• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
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    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    DuMont Buchverlag

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
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    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
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    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
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    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
    WITH FREE SHIPPING



    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
    WITH FREE SHIPPING



    Pomona College Museum of Art

    It Happened at Pomona

    Art at the Edge of Los Angeles 1969-1973

    From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles County at the Pomona College Museum of Art, in Claremont, California. Here, Hal Glicksman, a pioneering curator in Light and Space art and former assistant to Walter Hopps, and Helene Winer, later the director of Artists Space and founder of Metro Pictures gallery in New York, curated landmark exhibitions by young local artists who bridged the gap between postminimalism and Conceptual art and presaged the development of postminimalism in the late 1970s. Among these artists were Bas Jan Ader, Michael Asher, Mowry Baden, Lewis Baltz, Chris Burden, Judy Chicago, Ger van Elk, Jack Goldstein, Robert Irwin, William Leavitt, John McCracken, Allen . . . . Pbk, 9 x 13 in. / 386 pgs / 120 color / 160 b&w.

    Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. Text by Thomas Crow, David Pagel.

    PRICE: $49.95 | $37.46
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    Wilhelm Fink Verlag, Munich

    The Digital Wunderkammer

    10 Chapters on the Iconic Turn

    As digital technology advances at breakneck speed, Images are circulating quicker than ever before. But what is the status of the image in the digital era? In The Digital Wunderkammer, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle--the topic of the third chapter--that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to . . . . Hbk, 8.25 x 11.75 in. / 202 pgs / 58 color / 16 b&w.

    By Hubert Burda. Text by Peter Sloterdijk, Bazon Brock, Hans Belting, Horst Bredekamp, Friedrich Kittler.

    PRICE: $45.00 | $33.75
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    Primary Information

    Dan Graham: Rock/Music Writings

    As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for those movements, and an early supporter of (and friend to) Glenn Branca and Sonic Youth among many others. Rock/Music Writings collects 13 of Graham's most influential writings, on bands ranging from The Kinks to Bow Wow Wow, first published in art journals such as Real Life, Open Letter and ZG between 1968 and 1988, and in the now rare volume Rock My Religion. It includes such landmark essays as Punk as Propaganda,” which explicates the self-packaging and media critique of The Ramones, Devo, the Sex Pistols, the . . . . Pbk, 5.5 x 8.25 in. / 224 pgs / 29 b&w.


    PRICE: $18.00 | $13.50
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Damiani

    Fink on Warhol: New York Photographs of the 1960s by Larry Fink

    A long-lost photoshoot of the Warhol tribe at the peak of its fame
    Fink on Warhol collects photographs of Andy Warhol and his tribe taken within a time span of just four or five days in the spring of 1966 by Fink, working on assignment for the literary magazine East Side Review, alongside other photos of Warhol from this period. The story was about Andy,” explained Shepard Sherbell, the magazine’s editor. In 1966, everything was about Andy.” The East Side Review closed before Fink’s photographs ran; they are published here for the first time. It was a larky shoot,” says Fink of the photos. Spontaneous.”
    Shooting Warhol, Ingrid Superstar, Lou Reed, John Cale, Edie Sedgwick and Gerard Malanga on the Lower East Side, . . . . Hbk, 9.75 x 11.75 in. / 128 pgs / 55 b&w.

    Text by Kevin Moore.

    PRICE: $50.00 | $37.50
    WITH FREE SHIPPING



    NAi010 Publishers

    Cobra: A History of a European Avant-Garde Movement

    1948–1951

    The Cobra artists combined creative freedom and social engagement

    Radical and transnational (the group’s name derives from the main urban centers of the movement--Copenhagen, Brussels and Amsterdam), the postwar artist’s group Cobra caused a revolution in modern art in just three years of active work that continues to influence artists to this day. Willemijn Stokvis’ classic text on the group, Cobra: A History of a European Avant-Garde Movement was first published in 1974, and is now available in English for the first time, fully updated from the 1974 edition. In this comprehensive, richly illustrated volume, Stokvis (a leading authority on the movement) presents the history of Cobra through primary documents, conversations and correspondence conducted with the artists themselves and the movement’s eyewitnesses.

