• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
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    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    DuMont Buchverlag

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
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    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
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    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
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    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
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    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Pomona College Museum of Art

    It Happened at Pomona

    Art at the Edge of Los Angeles 1969-1973

    From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles County at the Pomona College Museum of Art, in Claremont, California. Here, Hal Glicksman, a pioneering curator in Light and Space art and former assistant to Walter Hopps, and Helene Winer, later the director of Artists Space and founder of Metro Pictures gallery in New York, curated landmark exhibitions by young local artists who bridged the gap between postminimalism and Conceptual art and presaged the development of postminimalism in the late 1970s. Among these artists were Bas Jan Ader, Michael Asher, Mowry Baden, Lewis Baltz, Chris Burden, Judy Chicago, Ger van Elk, Jack Goldstein, Robert Irwin, William Leavitt, John McCracken, Allen . . . . Pbk, 9 x 13 in. / 386 pgs / 120 color / 160 b&w.

    Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. Text by Thomas Crow, David Pagel.

    PRICE: $49.95 | $37.46
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    Wilhelm Fink Verlag, Munich

    The Digital Wunderkammer

    10 Chapters on the Iconic Turn

    As digital technology advances at breakneck speed, Images are circulating quicker than ever before. But what is the status of the image in the digital era? In The Digital Wunderkammer, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle--the topic of the third chapter--that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to . . . . Hbk, 8.25 x 11.75 in. / 202 pgs / 58 color / 16 b&w.

    By Hubert Burda. Text by Peter Sloterdijk, Bazon Brock, Hans Belting, Horst Bredekamp, Friedrich Kittler.

    PRICE: $45.00 | $33.75
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    Primary Information

    Dan Graham: Rock/Music Writings

    As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for those movements, and an early supporter of (and friend to) Glenn Branca and Sonic Youth among many others. Rock/Music Writings collects 13 of Graham's most influential writings, on bands ranging from The Kinks to Bow Wow Wow, first published in art journals such as Real Life, Open Letter and ZG between 1968 and 1988, and in the now rare volume Rock My Religion. It includes such landmark essays as Punk as Propaganda,” which explicates the self-packaging and media critique of The Ramones, Devo, the Sex Pistols, the . . . . Pbk, 5.5 x 8.25 in. / 224 pgs / 29 b&w.


    PRICE: $18.00 | $13.50
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Walker Art Center

    Merce Cunningham: Common Time

    How Cunningham transformed postwar culture through collaboration
    Renowned as both choreographer and dancer, Merce Cunningham (1919–2009) also revolutionized dance through his partnerships with the many artists who created costumes, lighting, films and videos, and décor and sound for his choreographic works. Cunningham, together with partner John Cage, invited those artists to help him rethink what dance could mean, both on the stage and in site-responsive contexts. His notion that movement, sound and visual art could share a common time” remains one of the most radical aesthetic models of the 20th century and yielded extraordinary works by dozens of artists and composers, including Charles Atlas, John Cage, Morris Graves, Jasper Johns, Rei Kawakubo, Robert Morris, Gordon Mumma, Bruce Nauman, Ernesto Neto, Pauline Oliveros, . . . . Hbk, 9 x 11.75 in. / 456 pgs / 250 color / 150 b&w.

    Edited with text by Fionn Meade, Joan Rothfuss. Foreword by Olga Viso. Text by Carlos Basualdo, Juliet Bellow, Philip Bither, Roger Copeland, Mary L. Coyne, Douglas Crimp, Hiroko Ikegami, Kelly Kivland, Claudia La Rocco, Benjamin Piekut, David Vaughan. Interviews by Victoria Brooks, Danielle Goldman, Aram Moshayedi.

    PRICE: $75.00 | $56.25
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    David Zwirner Books

    Josef Albers: Midnight and Noon

    Exploring the origins of Josef Albers' groundbreaking Homage to the Square in the exquisite palettes of day and night
    Using minimal means—paint straight from the tube, applied meticulously with a palette knife—and a focused selection of colors, Josef Albers’ sustained, serial investigation into rhythm, mood and spatial movement is explored in this lavishly produced volume that looks solely at his respective grey and yellow paintings, exploring two distinct color palettes pervasive to his oeuvre.
    Highlighting the rich diversity of effects Albers drew from a narrow range of colors, this publication centers around the groundbreaking Homage to the Square (A)” (1950), the inaugural painting in the series that would occupy the artist until his death in 1976. The pairing of two palettes—black, white and . . . . Hbk, 8 x 10.5 in. / 144 pgs / 75 color / 2 b&w.

