• Selections for ForYourArt Subscribers


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
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    Gregory R. Miller & Co./Aspen Art Press

    Mark Bradford: Merchant Posters

    This book gathers for the first time an extensive selection of American artist—or builder and demolisher,” as he describes himself—Mark Bradford's gorgeous, searing and heavily textured merchant posters.” The original printed posters, collected by Bradford from around his Central Los Angeles neighborhood, are brightly colored local advertisements that target the area's vulnerable lower-income residents. For Bradford, they serve as both the formal and conceptual underpinnings of his works on paper, décollages/collages that engage with the pressures of the cityscape. The sheer density of advertising creates a psychic mass, an overlay that can sometimes be very tense or aggressive,” he notes; If there's a 20-foot wall with one advertisement for a movie about war, then you have the repetition of the same . . . . Hbk, 11 x 9 in. / 160 pgs / 100 color.

    Text by Malik Gaines, Ernest Hardy, Philippe Vergne, Heidi Zuckerman Jacobson.

    PRICE: $50.00 | $37.50
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    JRP|Ringier

    How to Do Things with Art

    The Meaning of Art's Performativity

    Art has never been as culturally and economically prominent as it is today. How can artists themselves shape the social relevance and impact of their work? In How to Do Things with Art, German art historian Dorothea von Hantelmann uses four case study artists--Daniel Buren, James Coleman, Jeff Koons and Tino Sehgal--to examine how an artwork acts upon and within social conventions, particularly through the "performing" of exhibitions. The book's title is a play on J.L. Austin's seminal text, How to Do Things with Words, which describes language's reality-producing properties and demonstrates that in "saying" there is always a "doing"--a linguistic counterpart to the dynamics envisioned by Von Hantelmann for art, in which "showing" is a kind of "doing." Von Hantelmann's . . . . Pbk, 6 x 8.25 in. / 208 pgs / 19 b&w.

    By Dorothea von Hantlemann. Edited by Karen Marta. Foreword by Hans Ulrich Obrist.

    PRICE: $29.95 | $22.46
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    Walther König, Köln

    Hans Ulrich Obrist & Hans-Peter Feldmann: Interview

    Here, Hans Ulrich Obrist and Hans-Peter Feldmann have decided to play with the interview format: Obrist poses the questions in writing and Feldmann answers each of them with a picture. The results are frequently funny, and an impressive exercise in visual thinking.

    . . . . Pbk, 6.5 x 8.75 in. / 130 pgs / 59 color / 73 b&w.

    Edited by Hans Ulrich Obrist.

    PRICE: $49.95 | $37.46
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    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
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    DuMont Buchverlag

    Bruce Nauman: Live or Die

    Collector's Choice Vol. 10

    Some forty-odd years after Bruce Nauman began tweaking the conventions of studio practice and the hallowed persona of the 'artist-as-seer,' Pamela M. Lee wrote in Artforum not long ago, "his station in postwar art history rests secure. His influence--whether through his affectless, task-based performances, his sculptural castings of negative space, or his intermedia mash-ups of language, video and noise--is everywhere apparent in contemporary art." Indeed, from the American artist's early work in sculpture and video, made in the 1960s, through his famous spiral of neon letters spelling out "the true artist helps the world by revealing mystic truths," which at once summarized and opened to critique the perennial mystique of the artist, up through his three-venue Golden Lion Award-winning exhibition at . . . . Hbk, 9.25 x 11.5 in. / 240 pgs / 180 color.

    Text by Eugen Blume.

    PRICE: $59.95 | $44.96
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    PictureBox

    Return of the Repressed: Destroy All Monsters 1974-1977

    The influential Detroit anti-rock” group Destroy All Monsters (Mike Kelley, Cary Loren, Niagara, Jim Shaw) made raucous music, irreverent art and legendary zines, performing and disseminating their activities through an elaborate self-mythology. The Destroy All Monsters zines have been reprinted in facsimile editions, but the art objects made by the members have never been examined as independent works. Return of the Repressed: Destroy All Monsters 1974–1977 is the first retrospective of the artwork itself, as well as a DAM overview. Produced in collaboration with the artists, it collects the work of the collective between circa 1974–1977, almost all of which is previously unpublished. Included are dozens of candid photographs of the group and their environs by DAM member Carey Loren, which . . . . Pbk, 8.5 x 10 in. / 312 pgs / 400 color / 100 b&w.

    Edited by Mike Kelley, Dan Nadel. Text by Nicole Rudick.

