Published by D.A.P./Distributed Art Publishers, Inc.. Edited and with text by Gabriele Schor, Elisabeth Bronfen. Foreword and introduction by Gabriele Schor. Text by Betsy Berne, Johannes Binotto, Beate Söntgen, Abigail Solomon-Godeau.
This volume--the most comprehensive monograph published on Francesca Woodman to date--considers her enigmatic photography in the light of the tradition of the tableau vivant and also explores for the first time her poetic use of props (mirror, gloves, wallpaper, etc.) as well as her unusual staging of space. Featuring 80 photographs and 20 previously unpublished works from the collection Sammlung Verbund in Vienna, it is the first publication ever to reproduce all of Woodman’s photographs in their original sizes, authentically reconstructing her idiosyncratic technique of placing the image on the photographic paper. Woodman’s stark, black-and-white photographs explore an intense curiosity and ambivalence toward the feminine self, but her often playful, surreal and symbolic gestures also demonstrate her ability to incorporate elements of humor into her otherwise sober iconography. This volume unifies all of these themes in her work under the broad concept of tableau vivant, showing how Woodman radically reimagined that tradition. It also includes the first detailed and illustrated biography of her life. Francesca Woodman (1958–1981) was born into an artistic family and began to develop her interest and skill in photography during her early teenage years. She produced a distinct and original body of work in under a decade. Woodman committed suicide in 1981 at the age of 22. In the years following her death, Woodman’s work has achieved widespread critical acclaim.
Published by D.A.P./San Francisco Museum of Modern Art. Edited by Corey Keller. Text by Julia Bryan-Wilson, Jennifer Blessing.
Artists who arrive fully formed at a young age always dazzle, and Francesca Woodman was one of the most gifted and dazzling artist prodigies in recent history. In 1972, the 13-year-old Woodman made a black-and-white photograph of herself sitting at the far end of a sofa in her home in Boulder, Colorado. Her face is obscured by her hair, light radiates from an unseen source behind her out at the viewer through her right hand. This photograph typifies much of what would characterize Woodman's work to come: a semi-obscured female form merging with or flailing against a somewhat bare and often dilapidated interior. In an oeuvre of around 800 photographs made in just nine years, Woodman performed her own body against the textures of wallpaper, door frame, baths and couches, radically extending the Surrealist photography of Man Ray, Hans Bellmer and Claude Cahun and creating a mood and language all her own. In the 30 years since her untimely death, Woodman has gained a following among successive generations of artists and photographers, a testament to her work's undeniable immediacy and enduring appeal Amid a renewed intensification of interest in Francesca Woodman, this volume is published for a major touring exhibition of her photographs and films at the San Francisco Museum of Modern Art and the Guggenheim. Containing many previously unpublished photographs, it is the definitive Francesca Woodman monograph. Francesca Woodman (1958-1981) was born in Denver, Colorado, to the well-known artists George and Betty Woodman. In 1975 she attended the Rhode Island School of Design, and in 1979 she moved to New York, to attempt to build a career in photography. In 1981, at the age of 22, she committed suicide.
Published by Silvana Editoriale. Afterword by George Woodman.
The American photographer Francesca Woodman (1958–1981) spent a brief portion of her childhood in the countryside around Florence, living with her parents in an old farm whose dilapidated interiors were later to influence the backdrops of her mesmerizing self-portraits. In 1977 she returned to Italy, studying in Rome on a year-long RISD honors program. During this tenure, Woodman found five tattered school exercise books, printed in 1906, side-stapled and inscribed in fine cursive penmanship with notes from physics lectures or poems in English and Italian. To these evocative objects, Woodman--already fully formed as the photographer we recognize and admire today--added her characteristic black-and-white photographs, either as small paper prints or as prints made on transparent film that allows the writing beneath to show through, further embellishing them with her own captions or remarks. This facsimile edition of one of these notebooks was selected for publication by Woodman’s mother and father as an artist’s book of particular beauty and revelatory content that provides unprecedented insight into the emphatically narrative logic of Woodman’s photography. Housed in a lightweight printed box, it includes an afterword by George Woodman, Francesca’s father, that contextualizes the work within the photographer’s artist’s book production.
Published by AGMA Publishing. Introduction by Giuseppe Casetti. Contributions by Francesco Stocchi.
Francesca Woodman’s first solo exhibition was held in 1978, in the basement of a small bookshop in Rome named Maldoror. Operated by two young men named Giuseppe Casetti and Paolo Missigoi, Maldoror specialized in Surrealist and Futurist books and rarities. One day, Cassetti recalled, “Francesca came up to me and handed me a grey cloth box and said, ‘I’m a photographer.’ I opened the box and I was immediately seduced by what was in it […] The short-circuit between her girlish appearance and the forcefulness of her images disoriented me […]: standing before me was a great artist. She then said, ‘If you want, you can do something with this box.’” So it was that, on 3 April 1978--the photographer’s twentieth birthday--Woodman’s first solo exhibition opened at Maldoror. Francesca Woodman: Photographs 1977–1981 compiles the photographs, letters, postcards and pencil drawings that Woodman mailed to or left with Casetti, Missigoi and her Roman entourage around the occasion of this exhibition, reproduced on a 1:1 scale and published here for the first time. Constituting a scrapbook narrative of the photographer’s Rome years and her friendship with the Maldoror proprietors, it also includes a memoir of Woodman by artist and writer Edith Schloss. A facsimile of Woodman's business card is stapled onto the front cover.
PUBLISHER AGMA PUBLISHING
BOOK FORMAT Paperback, 11.75 x 9.5 in. / 132 pgs / 97 color / 27 bw /Ltd Ed of 2,000 copies.
PUBLISHING STATUS PUB DATE 1/31/2012 Out of print
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: SPRING 2012 p. 60
PRODUCT DETAILS ISBN 9783950314908TRADE LIST PRICE: $60.00 CDN $70.00
AVAILABILITY Not available
STATUS: Out of print | 00/00/00
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