Following his career-spanning monograph The Big Picture, Arthur Elgort pays homage to his first love and eternal muse in this new collection of photographs. Through Elgort’s lens we encounter ballet not onstage but behind the scenes where the hard work is done. On this journey through the hallways and rehearsal spaces of some of the world’s most distinguished ballet schools, including the New York City Ballet and the Vaganova Academy of Russian Ballet, we see previously unpublished images of legends such as Balanchine, Baryshnikov and Lopatkina. The perfection of the prima ballerina disappears in these quiet photographs where the viewer is able to witness the individual dancers’ natural glamor as they work to perfect their craft. “From the first day I worked with Arthur,” writes the hairstylist Christiaan Houtenbos, “I realized his prism is dance. He took its languid, exuberant perfection as his inspiration when he found himself a young Turk in fashion photography. It has to this day served as his anchor.” Elgort’s snapshot style allows the pain and pleasure of one of the world’s most beloved forms of expressive dance to be seen with beauty. Arthur Elgort, born in 1940 in New York City, has photographed the world’s most beautiful and talented people for over 40 years. He has published seven books to date, including Personal Fashion (1983), The Swan Prince (1987), Models Manual (1993) and Camera Ready (1997). In addition to Ballet, Edition 7L has published Camera Crazy (2004) and The Big Picture (2014).
Published by Damiani. Edited by Marianne Houtenbos. Preface by Wynton Marsalis. Foreword by Hank O'Neal.
This collector's edition of Arthur Elgort: Jazz is limited to 30 copies and contains a 11 x 14" gelatin silver print signed and numbered by Elgort. The black-and-white print is titled Wynton Marsalis, New York City, 1992.
Published by Damiani. Edited by Marianne Houtenbos. Preface by by Wynton Marsalis. Foreword by Hank O’Neal.
Fashion photographer Arthur Elgort has loved jazz since he was nine years old, when a childhood friend introduced him to the music; he soon found himself frequenting jazz clubs all over his native New York City.
The dynamic style that made Elgort such a sensation in fashion photography was directly informed by his love for jazz and dance. His talent as a photographer grew alongside his interest and knowledge of jazz. By the time he was a well-known working photographer, Elgort could parlay his influence into meetings with his boyhood idols, requesting to have his favorite musicians appear in both his fashion and personal work.
Countless jazz greats have appeared in front of Elgort's camera, including Illinois Jacquet, Dexter Gordon and Dorothy Donegan. Each sitting produced not only images but memorable stories: the time Elgort took Dorothy shopping at Chanel; what it was like to shoot Dexter in his Hell's Kitchen apartment; getting to know Illinois and his wife personally. Arthur Elgort: Jazz collects these moments and more, exploring for the first time the creative exchange between the photographer and his musical heroes.
Arthur Elgort (born 1940) studied painting at Hunter College but quickly transitioned to photography, finding painting too slow and solitary. Elgort attributes much of his spontaneous and liberated style to his lifelong love of music and dance, especially jazz and ballet. In his long career he has worked on many major advertising campaigns, including for Chanel, Valentino and Yves Saint Laurent, shot countless fashion spreads and published several books.
Published by Steidl. Foreword by Grace Coddington. Text by Martin Harrison.
This is Arthur Elgort's (born 1940) first comprehensive book, showing his world-renowned fashion imagery alongside his personal work. The Big Picture spans Elgort's five-decade career and illustrates his longevity as an emulated fashion photographer. His lively and casual shooting style is significantly influenced by his lifelong love of music and dance, particularly jazz and ballet. Elgort's 1971 debut in British Vogue created a sensation in the fashion world where his soon-to-be iconic snapshot style and emphasis on movement and natural light transgressed norms of fashion photography. Elgort subsequently rose to fame working for such distinguished magazines as American, French and Italian Vogue, Interview, GQ, Life and Rolling Stone and shooting advertising campaigns for fashion labels including Chanel, Valentino and Yves Saint Laurent.