    Cobra . . . . Hbk, 9.5 x 11.5 in. / 400 pgs / 450 color.

    Edited by Willemijn Stokvis.

    PRICE: $80.00 | $60.00
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    Damiani

    Mark Segal: Cheetah

    Segal's celebration of this regal feline also records the cheetah's alarming path toward extinction
    For the past 15 years, American photographer Mark Segal’s fascination with the world’s fastest land mammal has taken him across the US, Europe, Kenya, Namibia and South Africa. What started out as an aesthetic obsession evolved as he deepened his understanding of this fierce yet fragile creature and its rapid path toward extinction. My desire changed from simply wanting to experience cheetahs for my own selfish curiosity to wanting to contribute to their conservation.” Over the last five years, Segal has traveled to various cheetah research and conservation centers, in an effort to show the beauty of this magnificent predator and to draw awareness to its endangered state . . . . Clth, 13.75 x 9.5 in. / 240 pgs / 56 color / 93 b&w.


    PRICE: $120.00 | $90.00
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    Spoonbill Books

    My Vibe

    My Vibe is New York–based poet and writer Jeremy Sigler’s collection of diaristic tales by an only partly sympathetic struggling poet who flirts with—and often fails at—creating romance and playful distractions in his otherwise boring life. The tales are self-deprecating, awkward, nostalgic and at times perverse, but they retain warmth, honesty, whimsy, charm and are often wickedly funny. I love pseudoscience. I love it. Next time I read my work in public, I’m gonna cut out big cardboard letters and paint them red. I’m gonna prop them up behind me: T-E-D. Pseudoscientists get all the fans. They get all the love letters. For their viral youtubes of levitating beer cans. The Pseudos get all the attention. They go viral. Unlike poets.” . . . . Pbk, 5.25 x 7.25 in. / 140 pgs.

    By Jeremy Sigler. Edited by Dan Nadel.

    PRICE: $18.00 | $13.50
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    Editions Xavier Barral

    Automata

    Richly illustrated with etchings, manuscripts, and old documents, this book retraces the epic tale of the automaton from ancient times up to the present day.

    Wondrous objects that are at once scientific and magical, automata testify to the technical research and inventiveness of their designers. In 1675, the astronomer and mathematician Christian Huygens invented the spiral spring that would play a leading role in the development of smaller and more precise watches, with highly complex mechanisms. The creation of more complicated wheelwork and the use of extremely meticulous spiral springs gave free rein to clockmakers’ imaginations, who invented animated objects that fascinated philosophers and scientists alike. Doctors, thespians and thinkers of the modern world all saw these increasingly lifelike automata: wonderful simulacra . . . . Hbk, 7.75 x 10.25 in. / 320 pgs / 160 color.

    Text by Nicholas Foulkes.

    PRICE: $69.95 | $52.46
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    CANADA

    Katherine Bernhardt

    Bernhardt paints a brightly hued portrait of the glorious jumble of contemporary life

    This is the first book to provide a comprehensive overview of Katherine Bernhardt’s wildly popular pattern paintings. Spanning 2013 through 2016, it collects over 100 of her brightly colored canvases. Well known for paintings of super models ripped from glossy fashion magazines and, more recently, Morrocan rug motifs, in 2013 Bernhardt dropped all direct quotation and now paints straight from her imagination, mining her own fertile reservoir of experience, imagery and sensation. Since then, Bernhardt has produced paintings that mix an assortment of objects reflecting her daily experiences, from life in New York to her love of Puerto Rico, her Saint Louis roots and family life. The objects are . . . . Hbk, 11 x 8 in. / 176 pgs / illustrated throughout.

    Edited by Dan Nadel. Text by Nicole Rudick.

    PRICE: $40.00 | $30.00
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    Karma, New York

    Roe Ethridge: American Spirit

    In American Spirit, New York–based conceptual photographer Roe Ethridge (born 1969) presents an unabashedly gorgeous collection of mountainous vistas and meta-advertising spreads that riff on the name of the eponymous cigarette brand.

