• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
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    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    Fine Arts Museums of San Francisco-Legion of Honor/Jordan Schnitzer Family

    John Baldessari: A Print Retrospective from the Collections of Jordan D. Schnitzer and his Family Foundation

    Conceptual art veteran John Baldessari (born 1931) began making prints in the mid-1970s, and has placed printmaking at the center of his appropriative practice, in which found photographs of people are amended with colorful dots that blot out the heads of the subjects, redirecting the viewer's attention towards marginal detail. In my work,” he says, I found that I could be the master of my own universe and control what people see and pay attention to.” For Baldessari, keen as he is to minimize or erase his own manual presence, printmaking also helps to flatten out these collaged additions and interventions, heightening their sense of estrangement and beguiling anonymity. Many of Baldessari's prints series have been extremely influential, such as the . . . . Clth, 10 x 12 in. / 160 pgs / 140 color.

    Text by Hunter Drohojowska-Philip.

    PRICE: $59.95 | $44.96
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    DuMont

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
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    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
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    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
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    Deste Foundation for Contemporary Art

    Doug Aitken: Black Mirror

    Doug Aitken’s Black Mirror is a meditation on the rootlessness and the extreme virtuality of contemporary existence. Comprised of a site-specific multi-channel video installation and a live theater performance at the Deste Foundation Project Space, Slaughterhouse, on the Greek island of Hydra, it stars Chloë Sevigny as a nomadic individual traversing airport terminals, hotel lobbies and car rental kiosks, communicating in quick pulses and travelling long distances for short meetings. The video installation was shot in and around Athens and Hydra, as well as Cancun, Mexico; Albuquerque and Gallup, New Mexico; Flagstaff and Arcosanti, Arizona; and Palm Springs, California. The performance was staged on a barge off Athens, and featured Sevigny, gospel singers, strippers and musicians, Los Angeles underground rock duo . . . . Pbk, 8.5 x 11 in. / 144 pgs / illustrated throughout.

    Preface by Dakis Joannou.

    PRICE: $35.00 | $26.25
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    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    Pomona College Museum of Art

    It Happened at Pomona

    Art at the Edge of Los Angeles 1969-1973

    From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles County at the Pomona College Museum of Art, in Claremont, California. Here, Hal Glicksman, a pioneering curator in Light and Space art and former assistant to Walter Hopps, and Helene Winer, later the director of Artists Space and founder of Metro Pictures gallery in New York, curated landmark exhibitions by young local artists who bridged the gap between postminimalism and Conceptual art and presaged the development of postminimalism in the late 1970s. Among these artists were Bas Jan Ader, Michael Asher, Mowry Baden, Lewis Baltz, Chris Burden, Judy Chicago, Ger van Elk, Jack Goldstein, Robert Irwin, William Leavitt, John McCracken, Allen . . . . Pbk, 9 x 13 in. / 386 pgs / 120 color / 160 b&w.

    Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. Text by Thomas Crow, David Pagel.

    PRICE: $49.95 | $37.46
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    Primary Information

    Dan Graham: Rock/Music Writings

    As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for those movements, and an early supporter of (and friend to) Glenn Branca and Sonic Youth among many others. Rock/Music Writings collects 13 of Graham's most influential writings, on bands ranging from The Kinks to Bow Wow Wow, first published in art journals such as Real Life, Open Letter and ZG between 1968 and 1988, and in the now rare volume Rock My Religion. It includes such landmark essays as Punk as Propaganda,” which explicates the self-packaging and media critique of The Ramones, Devo, the Sex Pistols, the . . . . Pbk, 5.5 x 8.25 in. / 224 pgs / 29 b&w.


    PRICE: $18.00 | $13.50
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    D.A.P./San Francisco Museum of Modern Art

    René Magritte

    The Fifth Season

    Magritte's extraordinary late paintings

    When René Magritte reached his 40s, something unexpected happened. The painter, who had honed an iconic Surrealist style between 1926 and 1938, suddenly started making paintings that looked almost nothing like his earlier work. First he adopted an Impressionist aesthetic, borrowing the sweet, hazy palette of Pierre-Auguste Renoir—which he described as sunlit Surrealism.” Then his style shifted again, incorporating popular imagery, the brash colors of Fauvism and the gestural brushwork of Expressionism. And then Magritte returned to his classic style as if nothing had happened.

    René Magritte: The Fifth Season looks at the art Magritte made during and after the stylistic crises of the 1940s, revealing his shifting attitudes toward painting. Subjects explored in this volume include the artist’s . . . . Hbk, 8.5 x 10.5 in. / 152 pgs / 105 color.

    Edited with text by Caitlin Haskell. Text by Michel Draguet, Clare Elliott, Katrina Rush, Abigail Solomon-Godeau, Sandra Zalman.

    PRICE: $34.95 | $26.21
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    David Zwirner Books

    Ruth Asawa

    Taking the wire for a walk: the subversively domestic sculpture of Ruth Asawa

    Known for her intricate and dynamic wire sculptures, the American sculptor, educator and arts activist Ruth Asawa challenged conventional notions of material and form through her emphasis on lightness and transparency.