    PRICE: $34.95 | $26.21
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    Tilton Gallery

    L.A. Object & David Hammons Body Prints

    L.A. Object offers a historical overview of the Los Angeles assemblage movement of the 1960s and 70s. It focuses on works by primarily African-American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington. Central to this book are the unique body prints of David Hammons--ironic, often political commentaries relevant to the African-American experience that are presented for the first time . . . . Hbk, 10.5 x 10 in. / 424 pgs / 249 color / 252 b&w.

    Edited by Connie Rogers Tilton, Lindsay Charlwood. Text by Steve Cannon, Dale Davis, Josine Ianco-Starrels, Kellie Jones, Yael Lipschutz, John Outterbridge, Greg Pitts, Betye Saar, Tobias Wofford.

    PRICE: $65.00 | $48.75
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    Skarstedt Fine Art

    Barbara Kruger: Money Talks

    Money Talks is the first publication to bring together a thematic grouping of Kruger's work. The subject chosen could not be more apt--not only because of current politics and economic realities, but also because this is the subject Kruger has repeatedly returned to throughout her career.



    . . . . Clth, 8.75 x 11.25 in. / 76 pgs / 32 b&w.

    Text by Lisa Phillips.

    PRICE: $30.00 | $22.50
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    JRP|Ringier

    Jim Shaw: My Mirage

    A bricoleur of uniquely American utopian/dystopian cosmologies, Jim Shaw (born 1952) weds themes from American religious history with motifs from 1960s and 70s counterculture, often coining rubrics--such as his invented religion of O--or series under which to unify these narratives. My Mirage is Shaw's earliest sequence of this kind. Conceived between 1986 and 1991, arranged in chapters and constituted of nearly 170 works--drawn, silk-screened, photographed, sculpted, filmed or painted in a different style--My Mirage recounts the wanderings of Billy, a white, middle-class American sucked into the whirlwind of the 1960s and 70s counterculture. An anxious and withdrawn youth consumed by psychotic hallucinations, Billy joins a psychedelic pagan cult, eventually and inevitably returning to the religion of his youth, reborn” as a . . . . Pbk, 8.25 x 10.25 in. / 240 pgs / 150 color.

    Edited by Lionel Bovier, Fabrice Stroun. Text by Fabrice Stroun.

    PRICE: $55.00 | $41.25
    WITH FREE SHIPPING



    JRP|Ringier

    A Brief History of Curating

    By Hans Ulrich Obrist

    Part of JRP|Ringer's innovative Documents series, published with Les Presses du Réel and dedicated to critical writings, this publication comprises a unique collection of interviews by Hans Ulrich Obrist mapping the development of the curatorial field--from early independent curators in the 1960s and 70s and the experimental institutional programs developed in Europe and the U.S. through the inception of Documenta and the various biennales and fairs--with pioneering curators Anne D'Harnoncourt, Werner Hoffman, Jean Leering, Franz Meyer, Seth Siegelaub, Walter Zanini, Johannes Cladders, Lucy Lippard, Walter Hopps, Pontus Hulten and Harald Szeemann. Speaking of Szeemann on the occasion of this legendary curator's death in 2005, critic Aaron Schuster summed up, "the image we have of the curator today: the curator-as-artist, a roaming, . . . . Paperback, 6 x 8 in. / 200 pgs.

    Edited by Hans Ulrich Obrist.

    PRICE: $24.95 | $18.71
    WITH FREE SHIPPING



    Damiani/ Third Line

    Monir Shahroudy Farmanfarmaian: Cosmic Geometry

    Born in 1924 in the ancient Persian city of Qazvin, Monir Shahroudy Farmanfarmaian spent her childhood in a grand old house replete with stained glass, wall paintings and nightingales. Coming of age during World War II, she left occupied Iran and audaciously set out for New York, where she was quickly absorbed into the city's thriving avant garde. In the decades to follow, during successive exiles in Tehran and New York, Farmanfarmaian developed an intuitive yet painstakingly crafted artistic practice in mirror mosaic and reverse-painted glass that weds the cosmic patterning of her Iranian heritage with the rhythms of modern Western geometric abstraction. This book is the first substantial survey of Farmanfarmaian's acclaimed geometric works, and features an in-depth interview by . . . . Hbk, 9.75 x 11.75 in. / 256 pgs / illustrated throughout.

    Edited by Hans Ulrich Obrist, Karen Marta. Text by Nader Ardalan, Media Farzin, Eleanor Sims. Conversation with Hans Ulrich Obrist.

