• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
    WITH FREE SHIPPING



    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
    WITH FREE SHIPPING



    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
    WITH FREE SHIPPING



    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
    WITH FREE SHIPPING



    DuMont Buchverlag

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
    WITH FREE SHIPPING



    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
    WITH FREE SHIPPING



    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
    WITH FREE SHIPPING



    Hatje Cantz

    Lawrence Weiner: After Fine Art, Nach Bildende Kunst

    One of Conceptual art’s most popular and iconic protagonists, Lawrence Weiner (born 1942) has stood as a pioneer for practitioners of language-based art for the last 40 years. His philosophical aphorisms, poetical declarations, idle observations and casual musings, and his appropriation of the art catalogue as artist’s book, have proved enduringly influential strategies. About 300 of Weiner’s works--whose total oeuvre to date comprises more than 1,000 works--have been presented only in German, in the German-speaking world (either translated by Weiner himself or conceived by him in German). Featuring over 800 pieces, this volume is the first catalogue raisonné of those works. As always, Weiner has assumed responsibility for the book’s typography and design. Accompanying text and visual documents shed light on . . . . Pbk, 6.5 x 9.5 in. / 200 pgs / 80 color.

    Text by Gabriele Wix.

    PRICE: $55.00 | $41.25
    WITH FREE SHIPPING



    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
    WITH FREE SHIPPING



    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
    WITH FREE SHIPPING



    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
    WITH FREE SHIPPING



    Pomona College Museum of Art

    It Happened at Pomona

    Art at the Edge of Los Angeles 1969-1973

    From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles County at the Pomona College Museum of Art, in Claremont, California. Here, Hal Glicksman, a pioneering curator in Light and Space art and former assistant to Walter Hopps, and Helene Winer, later the director of Artists Space and founder of Metro Pictures gallery in New York, curated landmark exhibitions by young local artists who bridged the gap between postminimalism and Conceptual art and presaged the development of postminimalism in the late 1970s. Among these artists were Bas Jan Ader, Michael Asher, Mowry Baden, Lewis Baltz, Chris Burden, Judy Chicago, Ger van Elk, Jack Goldstein, Robert Irwin, William Leavitt, John McCracken, Allen . . . . Pbk, 9 x 13 in. / 386 pgs / 120 color / 160 b&w.

    Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. Text by Thomas Crow, David Pagel.

    PRICE: $49.95 | $37.46
    WITH FREE SHIPPING



    Wilhelm Fink Verlag, Munich

    The Digital Wunderkammer

    10 Chapters on the Iconic Turn

    As digital technology advances at breakneck speed, Images are circulating quicker than ever before. But what is the status of the image in the digital era? In The Digital Wunderkammer, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle--the topic of the third chapter--that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to . . . . Hbk, 8.25 x 11.75 in. / 202 pgs / 58 color / 16 b&w.

    By Hubert Burda. Text by Peter Sloterdijk, Bazon Brock, Hans Belting, Horst Bredekamp, Friedrich Kittler.

    PRICE: $45.00 | $33.75
    WITH FREE SHIPPING



    Primary Information

    Dan Graham: Rock/Music Writings

    As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for those movements, and an early supporter of (and friend to) Glenn Branca and Sonic Youth among many others. Rock/Music Writings collects 13 of Graham's most influential writings, on bands ranging from The Kinks to Bow Wow Wow, first published in art journals such as Real Life, Open Letter and ZG between 1968 and 1988, and in the now rare volume Rock My Religion. It includes such landmark essays as Punk as Propaganda,” which explicates the self-packaging and media critique of The Ramones, Devo, the Sex Pistols, the . . . . Pbk, 5.5 x 8.25 in. / 224 pgs / 29 b&w.


