookbook

    In the late 1970s, the George Eastman Museum approached a group of photographers to ask for their favorite recipes and food-related photographs to go with them, in pursuit of publishing a cookbook. Playing off George Eastman’s own famous recipe for lemon meringue pie, as well as former director Beaumont Newhall’s love of food, the cookbook grew from the idea that photographers’ talent in the darkroom must also translate into special skills in the kitchen. The recipes do not disappoint, with Robert Adams’ Big Sugar Cookies, Ansel Adams’ Poached Eggs in Beer, Richard Avedon’s Royal Pot Roast, Imogen Cunningham’s Borscht, William Eggleston’s Cheese Grits Casserole, Stephen Shore’s Key Lime Pie Supreme and Ed Ruscha’s Cactus Omelette, to name a few. The book . . . . Hbk, 6.5 x 8.5 in. / 160 pgs / illustrated throughout.

    Text by Lisa Hostetler.

    PRICE: $29.95 | $22.46
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    Vitra Design Museum

    The Lucky, Plucky Chairs

    When a set of eight classic old No. 14 Thonet chairs are threatened with certain doom, their ingenuity saves the day. Together they discover a way to escape, and encounter a world of the most wonderful and imaginative chairs from around the globe. The Thonets discover, too, that they have a talent for the stage. This charming tale by Rolf Fehlbaum, with delightful illustrations by Maira Kalman, is accompanied by a brief and informative glossary of 22 of the most innovative chairs created in 150 years. Rolf Fehlbaum (born 1941), a critical figure of design entrepreneurship, led the Swiss furniture company Vitra from 1977 to 2013. In the early 1980s he began to assemble a collection of modern furniture, which led . . . . Clth, 6 x 8 in. / 48 pgs / illustrated throughout.

    By Rolf Fehlbaum and Maira Kalman.

    PRICE: $18.50 | $13.88
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    Aperture

    Go Photo! An Activity Book for Kids

    Go Photo! features 25 hands-on and creative activities inspired by photography. Aimed at children between eight and twelve years old, this playful and fun collection of projects encourages young readers to experiment with their imaginations, get messy with materials and engage with the world in new and exciting ways. Indoors or outdoors, from a half-hour to a whole day, and whether alone or with friends, family or an unsuspecting pet, there is a photo activity for all occasions. Some don’t even require a camera! Each project also features a series of pictures and handy tips to help guide the reader step-by-step, building a visual language and encouraging creativity as they go. Accessible, fun and practical, the activities in this book have . . . . Hbk, 8.5 x 10.5 in. / 108 pgs / 85 color.

    By Alice Proujansky.

    PRICE: $19.95 | $14.96
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    Steidl

    John Cohen: Cheap Rents… and de Kooning

    Cheap Rents and de Kooning revisits the New York downtown art scene between 1957 and 1963, when the Tenth Street galleries were the center of the art world and inexpensive lofts were still available. John Cohen was there, and portraying the artists' haunts--among them the Cedar Tavern, the Club and the Tanager Gallery--and creating a definitive photographic impression of a lively, hedonistic, highly sociable scene. Abstract Expressionists, Pop artists and Beat writers could be found at these bars and galleries; Willem de Kooning's studio was in the middle of the block, and is also documented here. This volume, by one of the leading chroniclers of the era, provides its richest and most intimate portrait.
    John Cohen (born 1932) is a photographer, musicologist . . . . Pbk, 7.75 x 8 in. / 144 pages / illustrated throughout.


    PRICE: $29.95 | $22.46
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    The Museum of Modern Art, New York

    An Auteurist History of Film

    Beginning in 2009, The Museum of Modern Art offered a weekly series of film screenings titled An Auteurist History of Film. Inspired by Andrew Sarris’ seminal work The American Cinema, which developed on the idea of "auteur theory" first discussed by the critics of Cahiers du Cinéma in the 1950s, the series presented cinematic works from MoMA’s expansive collection with particular focus on the role of the director as artistic author. Featured works included those by D.W. Griffith, Fritz Lang, Walt Disney, Alfred Hitchcock, Akira Kurosawa, Federico Fellini, Satyajit Ray, Jean-Luc Godard, Eric Rohmer, Robert Altman, Werner Herzog, Stanley Kubrick, Martin Scorsese and many more. For the five years that the series was presented, film curator Charles Silver wrote a concise . . . . Pbk, 8 x 10 in. / 256 pgs / 50 b&w.

    By Charles Silver.

    PRICE: $35.00 | $26.25
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    Cabinet Books

    Notes on Glaze

    18 Photographic Investigations By Wayne Koestenbaum

    In the spring of 2010, the Brooklyn-based quarterly magazine Cabinet invited poet and cultural critic Wayne Koestenbaum to begin writing a regular column. Entitled "Legend," the column had a highly unusual premise. Every three months, the editors of the magazine would ask Koestenbaum to write one or more extended captions for a single photograph with which they had provided him; drawn from obscure vernacular, commercial and scientific sources, all of the images were unfamiliar to the author. After 18 installments, Koestenbaum concluded his column in the winter of 2015. Notes on Glaze, featuring an introductory essay by the author, collects all the "Legend" columns, as well as their accompanying photographs. Refusing the distancing language of critical disinterest, Koestenbaum’s columns always locate . . . . Hbk, 5.5 x 8 in. / 96 pgs / 14 color / 4 b&w.


