• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    D.A.P/Distributed Art Publishers/MOCA, LA/JRP|Ringier

    Doug Aitken: The Idea of the West

    Sunsets over the Pacific. "Surfers." "Movie stars." "Coyotes in the street." "Sex." Doug Aitken's The Idea of the West gathers the responses of 1,000 people on the streets who were asked "What is your idea of the West?" and assembles this amazing manifesto from their replies. Through an assortment of more than 200 color and black-and-white images juxtaposed with responses to this question, The Idea of the West takes the reader on a high-speed journey across space and time to trace the mythology of the New West. The volume also features conversational fragments by a host of creators based in the Pacific region, including Devendra Banhart, Bruce Brown, Charles Burnett, Exene Cervenka, Fallen Fruit, Simone Forti, Fritz Haeg, Miranda July, No . . . . Hbk, 11.25 x 8.75 in. / 160 pgs / 124 color / 72 b&w.


    PRICE: $55.00 | $41.25
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    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
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    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    DuMont Buchverlag

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
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    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
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    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
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    Hatje Cantz

    Lawrence Weiner: After Fine Art, Nach Bildende Kunst

    One of Conceptual art’s most popular and iconic protagonists, Lawrence Weiner (born 1942) has stood as a pioneer for practitioners of language-based art for the last 40 years. His philosophical aphorisms, poetical declarations, idle observations and casual musings, and his appropriation of the art catalogue as artist’s book, have proved enduringly influential strategies. About 300 of Weiner’s works--whose total oeuvre to date comprises more than 1,000 works--have been presented only in German, in the German-speaking world (either translated by Weiner himself or conceived by him in German). Featuring over 800 pieces, this volume is the first catalogue raisonné of those works. As always, Weiner has assumed responsibility for the book’s typography and design. Accompanying text and visual documents shed light on . . . . Pbk, 6.5 x 9.5 in. / 200 pgs / 80 color.

    Text by Gabriele Wix.

    PRICE: $55.00 | $41.25
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    Deste Foundation for Contemporary Art

    Doug Aitken: Black Mirror

    Doug Aitken’s Black Mirror is a meditation on the rootlessness and the extreme virtuality of contemporary existence. Comprised of a site-specific multi-channel video installation and a live theater performance at the Deste Foundation Project Space, Slaughterhouse, on the Greek island of Hydra, it stars Chloë Sevigny as a nomadic individual traversing airport terminals, hotel lobbies and car rental kiosks, communicating in quick pulses and travelling long distances for short meetings. The video installation was shot in and around Athens and Hydra, as well as Cancun, Mexico; Albuquerque and Gallup, New Mexico; Flagstaff and Arcosanti, Arizona; and Palm Springs, California. The performance was staged on a barge off Athens, and featured Sevigny, gospel singers, strippers and musicians, Los Angeles underground rock duo . . . . Pbk, 8.5 x 11 in. / 144 pgs / illustrated throughout.

    Preface by Dakis Joannou.

    PRICE: $35.00 | $26.25
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    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
    WITH FREE SHIPPING



    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
    WITH FREE SHIPPING



    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Pomona College Museum of Art

    It Happened at Pomona

    Art at the Edge of Los Angeles 1969-1973

    From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles County at the Pomona College Museum of Art, in Claremont, California. Here, Hal Glicksman, a pioneering curator in Light and Space art and former assistant to Walter Hopps, and Helene Winer, later the director of Artists Space and founder of Metro Pictures gallery in New York, curated landmark exhibitions by young local artists who bridged the gap between postminimalism and Conceptual art and presaged the development of postminimalism in the late 1970s. Among these artists were Bas Jan Ader, Michael Asher, Mowry Baden, Lewis Baltz, Chris Burden, Judy Chicago, Ger van Elk, Jack Goldstein, Robert Irwin, William Leavitt, John McCracken, Allen . . . . Pbk, 9 x 13 in. / 386 pgs / 120 color / 160 b&w.

    Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. Text by Thomas Crow, David Pagel.

    PRICE: $49.95 | $37.46
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    Gregory R. Miller & Co.

    Mika Rottenberg

    The ersatz factories and farms that appear in the video-installations of Mika Rottenberg (born 1976) are tended by female laborers with unusual features. Uncommonly fat, tall, muscular or long-haired women work on strange, alchemical assembly lines to turn red fingernails into maraschino cherries, or to squeeze together blush, lettuce and rubber into a curious and magical product. Published on the occasion of Rottenberg's retrospective exhibition at de Appel Arts Centre, Amsterdam, this first publication on the acclaimed young artist presents a comprehensive overview of her work to date. It includes extensive sections on all of Rottenberg's major video installations, culminating with her latest, Squeeze” (2010). Video stills, diagrams, drawings and previously unpublished source material are interwoven with essays investigating the work . . . . Hbk, 9 x 12 in. / 204 pgs / illustrated throughout.