    Asawa began her now iconic looped-wire works in the late 1940s while still a student at Black Mountain College. Their unique structure was inspired by a 1947 trip to Mexico, during which local craftsmen taught her how to create baskets out of wire. While seemingly unrelated to the lessons of color and composition taught in Josef Albers’ legendary Basic Design course, these works, as she explained, are firmly grounded in his teachings in their use of unexpected materials and . . . . Hbk, 9.5 x 12 in. / 176 pgs / 100 color.

    Text by Tiffany Bell, Robert Storr.

    PRICE: $70.00 | $52.50
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    David Zwirner Books

    Giotto and His Works in Padua

    In 1303, Giotto, then considered the preeminent painter in Italy, was commissioned to paint the Arena Chapel in Padua. The resulting Chapel and its panels, detailing the history, birth, life and death of Christ, rank among the greatest artworks ever created.

    John Ruskin (1819–1900) redefined art criticism in the 19th century through his attention to detail, his playful and engaging prose and the conviction with which he discussed the subjects that mattered most to him. Here Ruskin examines Giotto’s panels and brings them to life, describing their many hidden details, all the result of Giotto’s unrivaled genius.

    The Arundel Society first published Giotto and His Works in Padua” between 1853 and 1860. Long out of print, it stands as Ruskin’s most compelling . . . . Pbk, 4.25 x 7 in. / 72 pgs / 40 color.

    By John Ruskin. Introduction by Robert Hewison.

    PRICE: $12.95 | $9.71
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    David Zwirner Books

    The Psychology of an Art Writer

    Vernon Lee—a pseudonym of Violet Paget (1856–1935)—is the most important female aesthetician to come out of 19th-century England. Though she was widely known for her supernatural fictions, Lee never gained the recognition she so clearly deserved for her contributions in the fields of aesthetics, philosophy of empathy and art criticism. An early follower of Walter Pater, she wrote with an extreme attention to her own responses to artworks, and a level of psychological sensitivity rarely seen in any aesthetic writing. Today, she is largely understudied and rarely read, her aesthetic writings long out of print.

    Now, David Zwirner Books reintroduces her writing through the first-ever English publication of The Psychology of an Art Writer (1903) along with selections from her groundbreaking Gallery . . . . Pbk, 4.25 x 7 in. / 72 pgs.

    By Vernon Lee. Foreword by Dylan Kenny.

    PRICE: $12.95 | $9.71
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    Museum of Contemporary Art San Diego

    Memories of Underdevelopment

    Memories of Underdevelopment, set within the context of Latin America from the 1960s to the 1980s, explores how Latin American artists responded to the unraveling of the utopian promise of modernization.

    By the 1960s political oppression and brutal military dictatorships had disabused many of their political and artistic hopes. Artists sought out new ways to connect to the public, with conceptual and performance strategies emerging as productive alternatives to older styles, particularly geometric abstraction. This is the first significant survey of these crucial decades, bringing together the work of artists from throughout Latin America, including both artists that are well known in the US, such as Hélio Oiticica and Lygia Pape, as well as lesser-known names.



    . . . . Hbk, 9 x 11 in. / 208 pgs / 150 color.

    Foreword by Kathryn Kanjo. Text by Julieta González, Sharon Lerner, Jacopo Crivelli-Visconti, Andrea Giunta.

    PRICE: $40.00 | $30.00
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    Steidl/Editions du Centre Pompidou

    David Goldblatt: Structures of Dominion and Democracy

    This book is a selective retrospective of David Goldblatt (born 1930), a key figure in 20th-century photography. Starting from his earliest photographic series, it shows the foundations of Goldblatt’s critical passion for photography, his social sensitivity and political consciousness. Also presented are his most recent photographs pertaining to the changing situation in his native South Africa. Structures of Dominion and Democracy assembles many of Goldblatt’s influential series, including On the Mines, Some Afrikaners and Structures with some less well-known including Kas Maine, and reconstructs the history of their first publication in the international press. Reproducing original handmade dummies and working plates, the process of bookmaking and other diverse applications of these often iconic images are laid bare. In addition to texts . . . . Clth, 11.5 x 12.5 in. / 336 pgs / 173 color / 210 b&w.

    Edited with text by Karolina Ziebinska-Lewandowska. Text by David Goldblatt, Ivor Powell.

    PRICE: $65.00 | $48.75
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    Lévy Gorvy

    Adrian Piper

    Marking Lévy Gorvy’s first solo exhibition with acclaimed conceptual artist and philosopher Adrian Piper (born 1948), this focused presentation includes examples from The Mythic Being series (1973–75), It’s Just Art (1980) and Here, an installation work conceived in 2008 and realized for the first time at the gallery. Together, these three bodies of work delve into interrelated themes Piper has explored throughout her career—the intersubjective formation of self, identity, race and gender; racism, sexism, xenophobia and competing conceptions of political responsibility. The book includes an essay by Begum Yasar and Aliza Shvarts, Alienation, Too, Has Its Uses,” which thinks through Piper’s writings and works to discuss contemporary manifestations of xenophobia and racism. Also included are a biography of the artist and color plates of . . . . Pbk, 7.25 x 10 in. / 92 pgs / illustrated throughout.