    Introduction by Nicholas Fox Weber. Text by Elaine de Kooning, Colm Tóibín.

    PRICE: $55.00 | $41.25
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    The Museum of Modern Art

    Louise Lawler: Receptions

    A major exhibition on the 40-year career of the Pictures Generation pioneer, whose work engages conceptualism and institutional critique
    Published in conjunction with the exhibition Louise Lawler: WHY PICTURES NOW, at The Museum of Modern Art, this volume charts the creative practice of one of the most influential artists working in the fields of picture-making and institutional critique. For the past 40 years, Louise Lawler has raised questions about art—about the circumstances that produce it, its circulation and the societal frameworks in which it appears. Many of the ideas that arise out of her work relate to theories of reception, the belief that the meaning of an artwork shifts and morphs depending on who looks at it and where it is seen. . . . . Clth, 9.5 x 12 in. / 256 pgs / 258 color.

    Edited with text by Roxana Marcoci. Text by Rhea Anastas, Mieke Bal, Douglas Crimp, Rosalyn Deutsche, Diedrich Diederichsen, David Platzker, Julian Stallabrass.

    PRICE: $60.00 | $45.00
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    D.A.P./Distributed Art Publishers

    Larry Sultan & Mike Mandel: Evidence

    A visual conundrum of incalculable mystery. Martin Parr, The Photobook: A History
    In 1977, photographers Larry Sultan (1946–2009) and Mike Mandel (born 1950) published a book that would radically transform both photography and the photobook canon—a book described by Martin Parr, in The Photobook: A History, as "one of the most beautiful, dense and puzzling photobooks in existence, an endless visual box of tricks." Sultan and Mandel sifted through thousands of photographs in the files of the Bechtel Corporation, the Los Angeles Police Department, the Jet Propulsion Laboratories, the US Department of the Interior, Stanford Research Institute and a hundred other corporations, American government agencies and educational, medical and technical institutions. They were looking for photographs that were made and used as . . . . Hbk, 9.75 x 9 in. / 92 pgs / 25 b&w / 61 duotone.

    Text by Sandra Phillips, Robert Forth.

    PRICE: $40.00 | $30.00
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    RM/Centro José Guerrero

    New York in Photobooks

    The capital of the 20th century in photobooks, from Berenice Abbott to Thomas Roma
    New York in Photobooks gathers and studies a selection of images of the capital of the 20th century, one of the most photogenic and most photographed cities in history. Through a wealth of gorgeous reproductions of photobook spreads, the city of skyscrapers is captured from the zenith of its construction in the 1930s to the destruction of the World Trade Center in 2001, alongside the urban life of the New Yorkers themselves, in images that epitomize the very genre of street photography.
    Many of these books are the work of European and Japanese photographers, who discovered multiple perspectives—cultural, social, economic—from which to view the city that shaped the . . . . Pbk, 6.5 x 9.5 in. / 240 pgs / 350 color.

    Edited by Horacio Fernández. Text by Jeffrey Ladd, et al.

    PRICE: $35.00 | $26.25
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    DUNG BEETLE LTD

    We Learn at Home

    In We Learn at Home, Miriam Elia’s follow-up to last year’s hit We Go to the Gallery, Mummy takes John and Susan out of their local school to be reeducated at home—though not before tagging the walls of St. James’ Primary with the words Fascist Scum.” In order to introduce their young minds to a new, alternative worldview, Mummy will ground all learning in a feelings-based outlook, free of any actual facts or skills, and reevaluate core subjects such as mathematics, religion, philosophy and art. John and Susan burn the Union Jack, debate and learn to paint their inner children. Key vocabulary for young readers includes terms such as Marx” and Buddha.”
    Pocket-sized, printed in bold colors and written in clear, simple . . . . Hbk, 4.75 x 7 in. / 48 pgs / 20 color.