    PRICE: $70.00 | $52.50
    WITH FREE SHIPPING



    Pomona College Museum of Art

    It Happened at Pomona

    Art at the Edge of Los Angeles 1969-1973

    From 1969 to 1973, a series of radical art projects took place at the far eastern edge of Los Angeles County at the Pomona College Museum of Art, in Claremont, California. Here, Hal Glicksman, a pioneering curator in Light and Space art and former assistant to Walter Hopps, and Helene Winer, later the director of Artists Space and founder of Metro Pictures gallery in New York, curated landmark exhibitions by young local artists who bridged the gap between postminimalism and Conceptual art and presaged the development of postminimalism in the late 1970s. Among these artists were Bas Jan Ader, Michael Asher, Mowry Baden, Lewis Baltz, Chris Burden, Judy Chicago, Ger van Elk, Jack Goldstein, Robert Irwin, William Leavitt, John McCracken, Allen . . . . Pbk, 9 x 13 in. / 386 pgs / 120 color / 160 b&w.

    Edited by Rebecca G. McGrew, Glenn R. Phillips, Marie Shurkus. Text by Thomas Crow, David Pagel.

    PRICE: $49.95 | $37.46
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    Wilhelm Fink Verlag, Munich

    The Digital Wunderkammer

    10 Chapters on the Iconic Turn

    As digital technology advances at breakneck speed, Images are circulating quicker than ever before. But what is the status of the image in the digital era? In The Digital Wunderkammer, art historian Hubert Burda (born 1940) examines the "iconic turn" in ten themed chapters and conversations with leading cultural theorists. In the first chapter, "The View Through the Window," Burda traces the connection between perspectival painting and the television, demonstrating in the second chapter how the image requires a frame, which in turn requires a material vehicle--the topic of the third chapter--that in our era has become a non-material vehicle with its own formal parameters. In the fourth chapter, "The Mobile Image," Burda shows how images have always been linked to . . . . Hbk, 8.25 x 11.75 in. / 202 pgs / 58 color / 16 b&w.

    By Hubert Burda. Text by Peter Sloterdijk, Bazon Brock, Hans Belting, Horst Bredekamp, Friedrich Kittler.

    PRICE: $45.00 | $33.75
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    Primary Information

    Dan Graham: Rock/Music Writings

    As admired for his writing as for his work in art, photography and architecture, Dan Graham was one of the first contemporary artists to embrace Punk, Postpunk and No Wave, becoming a figurehead for those movements, and an early supporter of (and friend to) Glenn Branca and Sonic Youth among many others. Rock/Music Writings collects 13 of Graham's most influential writings, on bands ranging from The Kinks to Bow Wow Wow, first published in art journals such as Real Life, Open Letter and ZG between 1968 and 1988, and in the now rare volume Rock My Religion. It includes such landmark essays as Punk as Propaganda,” which explicates the self-packaging and media critique of The Ramones, Devo, the Sex Pistols, the . . . . Pbk, 5.5 x 8.25 in. / 224 pgs / 29 b&w.


    PRICE: $18.00 | $13.50
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  • New Books and Catalogues Releasing This Week


      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      
      

    FUEL Publishing

    Russian Alphabet Colouring Book

    From Sputnik to Gorbachev: an intricately detailed graphic exploration of Russian history that only you can complete

    This coloring book for all ages marks the first publication of the graphic works of Russian artist Amanita. His fantastical images form a unique world: they are like modern variations of illustrated manuscripts, packed full with elements of Soviet and post-Soviet cultures.

    The book also works as an introduction to the Russian alphabet. Every drawing depicts a word beginning with each letter from the Cyrillic alphabet, also shown in English, giving a light-hearted guide as to how the letters look and sound.

    The subjects of Amanita’s illustrations are wide-ranging: from political leaders (Lenin, Gorbachev) to inanimate objects (Tupolev aircraft, Sputnik, Tsars, cosmonauts) and Constructivism, these classic Soviet . . . . Pbk, 8.5 x 11 in. / 112 pgs / 112 b&w.

    Edited by Damon Murray, Stephen Sorrell. Illustrated by “Amanita” Alexander Erashov.

    PRICE: $18.95 | $14.21
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    Damiani/Matsumoto Editions

    Hiroshi Sugimoto: Theaters

    Sugimoto's luminous photographs of classic movie theaters and drive-ins

    In the late 1970s, as Hiroshi Sugimoto was defining his artistic voice, he posed a question to himself: “Suppose you shoot a whole movie in a single frame?” The answer that came to him: “You get a shining screen.” For almost four decades, Sugimoto has been photographing the interiors of theaters using a large-format camera and no lighting other than the projection of the running movie. He opens the aperture when a film begins and closes it when it ends. In the resulting images, the screen becomes a luminous white box and the ambient light subtly brings forward the rich architectural details of these spaces.