    PRICE: $18.00 | $13.50
    WITH FREE SHIPPING




  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Koenig Books

    Henri Matisse: The Oasis of Matisse

    This substantial new hardcover is published to accompany an exhibition at the Stedelijk Museum in Amsterdam. Readers are transported through the museum's Matisse works--an array of Eastern nudes, colorful fabrics, carpets, potted plants and idyllic landscapes--plus a selection of additional paintings, sculptures and works on paper by the French master.
    At the heart of the exhibition is one of the most beloved works in the Stedelijk's collection: the monumental paper cut-out "The Parakeet and the Mermaid" (1952-53), presented with other Matisse cut-outs and rarely exhibited works in fabric and stained glass inspired by them. Arranged chronologically, the volume guides readers through Matisse's days in Paris, the birth of Fauvism, his representational work made in Nice, through to his work in Polynesia . . . . Hbk, 8.5 x 10 in. / 288 pgs / 240 color.

    Foreword by Beatrix Ruf. Introduction by Bart Rutten, Geurt Imanse. Text by Patrice Deparpe, Maurice Rummens.

    PRICE: $65.00 | $48.75
    WITH FREE SHIPPING



    Aperture

    Hellen van Meene: The Years Shall Run Like Rabbits

    Over the last 20 years, Hellen van Meene has produced a complex body of work, offering a contemporary take on photographic portraiture. Characterized by her exquisite use of light, formal elegance and palpable psychological tension, her depictions of girls and boys on the cusp of adulthood demonstrate a clear aesthetic lineage to seventeenth-century Dutch painting. Van Meene captures the intimacy in the photographer–subject relationship, bringing out a sense of honesty and vulnerability from within her models and highlighting the beauty of imperfection. She carefully poses her subjects in their environments to emphasize their fragility, adding a palpable tension to the photographs. At the same time, she captures them at deeper, more introspective moments—masterfully moving between the staged nature of the portraits . . . . Hbk, 8.75 x 11 in. / 256 pgs / 250 color.

    Introduction by Martin Barnes. Text by Oscar van den Boorgaard.

    PRICE: $65.00 | $48.75
    WITH FREE SHIPPING



    Gregory R. Miller & Co.

    Joan Jonas: They Come to Us Without a Word

    They Come to Us without a Word documents Joan Jonas' (born 1936) project for the US Pavilion of the 56th Venice Biennale, an installation that incorporates multiple components, including projected videos (with music by Jason Moran), drawings and photographs. Each section of the pavilion represents a particular creature (bees, fish) or natural condition. Recited fragments of ghost stories sourced from the oral tradition of Cape Breton, Nova Scotia, form a continuous narrative linking one room to the next. Designed with Jonas' close collaboration, this book features an extensive collection of images selected by the artist, including stills, drawings and photographs. Also included is a major new text by Jonas herself, as well as significant texts from Ann Reynolds and Marina Warner, . . . . Clth, 12 x 8 in. / 160 pgs / 180 color.

    Foreword by Paul C. Ha. Text by Ute Meta Bauer, Joan Jonas, Ann Reynolds, Marina Warner. Interview by Ingrid Schaffner.

    PRICE: $50.00 | $37.50
    WITH FREE SHIPPING



    Steidl

    Axel Hoedt: Dusk

    Axel Hoedt: Dusk undermines the carnival as cliché: Hoedt's (born 1966) photographs of celebrations in the villages of Austria and Switzerland deliver no debauchery, but instead offer revelers in earnest poses, static against a bright background, juxtaposing classic studio photography, Polaroid snapshots and still-life imagery. . . . . Hbk, 7 x 8.75 in. / 104 pgs / illustrated throughout.


    PRICE: $38.00 | $28.50
    WITH FREE SHIPPING



    Steidl

    Karl Lagerfeld: Casa Malaparte

    Few modern buildings embody such modernist beauty and mythical magic as Casa Malaparte, designed by the Italian poet and novelist Curzio Malaparte in 1937 as a home for himself, and later made famous by Jean-Luc Godard's 1963 film Contempt, starring Brigitte Bardot. "No place in Italy has such a wide horizon to stare at, nor such a depth of feeling," wrote Malaparte of the locale in Capri where he erected the Casa. "A site only for strong men and for free spirits.… Here, in this wilderness, I am the first one who will build a house."
    Karl Lagerfeld visited the site for five days in November 1997 and took a series of Polaroids, which he subsequently transferred to Arches moldmade paper. First . . . . Clth, 9.75 x 12.25 in. / 56 pgs / 34 color.