    By Miriam Elia.

    PRICE: $14.95 | $11.21
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    DUNG BEETLE LTD

    We Go Out

    In We Go Out, Mummy takes Susan and John out for an exciting day trip in London as part of their new reeducation program. Looking, thinking and reevaluating the world around them is a crucial part of any child’s core development, and John and Susan are no exception. A simple stroll down the local high street is magically illuminated by Mummy’s insights into the nature of society, religion, art and the various other forms of hierarchal or patriarchal oppression. In this volume, John and Susan—and their readers following along at home—learn about gender, homelessness, public sculpture, luxury redevelopments and property values, among many other valuable life lessons for today.
    Impeccably dressed and well behaved, Mummy and her children have been ripped . . . . Hbk, 4.75 x 7 in. / 48 pgs / 20 color.

    By Miriam Elia, Ezra Elia.

    PRICE: $14.95 | $11.21
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    Wakefield Press

    Kzradock the Onion Man and the Spring-Fresh Methuselah

    From the Notes of Dr. Renard de Montpensier

    Originally published in Danish in 1910, Kzradock the Onion Man and the Spring-Fresh Methuselah is a fevered pulp novel that reads like nothing else of its time: an anomaly within the tradition of the Danish novel, and one that makes for a startlingly modern read to this day. Combining elements of the serial film, detective story and gothic horror novel, Kzradock is a surreal foray into psychoanalytic mysticism.
    Opening in a Parisian insane asylum where Dr. Renard de Montpensier is conducting hypnotic séances with the titular Onion Man, the novel escalates quickly with the introduction of battling detectives, murders and a puma in a hallucinating movie theater before shifting to the chalk cliffs of Brighton. It is there that the narrator must . . . . Pbk, 4.5 x 7 in. / 152 pgs.

    By Louis Levy. Translated with afterword by W.C. Bamberger.

    PRICE: $14.95 | $11.21
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    NAi010 Publishers

    Lessons for Students in Architecture

    Lessons for Students in Architecture, written by Dutch architect and educator Herman Hertzberger (born 1932), was first published in 1991 as an elaborated version of lectures Hertzberger had given since 1973 at Delft University of Technology. Since its first edition, the book has become a classic for students the world over; this immensely successful volume has gone through many reprints and has also been published in Japanese, German, Italian, Portuguese, Taiwanese, Dutch, Greek, Chinese, French, Polish and Persian. This new edition brings the classic book back into print.
    Lessons for Students in Architecture features Hertzberger putting the background to his work and the ideas underlying it into his own words, as he presents a broad spectrum of subjects and designs, with his . . . . Pbk, 8.25 x 10.50 in. / 272 pgs / 763 color.

    By Herman Hertzberger.

    PRICE: $45.00 | $33.75
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    Ediciones Polígrafa

    Cubism and War

    The Crystal in the Flame

    This book explores the work of those artists who attempted to keep alive the expanded possibilities opened up by Cubism in Paris between 1911 and 1914. This little community of artists refused to accept that recording the war or producing propaganda was their duty. Instead, they kept faith in their independence as individuals as this war of machines threatened to rob every front-line soldier of his humanity and to draw the globe into unprecedented conflict.
    The vast majority of fit young Frenchmen were mobilized, so those artists left behind in Paris were either foreign or too old or unfit for combat. Pablo Picasso, then known as the inventor of Cubism, remained a prominent figure, alongside his fellow Spaniards Juan Gris and María . . . . Clth, 9.25 x 11.5 in. / 192 pgs / 138 color.

    Edited by Chistopher Green. Text by Neil Cox, Giovanni Casini.

    PRICE: $55.00 | $41.25
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    Bone Idle

    Pictures of You

    Ten Journeys in Time

    The 20th century in 10 extraordinary moments: a photographic journey by bestselling historian Rory Maclean
    In the 20th century, amateur photography took history—and collective memory—out of the hands of historians and gave it to individuals. In Pictures of You, bestselling British-Canadian historian and travel writer Rory MacLean narrates a journey through 10 photographs, across the globe and into the lives of 10 ordinary men and women who lived through extraordinary times.
    Each photograph (or group of photographs) comes from a different decade of the 20th century: the first killing of the Cold War; the dying hopes of a doomed aviator; the ghosts of Native America at Alcatraz; Chairman Mao’s most timid lover; Nature’s final battle with humankind. Through these images, MacLean ventures from . . . . Pbk, 5 x 7 in. / 200 pgs / 100 b&w.