    Sugimoto began by photographing the classic movie palaces built . . . . Hbk, 10 x 11 in. / 176 pgs / 130 b&w.

    Text by Hiroshi Sugimoto.

    PRICE: $60.00 | $45.00
    WITH FREE SHIPPING



    Reel Art Press

    Jim Marshall: Jazz Festival

    From Thelonius Monk to John Coltrane, Miles Davis to Nina Simone, Jim Marshall's defining photographs of the 1960s jazz scene

    Jim Marshall is known as the defining father of music photography and his intimate photographs of the greats of rock & roll, country, folk, blues and jazz are legendary. Renowned for his extraordinary access and ability to capture the perfect moment, his influence is second to none. In 2014, Marshall became the only photographer ever to be honored by the Grammys with a Trustees Award for his life’s work.

    Published here for the first time ever are Marshall’s jazz festival photographs from the 1960s, which capture the crowd, the performances and unguarded moments with jazz icons such as Thelonious Monk, John Coltrane, Miles . . . . Hbk, 9.5 x 11.5 in. / 336 pgs / 600 b&w.

    Edited by Amelia Davis, Tony Nourmand. Introduction by Nat Hentoff. Foreword by President Bill Clinton. Designed by Graham Marsh.

    PRICE: $75.00 | $56.25
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    J&L Books

    Bruce Conner Brass Handles

    A Project by Will Brown

    Artist and filmmaker Bruce Conner’s (1933–2008) mobility was severely limited for the last five years of his life, when he rarely left the San Francisco home he shared with his wife, Jean. To aid in his physical navigation of its spaces, he worked with assistants to install a succession of solid brass handles in each and every room--surrounding the stove, down the boat-like stairwell, inside the recesses of the bedroom closet. At last count, the handles, a labyrinth of critical support, numbered 163.
    Still in situ after his death in 2008, the handles are arguably Conner’s last great work--at once physical and metaphysical, fragmentary and elusive, elegant and anonymous. Together, they draft the ghost architecture of Conner’s final years, transforming the pedestrian . . . . Hbk, 9.5 x 6.5 in. / 128 pgs / 100 color.

    Text by Jean Conner. Photographs by Jason Fulford.

    PRICE: $45.00 | $33.75
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    The Museum of Modern Art

    Photography at MoMA: 1920 to 1960

    An epic dive into modernist photography by the museum that helped shape its history

    The history of photography has been told many times, but never before through the incomparable collection of photographs at The Museum of Modern Art. As the second volume in a set of three books that together present a new and comprehensive history of photography through works from MoMA’s collection, this publication charts the medium during the height of the modernist period, from 1920 to 1960.

    Only one other volume--Looking at Photographs, published in 1973--highlights the photographic treasures of MoMA’s collection; neither Beaumont Newhall’s classic History of Photography nor John Szarkowski’s Photography Until Now used the Museum collection as a springboard to approach photography’s distinctive history. The Museum’s significant role . . . . Hbk, 9.5 x 12 in. / 392 pgs / 375 color.

    Edited with text by Quentin Bajac, Lucy Gallun, Roxana Marcoci, Sarah Hermanson Meister. Text by Douglas Coupland, Kevin Moore, Drew Sawyer, Pepper Stetler.

    PRICE: $75.00 | $56.25
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    The Green Box

    Hannah Höch: Life Portrait

    A Collaged Autobiography

    German photomonteur Hannah Höch (1889–1978) is best known for her association with the Berlin Dadaists. But her life and artistic career far outlasted Dada, spanning two world wars and most of the 20th century. And at the age of 83, Höch began to look back.
    The result was Höch’s last--and largest, at nearly 4 x 5 feet--photo-collage, Life Portrait,” created between 1972 and 1973. Though she did not originally set out to make an autobiographical work, the collage functions as a kind of self-portrait for the artist, looking back on her life and work while also ironically and poetically commenting on key political, social and artistic events from the previous 50 years. Höch literally inserts herself into the work several times, with . . . . Hbk, 9 x 9 in. / 96 pgs / 40 color / 3 b&w.

    Introduction and text by Alma-Elisa Kittner. Photographs by Orgel-Köhne.