    Edited by Gerhard Steidl, Eric Pfrunder. Text by Karl Lagerfeld.

    PRICE: $40.00 | $30.00
    WITH FREE SHIPPING



    Bywater Bros. Editions/Presentation House Gallery

    Tim Lee: One Hundred and Sixty Two People

    This book, by Canadian artist Tim Lee (born 1975), utilizes photographs of the past century's most iconic and eclectic public figures--actors, authors, politicians, athletes, scientists, artists, musicians, designers and religious leaders from Mark Twain to John McEnroe, Jay-Z to Mother Teresa. Each are featured, a pair per page, in a carousel loop of 162 pairings. The book begins and ends with Andy Warhol, who is first seen standing with Muhammad Ali, then on the final page of the book with hockey legend Wayne Gretzky. Every new page contains an individual from the preceding page matched up with a new partner, forming a continuing sequence of prominent individuals meeting their seemingly random counterparts. Like Lee's performative practice, which imagines conversations between disparate . . . . Pbk, 5.5 x 7 in. / 162 pgs / 162 b&w.


    PRICE: $29.95 | $22.46
    WITH FREE SHIPPING



    David Zwirner/Steidl

    Donald Judd

    This publication documents an exhibition of Donald Judd's work held at David Zwirner in New York in 2011, which presented works drawn from the artist's seminal 1989 exhibition held at the Staatliche Kunsthalle Baden-Baden, Germany. Consisting of 12 identically scaled anodized aluminum works, the historic exhibition at the Kunsthalle Baden-Baden was significant in that it marked the first time Judd used colored anodized aluminum in such a large, floor-mounted format. The combinations of materials, dividers and colors--which differ from box to box--thus determine the singular nature of each work within a finite number of variable possibilities. As such, these works comprise one of Judd's few explorations of color on a large scale.
    With new scholarship by noted art historian Richard Shiff, . . . . Hbk, 10 x 11.25 in. / 144 pgs / 61 color.

    Text by Richard Shiff. Interview by Jochen Poetter.

    PRICE: $65.00 | $48.75
    WITH FREE SHIPPING



    Arquine

    Las Torres de Ciudad Satélite

    The Ciudad Satélite towers, inaugurated in 1958, were built to signal a large-scale urban development in Mexico City, and were the product of a collaboration between Mathias Goeritz and Luis Barragán, who in turn were advised by Jesús Reyes Ferreira.
    This book describes the story of these landmark structures, with two texts by eminent specialists on this topic, Federica Zanco and Fernando González Gortázar, who take us back in time and reveal the great artistic and social value of Las Torres de Ciudad Satélite, which was to become an urban sculpture that provided a frame of reference for Mexico City in the 1960s. The images in this book reveal how the project developed over time, from its construction to the present, . . . . Flexi, 8.25 x 11.5 in. / 176 pgs / 45 color / 72 b&w.

    Foreword by Federica Zanco. Text by Fernando González Gortázar.

    PRICE: $39.00 | $29.25
    WITH FREE SHIPPING



    David Zwirner/Steidl

    Dan Flavin: Series and Progressions

    Series and Progressions examines Dan Flavin's (1933-96) use of progressions and serial structures, ideas that were central throughout his career. Famed for creating sculptural objects and installations from fluorescent light fixtures, Flavin was one of the first artists to employ a systematic arrangement of color and light, and had a major influence on Conceptual artistic practices.
    This monograph includes over 50 full-color plates of work ranging from 1963 to 1990, in addition to a comprehensive selection of installation views and archival photographs and documents. It also includes newly commissioned scholarship by Tiffany Bell, Anne Rorimer, Richard Shiff and Alexandra Whitney; an interview with Dan Graham; a facsimile of the original catalogue from Flavin's 1967-68 exhibition alternating pink and 'gold' at Museum of . . . . Hbk, 9.5 x 12 in. / 156 pgs / 94 color / 20 b&w.

    Text by Tiffany Bell, Anne Rorimer, Richard Shiff, Alexandra Whitney. Interview with Dan Graham.