    By Rory MacLean.

    PRICE: $20.00 | $15.00
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    Ludion

    On Kawara: 1966

    On Kawara (1932–2014) is one of the most important and most radical artists of our time. His oeuvre is consumed with time and place, and he has produced a body of work that is dizzying in its simultaneous temporal breadth and rigorous specificity. On Kawara: 1966 focuses on Kawara’s creations from 1966, the year he began work on his famous Today series of date paintings. Kawara created more than 2,000 date paintings in total, in more than 100 different cities, using folders to accurately keep track of his work, with a smear of the paint he used for each painting, the newspaper headlines for that day along with notes about the painting’s format.
    On Kawara: 1966, published to accompany the last exhibition . . . . Hbk, 9.25 x 10.25 in. / 176 pgs / 120 color.

    Introduction by Joost De Clercq, Tommy Simoens. Text by Jonathan Watkins.

    PRICE: $60.00 | $45.00
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    Errata Editions

    Long Live the Glorious May 7 Directive

    Books on Books No. 20

    Long Live the Glorious May 7 Directive, published in 1971, is one of the key propaganda photobooks of Chairman Mao Zedong’s infamous Cultural Revolution. Illustrated with both color and black-and-white photographs taken by uncredited photographers, the book extolls the virtues of Mao’s communist ideology and purports to document the joyful, industrious effects of these ideas in action.
    In Long Live the Glorious May 7 Directive, smiling workers and peasants read together from Mao’s Little Red Book” of quotations, stalwart soldiers march in unending ranks and Chinese fighter pilots conquer the open skies. Of course, history remembers the realities of Mao’s Cultural Revolution quite differently.
    Long Live the Glorious May 7 Directive is now extremely rare; Errata Editions’ Books on Books 20 presents . . . . Hbk, 7.25 x 9.75 in. / 140 pgs / 130 color.

    Text by Carol Yinghua Lu, Liu Ding, Shuxia Chen.

    PRICE: $39.95 | $29.96
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    Errata Editions

    Mario García Joya: A la plaza con Fidel

    Books on Books No. 21

    A la plaza con Fidel (To the plaza with Fidel) is doubly rare among Cuban photobooks: relatively few photobooks were produced in Cuba after the Revolution, and A la plaza con Fidel is also notable for its unique subject matter. Photographed between 1959 and 1966 and published in 1970 by leading Cuban photographer and cinematographer Mayito” (Mario García Joya, born 1938), the book focuses on Fidel Castro’s supporters and the festive atmosphere of the Revolution. Castro would mark important moments of the Revolution, when either revelry or reassurance was called for, with public addresses delivered in Havana’s Plaza de la Revolución; to the plaza with Fidel” became a refrain of the Revolution.
    The 21st volume in Errata Editions’ Books on Books series, . . . . Hbk, 7.25 x 9.75 in. / 80 pgs / 50 duotone.

    Text by Leandro Villaro, Mario García Joya.

    PRICE: $39.95 | $29.96
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    La Fábrica

    Cristina de Middel: Muchismo

    Invited to mount an exhibition at the Teatro Fernán Gómez in Madrid, Spanish photographer Cristina de Middel (born 1975) dug around her studios and chose to display all her images in exactly the way she has them stored—in colossal, gorgeous chaos. The result is Cristina de Middel: Muchismo, a unique display of the photographer’s entire oeuvre, constrained by neither a curator nor any apparent organizing order.
    Varied and entertaining, at times playful and bizarre, Muchismo gives de Middel a chance to interrupt the normal operating rules of the art market, presenting her photographs not as collectible objects but as constituent parts of the larger story she has been telling with her work. With Muchismo, de Middel’s latest hotly anticipated publication, the award-winning . . . . Pbk, 6.75 x 9.5 in. / 180 pgs / 120 color.

    Text by Cristina de Middel.

    PRICE: $45.00 | $33.75
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