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RECENT POSTS

DATE 4/29/2014

Lygia Clark: The Abandonment of Art

DATE 4/27/2014

Pirate Nightmare Vice Explosion: Inherited Remnants of an Amateur Dadaist’s Library

DATE 4/26/2014

The Way We Were: The Photography of Julian Wasser

DATE 4/25/2014

Katy Grannan: The 99

DATE 4/23/2014

Christopher Anderson: Stump

DATE 4/21/2014

Philip Guston: Late Works

DATE 4/21/2014

The NYPL Presents 'Art Is a Problem' with Joshua Decter

DATE 4/21/2014

Join ARTBOOK at Paris Photo 2014!

DATE 4/19/2014

Sigmar Polke: Alibis

DATE 4/17/2014

Sigmar Polke: Alibis 1963-2010

DATE 4/16/2014

'Richard Serra: Early Work' Launch Events at The Strand and NYPL

DATE 4/15/2014

Episodes with Wayne Thiebaud

DATE 4/13/2014

Trevor Winkfield

DATE 4/10/2014

'The Sick Rose' Lecture and Book Signing at Morbid Anatomy Library

DATE 4/10/2014

Reading Andy Warhol

DATE 4/9/2014

Show Time: The 50 Most Influential Exhibitions of Contemporary Art

DATE 4/7/2014

Eva Hesse: One More than One

DATE 4/4/2014

Abiding Architecture III: 10 days, 26 People, 4 Projects, 11 Languages and 1 site in Titanyen, Haiti: Us and Them

DATE 4/4/2014

Charles Traub: Dolce Via: Italy in the 1980s

DATE 4/2/2014

'Geometric Sociology' in Christoph Gielen: Ciphers

DATE 4/2/2014

Martin Creed: What's the Point of It?

DATE 4/1/2014

Metropolis Live! Susan S. Szenasy to Speak in Boston

DATE 3/31/2014

'Larry Sultan & Mike Mandel: Evidence' eBook Now Available from iTunes

DATE 3/30/2014

Soviets: Drawings by Danzig Baldaev & Photographs by Sergei Vasiliev

DATE 3/28/2014

Richard Serra: Early Work

DATE 3/27/2014

'Emilie Brzezinksi: The Lure of the Forest' Featured on 'Morning Joe'

DATE 3/27/2014

Sarah Jones

DATE 3/25/2014

Derek Ridgers: 78-87 London Youth

DATE 3/22/2014

Philip-Lorca diCorcia

DATE 3/19/2014

Susan S. Szenasy & Debbie Millman to Launch 'Szenasy, Design Advocate' with Conversation at Museum of Arts and Design, NY

DATE 3/18/2014

Xavier Guardans: Windows

DATE 3/18/2014

The King of Kowloon: The Art of Tsang Tsou Choi

DATE 3/17/2014

'Lutz Bacher: Snow' Launch at Greene Naftali

DATE 3/16/2014

Futurism and Dance

DATE 3/14/2014

Favelization: The Imaginary Brazil in Contemporary Film, Fashion and Design

DATE 3/14/2014

Italian Futurism, 1909-1944: Reconstructing the Universe

DATE 3/12/2014

Surrealism and the Dream

DATE 3/10/2014

Robert Heinecken: Object Matter

DATE 3/7/2014

'Maria Lassnig: The Location of Pictures' at ARTBOOK @ MoMA PS1

DATE 3/6/2014

Celebrate 'You Should've Heard Just What I Seen' with DJ set by Matthew Higgs Friday, March 7 at Gavin Brown's Enterprise

DATE 3/5/2014

Join ARTBOOK at The Armory Show, March 6-9

DATE 3/5/2014

Nancy Graves Project & Special Guests

DATE 3/3/2014

Major Exhibition of Austrian Artist Maria Lassnig’s Work Opens at MoMA PS1 This Sunday, March 9th

DATE 3/3/2014

Show Time: The 50 Most Influential Exhibitions of Contemporary Art

DATE 3/2/2014

Visit ARTBOOK @ Collective 2 Design Fair

DATE 2/28/2014

Keiichi Tanaami: Killer Joe's Early Times 1965-73

DATE 2/26/2014

Cuba in Revolution

DATE 2/25/2014

Tom Dixon Presentation & Booksigning February 27 at Twentieth Gallery, Los Angeles