    Wide-open views of Western peaks are interspersed with close-shot portraits, still lifes and consumer imagery, a Manifest Destiny atlas for the post-internet era.



    . . . . Pbk, 9.5 x 12.75 in. / 72 pgs / 39 color.


    PRICE: $40.00 | $30.00
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    Hauser & Wirth Publishers

    Lygia Pape

    A founding member of Brazil's Neo-Concrete movement, Lygia Pape (1927–2004) made art that favored the primacy of the viewer's sensorial experience. Pape's geometric abstractions explore rich territory through sculpture, drawing, engraving, filmmaking and installation. This publication brings together works spanning 1955 to 2001. The precise incised lines of Pape's Tecelares woodcut prints and drawings of the 1950s and '60s marry pure geometry with organic patterns. Her subsequent Ttéia installations (begun in the late 1970s and continued throughout her career) present captivating explorations of geometry, space and materiality. Installation views and detail shots of these works complement texts by Briony Fer and Daniel Birnbaum, two ardent followers of Pape's work.



    . . . . Clth, 9.75 x 12.75 in. / 96 pgs / 59 color / 2 b&w.

    Text by Briony Fer, Daniel Birnbaum.

    PRICE: $45.00 | $33.75
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    The Studio Museum in Harlem/Institute of Contemporary Art, University of Pennsyl

    Rodney McMillian

    For more than a decade, Los Angeles–based artist Rodney McMillian (born 1969) has worked in sculpture, painting, video and performance to explore the intersections of race, class, gender and socioeconomic policy.
    Copublished by the Institute of Contemporary Art, University of Pennsylvania and The Studio Museum in Harlem on the occasion of Rodney McMillian: The Black Show and Rodney McMillian: Views of Main Street, this volume offers an in-depth examination of McMillian’s varied practice and his meditations on social systems, art history, science fiction and public policy.
    In addition to contributions by Elms and Keith, McMillian’s radical use of postconsumer objects, video and painting is addressed in essays by leading figures including Charles Gaines, Rita Gonzalez, Dave McKenzie and Steven Nelson.

    . . . . Hbk, 8.25 x 11 in. / 168 pgs / 121 color.

    Edited by Anthony Elms, Naima J. Keith. Text by Charles Gaines, Rita Gonzalez, Dave McKenzie, Steven Nelson.

    PRICE: $50.00 | $37.50
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    Gregory R. Miller & Co.

    Analia Saban

    Whether casting paints and ink into sculpture, or using marble, concrete, porcelain or photographs for painterly purposes, Los Angeles–based artist Analia Saban (born 1980) has stretched the limits of material and media in often unexpected ways. Her concern is for the component materials from which art, particularly painting, is made, and her explorations have teased out the hidden ideological and political repercussions of those materials and the forms they take.
    Saban's first book is published on the occasion of a major museum retrospective that showcases ten years of her deep investigations into the possibilities of both the process and the mediums of art making. Her work is presented here alongside major new texts on the artist from Johanna Burton and exhibition curator Claudia . . . . Clth, 8.25 x 10.5 in. / 160 pgs / 110 color.

    Text by Claudia Schmuckli, Johanna Burton.

    PRICE: $45.00 | $33.75
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    Steidl

    Frank Gohlke & Joel Sternfeld: Landscape as Longing

    In 2003, Frank Gohlke (born 1942) and Joel Sternfeld (born 1944) were commissioned to photograph one of the densest concentrations of ethnic diversity in the world--the borough of Queens in New York City. After more than a year of photographing everything from corner bodegas to the borough’s boundaries, Gohlke and Sternfeld had not only captured the complicated dynamic that sustains Queens and its myriad communities, they had also evolved a theory of landscape photography, in which landscape is a visible manifestation of the invisible emotions of its inhabitants.
    Gohlke’s Queens consists of streets, houses, fences, gardens, parklands, shorelines and waste spaces, the territory where human arrangement contends endlessly with the forces that undo it: unruly vegetation, weather, rot and decay.
    Sternfeld focuses on . . . . Clth, 11 x 12.5 in. / 180 pgs / 36 color / 38 b&w.

