Text by Otto M. Urban.
Published by Arbor Vitae
Joel-Peter Witkin: Vanitas offers a concise survey of one of the most controversial photographers alive. Since the late 1970s, Witkinís black-and-white portraits and still-lifes of hermaphrodites, body parts, severed heads, mutilations and similar themes have inevitably provided shock fodder to the religious right, while seeming to evoke an easy relationship to ideas of decadence and morbidity. For Witkin, the goal is simple: ďI wanted my photographs to be as powerful as the last thing a person sees or remembers before death.Ē Witkinís photographs offer up examples of lifeís extremities as unblinking confrontations with mortality, whose power derives not merely from their content but from the keen compositional instincts governing that content. Witkinís gift for still life and his use of religious motifs such as crucifixion and sainthood have been nourished by his appreciation of the likes of Francisco Goya, Odilon Redon and Hieronymus Bosch, whose examples he has translated for the concerns of the present. Witkinís photographs have made a colossal impact upon contemporary culture, influencing artists such as the Chapman Brothers and Erwin Olaf, musicians such as Diamanda GalŠs and Trent Reznor, and the late fashion designer Alexander McQueen, among many others. Vanitas provides a cross-section of the artistís work from the 1970s to the present. In addition to photographs, it includes many lesser-known drawings and paintings, as well as Witkinís most recent, previously unpublished photographs. A bilingual (English/Czech) text by the art historian Otto M. Urban summarizes the development of Witkinís life and work.
Joel-Peter Witkin was born in Brooklyn, New York, in 1939, and lives in Albuquerque, New Mexico.
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