    PRICE: $25.00 | $18.75
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    Andrew Edlin Gallery

    Eugene Von Bruenchenhein: King of Lesser Lands

    King of Lesser Lands traces the fugitive career of Eugene Von Bruenchenhein (1910–83), a prolific creator of a diverse range of distinctive images and sculptural objects, who produced his art in private over a period of about 50 years at his home in Milwaukee, Wisconsin. His large and unusual body of work was not discovered until after he died.
    In 1939, at the age of 29, Von Bruenchenhein met Evelyn Kalka. She became his wife and muse. Evelyn, who was nicknamed Marie,” served as his model and the subject of thousands of erotic photo-portraits, which he shot and printed himself. For these images, which emulated girlie-magazine pinups with an offbeat air, Von Bruenchenhein designed and created his own background sets and costumes . . . . Hbk, 9.25 x 12.25 in. / 162 pgs / 99 color.

    Edited by Phillip March Jones. Preface by Joanne Cubbs.

    PRICE: $60.00 | $45.00
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    Editions Xavier Barral

    Van Cleef & Arpels: The Art & Science of Gems

    For more than a century, the designs of the French jewelry house Van Cleef & Arpels have represented the marriage of an unrivaled sense of elegance with an extraordinary level of technical expertise and prowess. The comprehensive monograph Van Cleef & Arpels: The Art & Science of Gems is a glittering, gorgeous tribute to a century of luxurious, glamorous jewelry design and incomparable mastery of materials. Lavishly illustrated with meticulous photographs by Patrick Gries, the book’s pages are filled with sparkling chalcedony, cornelian, rubies, emeralds and colored diamonds, beautifully set off and enhanced by the jeweler’s designs (at alternate moments whimsical or understated, as the materials demand).
    Suggesting the complexity and richness of Van Cleef & Arpels’ output, the book is organized . . . . Hbk, 8.5 x 12.5 in. / 296 pgs / 136 color.

    Text by Alvin Pang, Laurence Mouillefarine, Bérénice Geoffroy-Schneiter, Adriano Davoli, Timothy Adams, Vivienne Becker, Alberto Cavalli, Laurence Benaïm, François Farges.

    PRICE: $75.00 | $56.25
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    Wakefield Press

    Sweating Blood

    First published in French in 1893, Sweating Blood describes the atrocities of war in 30 tales of horror and inhumanity from the pen of the "Pilgrim of the Absolute," Léon Bloy. Writing with blood, sweat, tears and moral outrage, Bloy drew from anecdotes, news reports and his own experiences as a guerilla fighter to compose a fragmented depiction of the 1870 Franco-Prussian War, told with equal measures of hatred and pathos, and alternating between cutting detail and muted anguish. From heaps of corpses, monstrous butchers, cowardly bourgeois, bloody massacres, seas of mud, drunken desperation, frightful disfigurement, grotesque hallucinations and ghoulish means of personal revenge, a generalized portrait of suffering is revealed that ultimately requires a religious lens: for through Bloy’s maniacal . . . . Pbk, 6 x 9 in. / 232 pgs.

    By Léon Bloy. Introduction and translation by Erik Butler.

    PRICE: $17.95 | $13.46
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    Kunsthaus Bregenz

    Rosemarie Trockel

    This catalogue accompanies German artist Rosemarie Trockel's (born 1952) solo exhibition at Kunsthaus Bregenz in Austria, including the artist's newer print works. Based on Trockel's sojourn in the area, this multimedia work focuses on the unique fashions, customs and cultural conventions of Bregenz. . . . . Hbk, 8.75 x 12 in. / 218 pgs / illustrated throughout.

    Edited by Yilmaz Dziewior. Text by Johanna Burton, Yilmaz Dziewior, Sam Pulitzer, Beate Söntgen.

    PRICE: $45.00 | $33.75
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    Aperture

    Robert Cumming: The Difficulties of Nonsense

    In the 1970s, from his base in Los Angeles, artist Robert Cumming (born 1943) made functional-looking but ultimately useless constructions, created primarily to be photographed with his 8x10 camera. Playing with props, proportions, unusual angles, light and mirrors, Cumming invited viewers to look in--and then to look again, second-guessing what they saw. The Difficulties of Nonsense is the first comprehensive publication to survey Cumming’s significant series of conceptual black-and-white and color photographs from the 1970s, now a touchstone for contemporary artists, and focus on the artist’s fascination with illusion and trickery. With an essay by Sarah Bay Gachot and an interview by David Campany, this monograph pays homage to a time when Cumming, and many in the photographic community, worked to . . . . Hbk, 9 x 10.5 in. / 180 pgs / 50 color / 100 duotone.

    Edited with text by Sarah Bay Gachot. Interview by David Campany.

    PRICE: $65.00 | $48.75
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    Rainoff

    Matt Connors: A Bell Is a Cup

    Expanded Edition

    This is an expanded edition of the first comprehensive review of American abstract painter Matt Connors (born 1973), first published for his 2012 exhibition Impressionism at MoMA PS1. Connors takes rubbings from his studio floor, pouring layers of paint into the fabric like dye, or using wet paintings as stamps. . . . . Pbk, 7.5 x 9.5 in. / 176 pgs / 93 color.

    Text by Peter Eleey, Michel Leiris, Jack Spicer, Gertrude Stein.

    PRICE: $40.00 | $30.00
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    Steidl

    Roni Horn: The Selected Gifts (1974–2015)

    Roni Horn’s (born 1955) The Selected Gifts, 1974–2015 is a collection of photographs documenting the history of gifts received over the course of the artist’s life. Collected together in this book they constitute a kind of self-portrait through objects. . . . . Hbk, 11 x 12 in. / 120 pgs / 67 color.


    PRICE: $45.00 | $33.75
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  • Featured Artists, Critics and Curators



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