Published by Kerber. Edited by Pauli Sivonen, Ville Lenkkeri. Text by Riikka Ala-Harja, Marguerite Rossouw, et al.
Resurrected is a multilayered installation by Johannesburg-based photographer Roger Ballen (born 1950), created in an abandoned family home in the Finnish woods. This publication documents the construction of this unique edifice, revealing Ballenís original vision for the project.
Published by Reflex Editions. Introduction by Wim Pijbes.
Animal Abstraction collects one body of work by photographer Roger Ballen (born 1950). Enigmatic, beautiful and often disturbing, these black-and-white photographs are staged in desolate interiors where humans interact with animals to create mysterious tableaux that reflect Ballenís fascination with the animal kingdom.
PUBLISHER REFLEX EDITIONS
BOOK FORMAT Hardcover, 12 x 12.25 in. / 100 pgs / 49 tritone.
PUBLISHING STATUS PUB DATE 5/31/2012 Active
DISTRIBUTION D.A.P. EXCLUSIVE CATALOG: FALL 2012 p. 180
PRODUCT DETAILS ISBN 9789071848001TRADE LIST PRICE: $79.95 CDN $95.00
AVAILABILITY In stock
in stock $79.95
UPS GROUND IN THE CONTINENTAL U.S. FOR CONSUMER ONLINE ORDERS
For more than 30 years now, American photographer Roger Ballen (born 1950) has been shooting portraits of the impoverished white population of rural South Africa. Likened to the work of master documentarians Walker Evans and Diane Arbus, Ballen's controversial photographs can be brutal, funny, tender and appalling. His day laborers and transients eek out a seemingly wretched existence in the country's so-called Platteland--a hermetically sealed world rarely captured on film. Ballen shoots exclusively in black and white, and portrays his subjects against the backdrop of their own living spaces, whose spartan interiors he transforms into claustrophobic, almost surrealistic stage sets, creating sculptural tableaux with wire, dilapidated furniture, animals and drawings. Published on the occasion of a retrospective at the MŁnchner Stadtmuseum, this monograph explores Ballen's extraordinarily expressive brand of photographic mythmaking.