    Foreword by Ann Demeester. Text by Linda Williams, Hsuan L. Hsu, Efrat Mishori.

    PRICE: $45.00 | $33.75
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    D.A.P./Distributed Art Publishers, Inc.

    Drawing People: The Human Figure in Contemporary Art

    The act of drawing has long been considered the foundation of an artistic education, and the life class essential to the formation of an artist's style and technique. Yet in the contemporary art world drawing is increasingly regarded as a medium in its own right, and the figure as a subject for ongoing exploration well beyond the sketchbook. Drawing People is a thoughtful and beautifully illustrated survey of the most compelling and inventive drawings of the human form being produced today by 70 contemporary artists from around the world. An introduction places the medium of drawing in its historical context, discussing its intersection with photography, painting, collage and illustration, as well as its ability to intimately express thought, personality and emotion. . . . . Flexi, 9.5 x 13.5 in. / 256 pgs / 275 color.

    Edited with text by Roger Malbert.

    PRICE: $45.00 | $33.75
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    Hatje Cantz

    Lina Bo Bardi: 100

    Brazil's Alternative Path to Modernism

    The Italian-Brazilian architect and designer Lina Bo Bardi (1914–92) forged a unique path with her bold, modern designs. Spanning architecture, stage design, fashion and furniture, her work drew inspiration from the International Style, which she translated into her own visual language. Fundamental to her work was her thoughtful engagement with her adopted country of Brazil—its culture, society, politics and indigenous design traditions—and her ideas about the social possibilities of design, and she expressed her sometimes radical views in her design work, exhibitions and writings. Published on the occasion of Lina Bo Bardi's hundredth birthday, this richly illustrated volume presents an overview of her oeuvre and highlights her iconic buildings: her home, the so-called Casa de Vidro, the Museo de Arte de . . . . Hbk, 9.75 x 11.75 in. / 368 pgs / 50 color.

    Text by Renato Anelli, Vera Simone Bader, Gabriela Cianciolo Cosenfino, Sabine von Fischer, Steffen Lehmann, Andres Lepik, Zeuler Lima, Olivia de Oliveira, Catherine Veikos, Guilherme Wisnik.

    PRICE: $75.00 | $56.25
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    Gregory R. Miller & Co.

    Marilyn Minter: Pretty/Dirty

    Marilyn Minter is famed for her glossy, hyper-realistic paintings, photographs and video works—seductive images that borrow the language of fashion and advertising photography, exploring the boundaries of desire, sensuality and body anxiety in the age of consumption. Close-up imagery of mouths, feet, splashes and puddles, rendered in high-gloss enamel on sheets of metal, subversively questions the pathology of glamour. Produced in conjunction with the first major museum retrospective on her work, Pretty/Dirty examines every period of the artist's 40-year career, from her beginnings with the controversial porn paintings, initially rejected by the critical establishment, to her later large-scale photorealistic works. Essays from the exhibition's curators examine the trajectory of Minter's development and her engagement with debates over the representation of the . . . . Hbk, 9.75 x 11 in. / 176 pgs / illustrated throughout.

    Text by Bill Arning, Elissa Auther, Nick Flynn, K8 Hardy, Richard Hell, Colby Keller, Eileen Myles, Jenni Sorkin, Neville Wakefield. Interview by Catherine Morris, Linda Yablonsky.

    PRICE: $50.00 | $37.50
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    Radius Books/Mingei Museum, San Diego, CA

    Black Dolls

    Unique African American Dolls, 1850–1930 From the Collection of Deborah Neff

    This book presents over 100 unique handmade African American dolls made between 1850 and 1930 from the collection of Deborah Neff, a Connecticut-based collector and champion of vernacular art. It is believed that African Americans created these dolls for the children in their lives, including members of their own families and respective communities as well as white children in their charge. Acquired over the last 25 years, this renowned collection is considered to be one of the finest of its kind ever to be assembled. The dolls portray faithful yet stylized representations of young and old African Americans—playful boys and girls, well-dressed gentlemen, elegant young ladies, and distinguished older men and women. Made with scraps of cloth, ribbon and lace, or . . . . Clth, 12 x 9.75 in. / 192 pgs / 80 color / 40 b&w.

    Edited by Frank Maresca. Text by Margo Jefferson, Faith Ringgold, Lyle Rexer.