    PRICE: $65.00 | $48.75
    WITH FREE SHIPPING



    David Zwirner

    Michaël Borremans: Horse Hunting

    Belgian filmmaker and painter Michaël Borremans (born 1963) has made a name for himself over the past two decades, though his figurative portraiture and pastoral scenes, indebted as they are to Manet, Degas and Velázquez, look of another time, the traditional Baroque and Rococo-esque style rendering the work unsettlingly familiar.
    Michaël Borremans: Horse Hunting, published on the occasion of the artist's second solo exhibition at David Zwirner in 2006, is devoted to the 14 new paintings on view, among them the eponymous "Horse Hunting" (2005), which portrays a young man, fashionably attired, holding two twigs from each of his nostrils. Rendered in a palette of diffused, shadowy browns, oranges and grays, Borremans' work can be characterized by its lustrous surface and . . . . Hbk, 7.25 x 10 in. / 40 pgs / 16 color.

    Text by Hans van Heirseele.

    PRICE: $35.00 | $26.25
    WITH FREE SHIPPING



    David Zwirner/Steidl

    Robert Graham: Early Work 1963-1973

    Robert Graham: Early Work 1963-1973 compiles rarely seen works by the American artist (1938-2008), providing an overview and reconsideration of Graham's initial engagement with Minimalism and figurative sculpture. Modeled after images found on television or in popular magazines, such as Life, Graham's early work presents Plexiglas-encased environments populated by miniature wax figurines engaged in leisurely or pleasurable activities. The ethereal surfaces of the artist's plastic enclosures are evocative of the highly finished and meticulous objects that have become associated with the so-called "Finish Fetish" aesthetic, and their interior spaces are suggestive of the geography of 1960s California as well as the modernist domestic interiors popularized by John Entenza's Case Study House Program.
    This volume is one of the few to focus . . . . Hbk, 8 x 10 in. / 128 pgs / 43 color / 4 b&w.

    Text by Hunter Drohojowska-Philp.

    PRICE: $68.00 | $51.00
    WITH FREE SHIPPING



    Steidl

    Harf Zimmermann: Brand Wand

    Though these pictures appear like magnificent modern paintings, they are in fact a deeper unconscious social artistic expression of an urban re-development that historical events since the Gründerzeit have fermented and brought to the surface. --Robert Polidori
    The soaring, rigid walls of the tenement blocks torn open by the bombing of World War II dominated the German streetscapes of the 1950s. Fire walls, originally integrated in the building and serving as fire shields, suddenly became visible and turned into outer walls. That is how the originally rather technical term got a new meaning: firewalls as walls spared by the fire. Those long brick walls often adjoin to vast vacant lots once taken up by buildings that were never reerected after the . . . . Clth, 15 x 11.75 in. / 128 pgs / 74 color.


    PRICE: $98.00 | $73.50
    WITH FREE SHIPPING



  • Featured Artists, Critics and Curators



    John Baldessari

    |

    Uta Barth

    |

    Klaus Biesenbach

    |

    Daniel Birnbaum

    |

    Nicolas Bourriaud

    |

    Carolyn Christov-Bakargiev

    |

    Bice Curiger

    |

    Peter Eleey

    |

    Okwui Enwezor

    |

    Massimiliano Gioni

    |

    RoseLee Goldberg

    |

    Jens Hoffmann

    |

    Paul McCarthy

    |

    Helen Molesworth

    |

    Hans Ulrich Obrist

    |

    Catherine Opie

    |

    Philippe Parreno

    |

    Raymond Pettibon

    |

    Scott Rothkopf

    |

    Ed Ruscha

    |

    Jay Sanders

    |

    Wolfgang Tillmans

    |

    Rirkrit Tiravanija

    |

    Philippe Vergne

    |

SAVE 25% plus
free shipping at ARTBOOK.COM

ENTER the artworld's favorite site for exhibition catalogs, monographs, artists' books, and theory. Shop today* and proceeds will benefit ForYourArt.


ARTBOOK BROWSE MENU
Artist Index
Photographer Index
Curator Index
Curated Libraries
ARTBOOK Blog

ARTIST | TITLE | KEYWORD SEARCH