    Edited with text by Begum Yasar. Text by Aliza Shvarts.

    PRICE: $25.00 | $18.75
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    Standards Manual

    National Aeronautics and Space Administration Graphics Standards Manual

    The NASA Graphics Standards Manual, by Richard Danne and Bruce Blackburn, is a futuristic vision for an agency at the cutting edge of science and exploration. Housed in a special anti-static package, the book features a foreword by Richard Danne, an essay by Christopher Bonanos, scans of the original manual (from Danne’s personal copy), reproductions of the original NASA 35mm slide presentation, and scans of the Managers Guide, a follow-up booklet distributed by NASA.



    . . . . Hbk, 9.5 x 11.5 in. / 220 pgs / 129 color.

    Foreword by Richard Danne. Text by Christopher Bonanos.

    PRICE: $79.00 | $59.25
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    Vitra Design Museum

    Alvar Aalto: Second Nature

    Described by the architectural critic Sigfried Giedion as the Magus of the North,” Alvar Aalto (1898–1976) is the best-known Finnish architect of his generation and a leading proponent of a more human modernism. His buildings such as the Paimio Sanatorium (1933), the legendary Villa Mairea (1939) and the church of the Three Crosses in Vuoksenniska (1958), embody a masterful interplay of organic volumes, forms and materials. From door handles and lighting fixtures to built-in furniture, Aalto frequently designed complete interiors down to the smallest detail. With his plywood chairs, the master builder additionally became one of the most significant designers of the twentieth century. His Savoy Vase represents the quintessential qualities of Finnish and organic design. This richly illustrated book is . . . . Clth, 7 x 9.5 in. / 648 pgs / 500 color.

    Edited by Jochen Eisenbrand, Mateo Kries. Text by Jochen Eisenbrand, Pedro Gadanho, Dörte Kuhlmann, Peter MacKeith, Mina Marefat, Silvia Micheli, Akos Moravánszky, Eric Mumford, Markku Norvasuo, Eeva-Liisa Pelkonen.

    PRICE: $90.00 | $67.50
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    Steidl

    Nan Goldin: The Beautiful Smile

    "The Beautiful Smile is my favorite book." -Nan Goldin

    The Beautiful Smile, unavailable since its original publication on the occasion of Nan Goldin’s (born 1953) Hasselblad Award of 2007, is finally back in print. The Hasselblad Award is considered the most important international photography prize in the world today; since 1980, award winners have included some of the greatest names the medium has known.

    2007 winner Nan Goldin is easily one of the most significant photographers of our time. Adopting the direct aesthetics of snapshot photography, she has documented her own life and that of her friends and others on the margins of society for more than 30 years, offering frank depictions of drug abuse, cross-dressing and alternative sexualities. Her intimate photographs depict . . . . Hbk, 9.75 x 10.5 in. / 160 pgs / 150 color & b&w.

    Edited by Walter Keller, Jack Ritchey, Gerhard Steidl.

    PRICE: $40.00 | $30.00
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    Steidl

    Henry Wessel: Traffic/Sunset Park/Continental Divide

    This book presents three independent bodies of work by Henry Wessel (born 1942), each being a precise sequence arranged to give the viewer the experience of what it felt like to pass through the territory described.
    The first series, Traffic, shows Wessel’s photos of drivers stuck in traffic as he commuted in the early 1980s from Richmond, California, to San Francisco in the morning rush hour. Wessel records the determination, impatience and blank boredom of his fellow drivers as they navigate a daily drill that seems at times daunting and hopeless. Sunset Park is Wessel’s series of night photos of the modest working-class neighborhood of Sunset Park in Santa Monica. Over four years in the mid-1990s, Wessel captured the nocturnal transformation of . . . . Clth, 11.75 x 11.5 in. / 228 pgs / 105 b&w.


    PRICE: $75.00 | $56.25
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    The Exhibitionist

    The Exhibitionist: Journal on Exhibition Making

    The First Six Years

    A journal by curators for curators, The Exhibitionist has asked the most pertinent questions on contemporary exhibition-making since its founding in 2009
    The Exhibitionist: Journal on Exhibition Making is an anthology of the first 12 issues of the journal about contemporary curating that bears the same name. Established in 2009 as a forum for critical reflection on exhibition-making and curatorial practice, The Exhibitionist has always defined itself as by curators, for curators.” Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry. The Exhibitionist has historicized, analyzed and critiqued a phenomenon it is itself symptomatic of—the . . . . Pbk, 7.5 x 10.25 in. / 975 pgs / 450 b&w.

    Edited with introduction by Jens Hoffmann. Text by Julian Myers-Szupinska.

    PRICE: $39.95 | $29.96
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