    PRICE: $45.00 | $33.75
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    Mousse Publishing

    Robert Overby: Works 1969–1987

    Despite his prolific and diverse practice, Robert Overby (1935–93) remains one of the best kept secrets in postwar American art. Rarely exhibiting during his lifetime, Overby—who worked for much of his life as a graphic designer in Los Angeles—nevertheless built up an extraordinary, multifaceted body of work encompassing sculpture, installation, painting, photography, print and collage. He is perhaps best known for his doors, windows and building facades cast in rubber, latex and concrete, a series of works that set off a rigorous period of experimentation with materials and a consistent exploration of the human condition and its decay. This monograph is published on the occasion of the first survey exhibition of the artist's work to be organized in Europe, which brings . . . . Flexi, 9.5 x 12.5 in. / 294 pgs / illustrated throughout.

    Edited by Alessandro Rabottini, Andrea Bellini, Martin Clark. Text by Andrea Bellini, Martin Clark, Robin Clark, Alison M. Gingeras, Terry R. Myers, Alessandro Rabottini.

    PRICE: $50.00 | $37.50
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    Mousse Publishing

    Shannon Ebner: Strike

    Like musical scores, the text-based works of Los Angeles–based artist Shannon Ebner (born 1971) literalize and make visible the intervals and suspensions inherent in language. Her alphabets explore language's "other"—hovering presences like silence, nonverbal communication, misspellings, handwriting—and emphasize what written language commonly represses or takes for granted in order to function. But the mechanical processes of language break down under Ebner's close scrutiny; text and language are revealed as eminently physical, concrete manifestations of supposedly immaterial ideas. In her new artist's book, Strike, Ebner slows down the pace of reading to its zero degree—one letter, one page. With each letter looming as a monumental, monolithic symbol, Strike fosters a reading experience akin to our first decodings of the written word, when . . . . Pbk, 8 x 10 in. / 520 pgs / 504 b&w.


    PRICE: $50.00 | $37.50
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    Hatje Cantz

    Peter Doig

    The works of the painter Peter Doig, who divides his time between Trinidad, London and New York, are densely atmospheric and sometimes uncanny. They are often based on found or private visual material, which the artist pieces together in dreamlike compositions suffused with melancholy and angst. Employing an unusual color palette and possessing an immense sensitivity for his medium, Doig follows in the footsteps of masters such as Paul Gauguin, Pierre Bonnard and Henri Matisse. This publication presents Doig as an artist with a conceptual practice, a visual thinker who is not only fascinated by the history of painting but also the process of painting itself. The large-format paintings and works on paper reproduced in this volume, selected from Doig's entire . . . . Hbk, 10.75 x 12.25 in. / 176 pgs / 177 color.

    Edited by Ulf Küster. Text by Ulf Küster, Richard Shiff.

    PRICE: $75.00 | $56.25
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    Steidl

    Juergen Teller & Nicolas Ghesquiére: The Flow

    Louis Vuitton, Spring–Summer 2015

    Following the success of I Just Arrived in Paris, The Flow is the second book in the continuing collaboration between Juergen Teller and fashion designer Nicolas Ghesquière, the current artistic director of Louis Vuitton. On October 1, 2014, Teller photographed Ghesquière's Spring–Summer 2015 collection for the house, and the resulting book is a fluid mix of fashion photos and images of Paris shot while boating down the Seine. This combination of portraiture, still-life and landscape photography mirrors the eclectic influences and materials which Ghesquière synthesizes in his collections—a bold, unconventional flow whereby innovation unceasingly rejuvenates a tradition. . . . . Pbk, 8 x 11 in. / 96 pgs / 70 color.


    PRICE: $29.95 | $22.46
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    Hatje Cantz

    Gianpietro Carlesso

    Monograph and Survey

    The sculpture of Gianpietro Carlesso (born 1961) combines materials such as stone, marble and iron. Over the past 30 years he has produced, first, the Weiche Formen (Soft Forms), then the Decostruzioni (Deconstructions), the Plant and Seed Forms and finally the Curvatures. Although Carlesso’s art always addresses the human being, people are never directly recognizable in his works. . . . . Hbk, 9.5 x 11.75 in. / 256 pgs / 400 color.

    Edited by Markus Klammer. Text by Giuliana Carbi, Markus Klammer, Adrian Locke.

    PRICE: $60.00 | $45.00
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    Hatje Cantz

    Anastasia Khoroshilova & Annabel von Gemmingen

    Twenty-five years after the fall of the Berlin Wall, Russian Anastasia Khoroshilova (born 1978) and German Annabel von Gemmingen (born 1979) examine the dissimilarities between memories of the same event. In this publication the artists view Latvian photographs and texts from two different vantage points. . . . . Pbk, 7.75 x 9.5 in. / 104 pgs / 30 color.


