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DATE 4/1/2017

MoMA Presents 'Arbus Friedlander Winogrand: New Documents, 1967' at the Strand

DATE 3/30/2017

Anthony Hernandez

DATE 3/29/2017

Karl Blossfeldt: Masterworks

DATE 3/28/2017

Philip Trager: New York in the 1970s

DATE 3/27/2017

New York in Photobooks

DATE 3/26/2017

James 'Son Ford' Thomas: The Devil and His Blues

DATE 3/24/2017

Marguerita Mergentime: American Textiles, Modern Ideas

DATE 3/24/2017

Karl Blossfeldt: Masterworks

DATE 3/24/2017

Maddie Gilmore on the Textiles of Marguerita Mergentime

DATE 3/24/2017

Join ARTBOOK | D.A.P. at the AIPAD Photography Show

DATE 3/23/2017

Models Matter

DATE 3/22/2017

Trisha Brown, 1936 - 2017

DATE 3/21/2017

Christopher Niquet to Launch 'Models Matter' at BOOKMARC

DATE 3/21/2017

Merce Cunningham: Common Time - Rei Kawakubo

DATE 3/20/2017

Felix Gonzalez-Torres: Specific Objects Without Specific Form

DATE 3/20/2017

Marsie Scharlatt & Aram Saroyan Launch 'A Breathed Yes' at ARTBOOK @ Hauser & Wirth Los Angeles

DATE 3/19/2017

Miralda: El Internacional (1984–1986)

DATE 3/18/2017

Yayoi Kusama Takes On Hans Christian Andersen's 'Little Mermaid'

DATE 3/17/2017

Yayoi Kusama: Give Me Love, The Obliteration Room

DATE 3/17/2017

Joan Rothfuss & Nancy Dalva on 'Merce Cunningham: Common Time' at 192 Books

DATE 3/16/2017

Nancy Perloff launches EXPLODITY at ARTBOOK @ Hauser & Wirth, Los Angeles

DATE 3/16/2017

Renoir: Intimacy

DATE 3/15/2017

Nothing Is Real: When the Beatles Met the East

DATE 3/14/2017

Antoni Miralda to Launch 'El Internacional (1984–1986): New York's Archaeological Sandwich' at MoMA PS1

DATE 3/14/2017

Masao Yamamoto: Small Things in Silence

DATE 3/13/2017

Larry Fink to Launch 'Fink on Warhol' at Rizzoli

DATE 3/13/2017

Andy Warhol: Prints

DATE 3/13/2017

Rizzoli Presents Philip Trager and Ken Schles on NYC Photography

DATE 3/12/2017

The "Odessey": The Zombies in Words and Images Launch at the Strand

DATE 3/12/2017

Cubism and War: The Crystal in the Flame

DATE 3/11/2017

Linda Foard Roberts: Passage

DATE 3/10/2017

Mark Klett: Camino del Diablo

DATE 3/9/2017

Justin Kimball: Elegy

DATE 3/8/2017

Merce Cunningham: Common Time Has Arrived!