    Text by Joel Sternfeld, Suketu Mehta.

    PRICE: $75.00 | $56.25
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    Royal Academy Publications

    Michelangelo Buonarroti: The Taddei Tondo

    Michelangelo’s (1475–1564) Taddei Tondo,” in the collection of the Royal Academy in London, offers a fascinating insight into the master’s technical and experimental skill. Joshua Reynolds, the Academy’s first president, considered that Michelangelo represented everything that an artist should aspire to, combining technical brilliance with sublime poetical imagination, and the Tondo shows this in scintillating relief. Expertly researched and written by the renowned Renaissance art historian Alison Cole, this book moves through the life of the Tondo,” from Michelangelo’s rivalry with Leonardo to the marble’s arrival at the Royal Academy and its use in the RA Schools. Finishing with a fresh look at the Tondo’s role in revealing Michelangelo’s technical experimentalism, Cole explores the importance of finish and what constitutes a . . . . Pbk, 6.75 x 9 in. / 80 pgs / 50 color.

    Text by Alison Cole.

    PRICE: $16.95 | $12.71
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    Kaya Press

    So Many Olympic Exertions

    Blending elements of memoir and sports writing, Anelise Chen’s debut novel is an experimental work that perhaps most resembles what the ancient Greeks called hyponemata, or notes to the self,” in the form of observations, reminders and self-exhortations. Taken together, these notes constitute a personal handbook on how to live”––or perhaps more urgently why to live,” a question the narrator, graduate student Athena Chen, desperately needs answering. When Chen hears news that her brilliant friend from college has committed suicide, she is thrown into a fugue of fear and doubt. Through anecdotes and close readings of moments in the sometimes harrowing world of sports, the novel questions the validity of our current narratives of success.
    Anelise Chen earned her BA in English . . . . Pbk, 5 x 7 in. / 200 pgs / 12 b&w.

    By Anelise Chen.

    PRICE: $17.95 | $13.46
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    Hauser & Wirth Publishers

    Djordje Ozbolt: Questions of Faith

    The work of Belgrade-born, London-based artist Djordje Ozbolt (born 1967) combines technical expertise with a light touch, offering a great example of what an uninhibited approach to the venerable genres of painting and sculpture can look like today.

    Infused with wit and humor (of all varieties: satire, slapstick, black), Ozbolt takes on themes of history, politics and travel, among others, in his work, which has increasingly come to include sculpture.

    Djordje Ozbolt: Questions of Faith highlights the artist’s work from the past three years, exploring Ozbolt’s range as an artist, his practice, inspirations and evolution. Featuring a text from Oliver Basciano, International Editor at ArtReview, this volume comes on the heels of several major shows for Ozbolt, including at the Holburne Museum . . . . Clth, 9 x 12.5 in. / 160 pgs / 169 color / 28 b&w.

    Text by Oliver Basciano.

    PRICE: $45.00 | $33.75
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    Esopus Foundation Ltd.

    Esopus 24

    Spring 2017

    Esopus 24 includes long-form artists’ projects by Carlos Amorales, Ted Barker, Hayden Dunham, Marco Maggi, Tony Tasset, and Jane and Louise Wilson. Other contents include an interview with translator Ann Goldstein (perhaps best known for her English translation of Elena Ferrante’s novels), who will also translate submissions in Italian from Esopus readers for the issue’s subscriber invitational; never-before-published photographs from the early 1970s by Arthur Tress; a piece on the stunning quilts of Ernest B. Haight (1899–1992); a new installment of our regular series, Modern Artifacts,” featuring archival material from The Museum of Modern Art archives reproduced in facsimile; as well as the first appearance of Public Access,” a new series copresented with the New York Public Library which features items . . . . Pbk, 9 x 11.5 in. / 230 pgs / 300 color / 50 b&w / Audio CD.

    Edited by Tod Lippy.

    PRICE: $40.00 | $30.00
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