DATE 2/24/2014

Looking East: Western Artists and the Allure of Japan

DATE 2/23/2014

Mostly Sunny, With a Sense of Menace: William Christenberry

DATE 2/21/2014

The Eye of the Storm: Gerhard Richter Catalogue Raisonné, Volume 3


EX LIBRIS

Ex Libris: Mark Polizzotti

DATE 2/8/2010

Mark Polizzotti is Director of Intellectual Property and Publisher at the Museum of Fine Arts, Boston, and the author of, among others, the collaborative novel S. (1991), Lautréamont Nomad (1994), Revolution of the Mind: The Life of André Breton (1995), The New Life: Poems (1998), a study of Luis Buñuel’s Los Olvidados (2006), and Bob Dylan: Highway 61 Revisited (2006). His articles, reviews, and poetry have appeared in The New Republic, ARTnews, The Nation, Parnassus, Partisan Review, and elsewhere. He is also the translator of over 30 books from the French, including works by Gustave Flaubert, Marguerite Duras, André Breton, Raymond Roussel, Patrick Chamoiseau, Linda Lê and Jean Echenoz.

1. Mille Plateaux by Gilles Deleuze and Félix Guattari. Make rhizomes not roots. The world looks very different after this book; to be read alongside Nietzsche’s The Genealogy of Morals and Virilio’s Speed and Politics.

2. Maldoror and the Complete Works by the Comte de Lautréamont. The Cantos of Maldoror take literature about as far into white-hot frenzy as it can go, then the Poésies bring it stinging back with a cold slap.

3. Bouvard and Pécuchet by Gustave Flaubert. No one lampooned society as acerbically as Flaubert, and none of his works surpasses his last, unfinished novel for sheer comic absurdity and dry-eyed disgust. Think Barthes’s Mythologies, but 100 years earlier and even more so.

4. CodeX by Maurice Roche. The first book to make me understand that some texts just can’t be tamed, or translated.

5. Theory of the Leisure Class by Thorstein Veblen. Still today one of the most clear-sighted economic treatises ever written—and if economics can be made as interesting (and funny) as this, then, in the right author’s hands, anything can.

6. A Movable Feast by Ernst Hemingway. Before ever setting foot in Paris, this book made me want to be there, sit in those cafés, know those people. Clichés become clichés for a reason.

7. The Innocent Eye: On Modern Literature and the Arts by Roger Shattuck. And The Banquet Years, of course, but this one in particular showcases Shattuck’s astounding ability to make heavy-duty history and criticism seem feather-light.

8. Second Manifesto of Surrealism by André Breton. Even more than Nadja, Mad Love, or other works of Breton’s, this one opened a world to me, even as its darkly embattled prose jabbed way deep. One comes away with the conviction that, linguistically speaking, all is permitted.

9. Le Schizo et les langues by Louis Wolfson. This book will blow your head off. The author, an American who couldn’t abide his mother tongue, devised a system for immediately transposing any English phrase into fragments of other languages to produce an equivalent phrase with the same sound and meaning as the original. Along with Raymond Roussel’s How I Wrote Certain of My Books, it tests the limits of language, translation, and the possibilities of communication.

10. Zen and the Art of Motorcycle Maintenance by Robert M. Pirsig. A book I keep coming back to. His revelation of Phaedrus never loses its chill.

.. The Sailor from Gibraltar by Marguerite Duras. Perhaps the most achingly elusive quest in literature, and an object lesson in how to declare love while dodging traffic. Flowers of Evil by Charles Baudelaire, A Season in Hell by Arthur Rimbaud, Houseboat Days by John Ashbery, Alcools by Guillaume Apollinaire, The Collected Poems of Wallace Stevens. In no particular order; all equally essential.

EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti
EX LIBRIS: Mark Polizzotti

Mark Polizzotti is Director of Intellectual Property and Publisher at the Museum of Fine Arts, Boston, and the author of, among others, the collaborative novel S. (1991), Lautréamont Nomad (1994), Revolution of the Mind: The Life of André Breton (1995), The New Life: Poems (1998), a study of Luis Buñuel’s Los Olvidados (2006), and Bob Dylan: Highway 61 Revisited (2006). His articles, reviews, and poetry have appeared in The New Republic, ARTnews, The Nation, Parnassus, Partisan Review, and elsewhere. He is also the translator of over 30 books from the French, including works by Gustave Flaubert, Marguerite Duras, André Breton, Raymond Roussel, Patrick Chamoiseau, Linda Lê and Jean Echenoz.



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