    PRICE: $65.00 | $48.75
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    RM/Museo Tamayo Arte Contemporáneo

    Isamu Noguchi: Playscapes

    In 1933, the visionary sculptor Isamu Noguchi (1904–88) began making design proposals for children’s playgrounds in New York. The first one, Play Mountain (1933), marked the beginning of the artist’s fascination with exploring points of intersection between sculpture, public spaces and, above all, play. Radically experimental in its approach to children’s recreation, the design asserted, with no apparent precedent, that children’s exercise and entertainment could be stimulated by simply providing earth modulations and steps for running, jumping and sliding.
    Noguchi’s playground was a spectacular innovation of design, and something never before seen in New York City’s brief 32-year history of building and operating playgrounds. But Play Mountain also initiated a lengthy period of frustrated endeavor, in which Noguchi only saw one of . . . . Hbk, 8.25 x 11.25 in. / 224 pgs / 95 color / 5 b&w.

    Text by María Cisitina García, Shaina D. Larrivee, et al.

    PRICE: $45.00 | $33.75
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    Damiani

    Silent Beaches, Untold Stories: New York City's Forgotten Waterfront

    Silent Beaches, Untold Stories: New York City’s Forgotten Waterfront transports the reader into the extraordinary past and present embedded in New York City’s more than 600 miles of coastline through a stunning selection of rare photographs, history, new fiction and contemporary art.
    Each of the ten chapters centers on one of New York City’s lesser-known waterfront spaces: Dead Horse Bay, where the pre-automobile city’s legions of horses once met their maker; Hart Island, New York’s still-active potter’s field, where over 800,000 of the city’s unclaimed dead have been laid to rest; and Sandy Ground, one of the earliest free black communities in the nation, made prosperous through oystering and strawberry farming.
    Elizabeth Albert's historical texts and striking images resonate with Underwater New York's . . . . Pbk, 9.5 x 11.75 in. / 128 pgs / 60 color / 20 b&w.

    Edited with text by Elizabeth Albert. Text by Bill Cheng, Susan Choi, Elizabeth Gaffney, Nelly Reifler, et al.

    PRICE: $39.95 | $29.96
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    Wakefield Press

    The Thief of Talant

    Challenged by his friend, poet and art critic Max Jacob, to write a novel, Pierre Reverdy produced this fragmented, beautiful assemblage of loneliness, paranoia and depersonalization drawn from his own experience of Paris in the early 20th century, the sometimes antagonistic atmosphere of the avant-garde and his own troubled relationship with Jacob, who tended to detect the threat of his literary treasures being plagiarized among everyone he knew. Toward the end of his life, Reverdy confirmed that the alienated, anxious thief” of this novel in verse was a portrait of himself (“Talant” conveys both the dual echo in French of talent” and the small town of Talan near Dijon, thereby evoking a potential plagiarizer from the countryside), and Abel the Magus,” . . . . Pbk, 4.5 x 7 in. / 144 pgs.

    By Pierre Reverdy. Introduction and translation by Ian Seed.

    PRICE: $13.95 | $10.46
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    Damiani

    Toilet Paper: Issue 13

    Toilet Paper is an artists’ magazine created and produced by Maurizio Cattelan and Pierpaolo Ferrari, born out of a passion or obsession they both cultivate: images. The magazine contains no text; each picture springs from an idea, often simple, and through a complex orchestration of people it becomes the materialization of the artists’ mental outbursts.
    Since the first issue in June 2010, Toilet Paper has created a world that displays ambiguous narratives and a troubling imagination. It combines the vernacular of commercial photography with twisted narrative tableaux and surrealistic imagery.

    . . . . Pbk, 9 x 11.50 in. / 40 pgs / 22 color.

    Edited by Maurizio Cattelan, Pierpaolo Ferrari.

    PRICE: $16.00 | $12.00
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    Damiani

    Terence Donovan: Portraits

    From Twiggy in the Swinging Sixties to Princess Diana in the 1980s: three decades of legendary British fashion photographer Terence Donovan

    This is the first book dedicated to the portraiture of legendary photographer Terence Donovan, a genre that spanned the entirety of his four-decade career. During this time he worked for major British and international magazines including Vogue, Marie Claire, Harper’s Bazaar and Elle. Donovan undertook numerous private portrait commissions, photographing public figures from the worlds of the arts, politics and business, in addition to members of the British Royal family; his many sitters include Yasser Arafat, Naomi Campbell, Sean Connery, Diana Princess of Wales, Laurence Olivier and Charlotte Rampling.