DATE 3/7/2017

David Taylor: Monuments

DATE 3/6/2017

Costume & Fashion

DATE 3/4/2017

Jimmy Wright: Bathhouse, Meatpacking District and the Dream Cards

DATE 3/3/2017

Josef Albers: Midnight and Noon

DATE 3/3/2017

Digital Collages from Béatrice Dupire @theiye

DATE 3/2/2017

Masterworks: Rare and Beautiful Chess Sets of the World

DATE 3/2/2017

In Memory of Gustav Metzger, 1926-2017

DATE 3/1/2017

Masterworks: Rare and Beautiful Chess Sets of the World

DATE 3//2017

ARTBOOK | D.A.P. at the Society for Photographic Education Conference

DATE 2/28/2017

Valérie Belin

DATE 2/27/2017

Hollywood and the Ivy Look

DATE 2/26/2017

We Go Out

DATE 2/25/2017

Miralda’s El Internacional (1984–1986): New York’s Archaeological Sandwich

DATE 2/24/2017

Clare Rojas: Plain Black, Abstract Paintings

DATE 2/24/2017

Valérie Belin Book Launch at Albertine

DATE 2/23/2017

The Exhibitionist: Journal on Exhibition Making

DATE 2/22/2017

Yayoi Kusama: I Who Have Arrived in Heaven


EX LIBRIS

Ex Libris: Mark Polizzotti

DATE 2/8/2010

Mark Polizzotti is Director of Intellectual Property and Publisher at the Museum of Fine Arts, Boston, and the author of, among others, the collaborative novel S. (1991), Lautréamont Nomad (1994), Revolution of the Mind: The Life of André Breton (1995), The New Life: Poems (1998), a study of Luis Buñuel’s Los Olvidados (2006), and Bob Dylan: Highway 61 Revisited (2006). His articles, reviews, and poetry have appeared in The New Republic, ARTnews, The Nation, Parnassus, Partisan Review, and elsewhere. He is also the translator of over 30 books from the French, including works by Gustave Flaubert, Marguerite Duras, André Breton, Raymond Roussel, Patrick Chamoiseau, Linda Lê and Jean Echenoz.

1. Mille Plateaux by Gilles Deleuze and Félix Guattari. Make rhizomes not roots. The world looks very different after this book; to be read alongside Nietzsche’s The Genealogy of Morals and Virilio’s Speed and Politics.

2. Maldoror and the Complete Works by the Comte de Lautréamont. The Cantos of Maldoror take literature about as far into white-hot frenzy as it can go, then the Poésies bring it stinging back with a cold slap.

3. Bouvard and Pécuchet by Gustave Flaubert. No one lampooned society as acerbically as Flaubert, and none of his works surpasses his last, unfinished novel for sheer comic absurdity and dry-eyed disgust. Think Barthes’s Mythologies, but 100 years earlier and even more so.

4. CodeX by Maurice Roche. The first book to make me understand that some texts just can’t be tamed, or translated.

5. Theory of the Leisure Class by Thorstein Veblen. Still today one of the most clear-sighted economic treatises ever written—and if economics can be made as interesting (and funny) as this, then, in the right author’s hands, anything can.

6. A Movable Feast by Ernst Hemingway. Before ever setting foot in Paris, this book made me want to be there, sit in those cafés, know those people. Clichés become clichés for a reason.

7. The Innocent Eye: On Modern Literature and the Arts by Roger Shattuck. And The Banquet Years, of course, but this one in particular showcases Shattuck’s astounding ability to make heavy-duty history and criticism seem feather-light.

8. Second Manifesto of Surrealism by André Breton. Even more than Nadja, Mad Love, or other works of Breton’s, this one opened a world to me, even as its darkly embattled prose jabbed way deep. One comes away with the conviction that, linguistically speaking, all is permitted.

9. Le Schizo et les langues by Louis Wolfson. This book will blow your head off. The author, an American who couldn’t abide his mother tongue, devised a system for immediately transposing any English phrase into fragments of other languages to produce an equivalent phrase with the same sound and meaning as the original. Along with Raymond Roussel’s How I Wrote Certain of My Books, it tests the limits of language, translation, and the possibilities of communication.

10. Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig. A book I keep coming back to. His revelation of Phaedrus never loses its chill.

.. The Sailor from Gibraltar by Marguerite Duras. Perhaps the most achingly elusive quest in literature, and an object lesson in how to declare love while dodging traffic. Flowers of Evil by Charles Baudelaire, A Season in Hell by Arthur Rimbaud, Houseboat Days by John Ashbery, Alcools by Guillaume Apollinaire, The Collected Poems of Wallace Stevens. In no particular order; all equally essential.

EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti

Mark Polizzotti is Director of Intellectual Property and Publisher at the Museum of Fine Arts, Boston, and the author of, among others, the collaborative novel S. (1991), Lautréamont Nomad (1994), Revolution of the Mind: The Life of André Breton (1995), The New Life: Poems (1998), a study of Luis Buñuel’s Los Olvidados (2006), and Bob Dylan: Highway 61 Revisited (2006). His articles, reviews, and poetry have appeared in The New Republic, ARTnews, The Nation, Parnassus, Partisan Review, and elsewhere. He is also the translator of over 30 books from the French, including works by Gustave Flaubert, Marguerite Duras, André Breton, Raymond Roussel, Patrick Chamoiseau, Linda Lê and Jean Echenoz.



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