    PRICE: $45.00 | $33.75
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    Wakefield Press

    A Dilemma

    Originally published in book form in French in 1887, Joris-Karl Huysmans' A Dilemma remains a particularly nasty little tale, a mordantly satiric and cruel account of bourgeois greed and manipulation that holds up as clear a mirror to today's neoliberalist times as it did to the French fin-de-siècle. Written smack in-between Huysmans' most famous works—his 1881 Against Nature, which came to define the Decadent movement, and his 1891 exploration of Satanism, Down ThereA Dilemma presents some of Huysmans' most memorable characters, including Madame Champagne, the self-appointed Parisian protector of women in need, and the carnal would-be sophisticate notary Le Ponsart, who wages a war of words with the bereft pregnant mistress of his deceased grandson with devastating consequences. In its unflinching . . . . Pbk, 4.5 x 7 in. / 96 pgs / 1 b&w.

    By Joris-Karl Huysmans. Introduction and translation by Justin Vicari.

    PRICE: $12.95 | $9.71
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    Aperture

    Edward Weston: The Flame of Recognition

    This classic monograph, first issued as a hardcover in 1965, began its life in 1958 as a monographic issue of Aperture magazine published in celebration of Weston's life. Drawing on a decades-long collaboration between the photographer and Nancy Newhall, Aperture cofounder and early MoMA curator, this volume brings together a sequence of images and excerpts from Weston's writing in an effort to channel the photographer's creativity and, in his own words, "present clearly my feeling for life with photographic beauty ... without subterfuge or evasion in spirit or technique." Now, 50 years later, Aperture presents a reissue of this volume, which covers the range of Weston's greatest works, from the portraits and nudes to the landscapes and still-lifes. Accompanying and amplifying . . . . Hbk, 8.25 x 9.75 in. / 112 pgs / 64 duotone.

    Edited with foreword by Nancy Newhall. Preface by Ansel Adams.

    PRICE: $45.00 | $33.75
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    Hatje Cantz

    The Helsinki School

    From the Past to the Future

    The fifth volume in the Helsinki School series, this publication looks back at the development of this group of photographers over the past 20 years. In a collection of essays, international curators, critics and museum directors describe their encounters with the Helsinki School, from the first exhibitions in the late 1990s to the work of the youngest generation. A discussion between Timothy Persons and Alistair Hicks concludes these contributions. The texts are accompanied by installation shots of exhibitions, archival material and recent work by the artists. Not only a history, the book also looks toward the future of the Helsinki School. This volume includes work by Elina Brotherus, Ilkka Halso, Tiina Itkonen, Sandra Kantanen, Timo Kelaranta, Ola Kolehmainen, Tanja Koljonen, Milja . . . . Hbk, 11.75 x 9.75 in. / 288 pgs / 206 color.

    Text by Alistair Hicks, Timothy Persons, Lyle Rexer, Christoph Tannert.

    PRICE: $60.00 | $45.00
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    Steidl

    Juergen Teller: Siegerflieger

    For a German soccer enthusiast like Juergen Teller (born 1964), Summer 2014 couldn't have been any better. The German national team won the World Cup in Brazil, and Teller was passionately present every step of the way. This new volume, Siegerflieger (literally "the victors' plane," the affectionate name given to the German team's customized jumbo) unfolds in typical diary-like Teller fashion. Yet Teller's obsession with soccer remains center stage, whether he's watching the final live on TV or welcoming home the triumphant team at the Brandenburg Gate. . . . . Pbk, 10.5 x 8.5 in. / 400 pgs / 394 color.

    Text by Peter Miles.

    PRICE: $65.00 | $48.75
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    Hatje Cantz

    Anja Niedringhaus: At War

    Her photos are familiar, although we may not be aware of her name. They are published around the globe on the front pages of newspapers and the covers of magazines, influencing our notions of crises and wars from day to day. Winner of the 2005 Pulitzer Prize, Anja Niedringhaus (1965–2014) spent more than 20 years documenting, with forceful candor, the suffering and misery in such places as Croatia, Serbia, Iraq, Afghanistan, Libya and Israel. As one of the few women working in the field of crisis photography, she labored under extreme conditions. Her pictures focus on people without compromising their dignity. This publication shows life in wartime, the exhaustion of soldiers and the desperation of prisoners, as well as the laughter . . . . Hbk, 12.25 x 8.5 in. / 180 pgs / 78 duotone.

    Preface by Reto Francioni. Text by Jean-Christophe Ammann, Ulrike Demmer.

    PRICE: $55.00 | $41.25
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  • Featured Artists, Critics and Curators



    John Baldessari

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    Uta Barth

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    Klaus Biesenbach

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    Daniel Birnbaum

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    Nicolas Bourriaud

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    Carolyn Christov-Bakargiev

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    Bice Curiger

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    Peter Eleey

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    Okwui Enwezor

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    Massimiliano Gioni

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    RoseLee Goldberg

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    Jens Hoffmann

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