| Olaf Otto Becker | | MONOGRAPHS & CATALOGS Olaf Otto Becker: Above Zero Text by Dr. Konrad Steffen. Interview by Freddi Langer. Following Broken Line, a prizewinning portrait of the coast of Greenland, Olaf Otto Becker (born in Travemünde, 1959) turns his attention to the interior of the island in his new series, go to book page >> HATJE CANTZ ISBN: 9783775724371 $95.00 | In stock Olaf Otto Becker: Broken Line Text by Gerry Badger, Christoph Schaden. Olaf Otto Becker, born in 1959, worked for almost four years and covered thousands of miles by boat creating these photographs of the coastline of Greenland. The resulting images, made in go to book page >> HATJE CANTZ ISBN: 9783775719728 $95.00 | In stock Olaf Otto Becker: Under the Nordic Light Text by Petra Giloy-Hirtz. For more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker’s photographs go to book page >> HATJE CANTZ ISBN: 9783775731904 $95.00 | In stock | |
| | | | |  | OLAF OTTO BECKER: ABOVE ZERO Text by Dr. Konrad Steffen. Interview by Freddi Langer. HATJE CANTZ ISBN: 9783775724371 | US $95.00 Pub Date: 1/31/2010 Active | In stock
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|  | OLAF OTTO BECKER: BROKEN LINE Text by Gerry Badger, Christoph Schaden. HATJE CANTZ ISBN: 9783775719728 | US $95.00 Pub Date: 10/1/2007 Active | In stock
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| A Journey Through Time: Iceland 1999–2011Text by Petra Giloy-Hirtz. Published by Hatje CantzFor more than ten years, German photographer Olaf Otto Becker (born 1959) has trawled the Arctic and far northern regions with his large-format camera in search of primordial landscapes. Becker’s photographs attain the most sublime effects of which photography is capable, recording landscapes unscathed by human habitation, but very much affected by its consequences. Under the Nordic Light contains both new and previously published photographs of Iceland. “When I arrived in Iceland for the first time, I was deeply impressed by the Nordic light,” Becker told an interviewer. “The colors were largely subdued with subtle nuances, nearly black and white at first glance, but astonishingly colorful at second glance. These conditions enabled me to work with color like a painter.” This volume establishes Becker as the foremost chronicler of these wild landscapes.
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| Text by Dr. Konrad Steffen. Interview by Freddi Langer. Published by Hatje CantzFollowing Broken Line, a prizewinning portrait of the coast of Greenland, Olaf Otto Becker (born in Travemünde, 1959) turns his attention to the interior of the island in his new series, Above Zero. Second only to Antarctica, Greenland has the largest inland ice surfaces in the world. Becker's spectacular portraits of this region are taken during physically strenuous, sometimes life-threatening treks among glacial crevasses and melting ice floes, with a cumbersome large-format camera. His photo studies draw out the overwhelming beauty of this icy landscape, while documenting their present fragility: dust and rust in the air form black, crusty deposits, which, in conjunction with global warming, accelerate the melting of the ice sheets--with what will probably be inevitable, catastrophic results. Becker warns that even in these uninhabited regions, human actions can have fatal consequences.
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| Text by Gerry Badger, Christoph Schaden. Published by Hatje CantzOlaf Otto Becker, born in 1959, worked for almost four years and covered thousands of miles by boat creating these photographs of the coastline of Greenland. The resulting images, made in the clear light of the midsummer night over long exposures, are worth the effort. Almost shadowless neo-romantic dreamscapes, they are unrealistically beautiful. Becker sometimes waits days for the right image or condition to appear in order to produce a single image--a process that leaves him with only about 25 photographs per year. Though visually diverse, all of the pictures share the contemplative character of their creator. Becker, who was once a painter, doesn't photograph scenery: He builds compositions, using his eye and his patience to develop a work of melancholic beauty, in the powerful iconography of the nineteenth-century landscape. He has exhibited widely in Europe, and his previous monograph was short-listed for the Rencontres D'Arles Book Award.
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