    Along with his iconic portraits, this book features unseen work from Donovan’s archive, . . . . Hbk, 9.75 x 11.5 in. / 176 pgs / 130 color / 30 b&w.

    Text by Philippe Garner.

    PRICE: $50.00 | $37.50
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    Guggenheim Museum Publications

    Maurizio Cattelan: All

    An updated edition of the definitive monograph on Maurizio Cattelan--provocateur, prankster and tragic poet of our times

    The Guggenheim Museum’s sold-out publication Maurizio Cattelan: All is returning to print. Hailed as a provocateur, prankster and tragic poet of our times, Maurizio Cattelan (born 1960) has created some of the most unforgettable images in contemporary art--most notoriously “The Ninth Hour” (1999), a sculpture of Pope John Paul II struck by a meteorite. Derived from popular culture, history and organized religion, Cattelan’s subjects range widely, and his work, while bold and irreverent, is deadly serious in its scathing cultural critiques.

    The second edition of All updates the catalogue that accompanied the Solomon R. Guggenheim Museum’s 2011–12 retrospective survey of the artist. For this exhibition, Cattelan . . . . Hbk, 6.25 x 9.5 in. / 255 pgs / 140 color / 30 b&w.

    By Nancy Spector.

    PRICE: $50.00 | $37.50
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    Christine Burgin

    The Coney Island Amateur Psychoanalytic Society and Its Circle

    On the afternoon of August 28th, 1909, Sigmund Freud visited Coney Island’s famous Dreamland amusement park. A hundred years later, this lively, imaginative book examines his legacy in Coney Island, a history which might have been. It begins with Norman Klein’s reconstruction of his actual visit, though Freud’s real impact appears to have come later, with the founding of the Coney Island Amateur Psychoanalytic Society. Zoe Beloff conjures up the world of this unique Society, which would have existed from 1926 through the early 1970s, exploring its activities (which included recreating dreams on film) and discussing its visionary founder, Albert Grass, who attempted to rebuild Dreamland according to Freud’s theory of dream formation. Aaron Beebe, former director of the Coney Island . . . . Pbk, 7.75 x 9.75 in. / 128 pgs / 48 color / 19 b&w.

    Edited by Zoe Beloff. Text by Aaron Beebe, Norman Klein, Amy Herzog.

    PRICE: $30.00 | $22.50
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    Damiani

    Alexi Lubomirski: Diverse Beauty

    England-born, New York–based photographer Alexi Lubomirski has become an established name within the fashion industry, shooting for such publications as Harper’s Bazaar, Vogue and GQ, and working with cover stars such as Charlize Theron, Gwyneth Paltrow, Natalie Portman, Jennifer Lopez and Nicole Kidman, to name but a few. It was after shooting Lupita Nyong’o, however, that Lubomirski was struck by the homogeneity of the subjects he’d been hired to shoot professionally. Often when he submitted a list of models he was interested in shooting, responses would range along the lines of we love her, but...,” her hair is a problem,” she is too dark” or she is too light to make a statement.”
    In Diverse Beauty, Lubomirski aims to move beyond the . . . . Hbk, 9.75 x 13.5 in. / 192 pgs / 79 color / 56 b&w.

    Text by Lupita Nyong'o, Alexi Lubomirski.

    PRICE: $50.00 | $37.50
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    Damiani

    FAQ

    FAQ is an accordion-fold art publication conceived and edited by Maurizio Cattelan and Myriam Ben Salah and commissioned by Le Dictateur. The first volume is published to coincide with the 10th anniversary edition of Le Dictateur, and will then be published annually. FAQ, or Frequently Asked Questions, references an attempt to create an ideal visual representation of a very subjective now.” Born out of an acute image consumption disorder, FAQ reflects the mental assimilation of a relentless roving within physical and virtual art spaces, from galleries to Tumblr accounts, museums to artists’ studios; it can be seen as a portable exhibition, a show on paper, a project of restitution, a hybrid object. The first issue includes works by Thomas Bayrle, Neil . . . . Hbk, 6 x 8.25 in. / 120 pgs / 80 color.

    Edited by Maurizio Cattelan, Myriam Ben Salah.

    PRICE: $35.00 | $26.25
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  • Featured Artists, Critics and Curators



    John Baldessari

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    Uta Barth

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    Klaus Biesenbach

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    Daniel Birnbaum

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    Nicolas Bourriaud

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    Carolyn Christov-Bakargiev

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    Bice Curiger

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